194 X Collection

Willie Liston Hill & Adamson Scottish active 1843
Willie Liston; Hill & Adamson (Scottish, active 1843 - 1848); 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 14.1 cm (7 5, 8 x 5 9, 16 in.)

Rev Dr James Brewster Hill & Adamson Scottish
Rev. Dr. James Brewster; Hill & Adamson (Scottish, active 1843 - 1848); about 1844; Salted paper print from a Calotype negative; 19.4 x 15.6 cm (7 5, 8 x 6 1, 8 in.)

Sir David Brewster Hill & Adamson Scottish active 1843
Sir David Brewster; Hill & Adamson (Scottish, active 1843 - 1848); 1843 - 1844; Salted paper print from a Calotype negative; 19.4 x 13.8 cm (7 5, 8 x 5 7, 16 in.)

Valley Inkermann I Roger Fenton English 1819
Valley of Inkermann I; Roger Fenton (English, 1819 - 1869); 1855; Salted paper print; 19.4 x 25.2 cm (7 5, 8 x 9 15, 16 in.)

Francis Charteris 10th Earl Wemyss Hill & Adamson
Francis Charteris, 10th Earl of Wemyss; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 14.6 cm (7 5, 8 x 5 3, 4 in.)

Mackenzie Tomb Greyfriars Churchyard Hill & Adamson
Mackenzie Tomb, Greyfriars Churchyard; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 14 cm (7 5, 8 x 5 1, 2 in.)

Thomas Duncan R. S. A Hill & Adamson Scottish active 1843
Thomas Duncan, R.S.A; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 14.3 cm (7 5, 8 x 5 5, 8 in.)

D O Hill Hill & Adamson Scottish active 1843
D. O. Hill; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1847; Salted paper print from a Calotype negative; 19.4 x 13.7 cm (7 5, 8 x 5 3, 8 in.)

Miss Barker Hill & Adamson Scottish active 1843
Miss Barker; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 13.3 cm (7 5, 8 x 5 1, 4 in.)

Maitland McGill Crichton Esq Hill & Adamson Scottish
Maitland McGill Crichton Esq; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.4 x 14.3 cm (7 5, 8 x 5 5, 8 in.)

Initial C Flight Egypt Master Lee Hours Flemish
Initial C: The Flight into Egypt; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial O Pieta Master Lee Hours Flemish active
Initial O: The Pieta; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Virgin Child Ghent Belgium 1450 1455 Tempera colors
The Virgin and Child; Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5, 8 x 5 1, 2 in.)

Entombment Master Lee Hours Flemish active 1450
The Entombment; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Deposition Master Lee Hours Flemish active 1450
The Deposition; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Office Dead Master Guillebert de Mets Flemish
Office of the Dead; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Virgin Child Enthroned within Church Ghent Belgium
The Virgin and Child Enthroned within a Church; Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5, 8 x 5 1, 2 in.)

Flagellation Master Lee Hours Flemish active
The Flagellation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Saint John Evangelist Master Lee Hours Flemish
Saint John the Evangelist; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Crucifixion Master Guillebert de Mets Flemish
The Crucifixion; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Saint Christopher Master Guillebert de Mets Flemish
Saint Christopher; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Saint Veronica Displaying Sudarium Master Guillebert de Mets
Saint Veronica Displaying the Sudarium; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Way Calvary Master Lee Hours Flemish active 1450
The Way to Calvary; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Nativity Master Lee Hours Flemish active
Initial D: The Nativity; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Annunciation Shepherds Master Lee Hours
Initial D: The Annunciation to the Shepherds; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Mowing Zodiacal Sign Cancer Master Lee Hours
A Man Mowing; Zodiacal Sign of Cancer; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Christ Nailed Cross Master Lee Hours Flemish
Christ Nailed to the Cross; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Adoration Magi Master Lee Hours Flemish
Initial D: The Adoration of the Magi; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Visitation Master Lee Hours Flemish
Initial D: The Visitation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Christ Pilate Master Lee Hours Flemish active
Christ before Pilate; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Annunciation Master Lee Hours Flemish
Initial D: The Annunciation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Pentecost Master Wauquelin Alexander Flemish
Pentecost; Master of Wauquelins Alexander (Flemish, active about 1440 - 1460); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Saint Luke Master Lee Hours Flemish active 1450
Saint Luke; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Betrayal Christ Master Lee Hours Flemish active
The Betrayal of Christ; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Virgin Child Master Lee Hours Flemish active
The Virgin and Child; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Presentation Temple Master Lee Hours
Initial D: The Presentation in the Temple; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Saint Matthew Master Lee Hours Flemish active
Saint Matthew; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Man Carrying Leafy Branch Zodiacal Sign Taurus
A Man Carrying Leafy Branch; Zodiacal Sign of Taurus; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Chopping Trees Zodiacal Sign Pisces Master
A Man Chopping Trees; Zodiacal Sign of Pisces; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Digging Zodiacal Sign Aries Master Lee Hours
A Man Digging; Zodiacal Sign of Aries; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Warming Fire Zodiacal Sign Aquarius Master
A Man Warming by a Fire; Zodiacal Sign of Aquarius; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Studies Virgin Child Desiderio da Settignano
Studies of the Virgin and Child; Desiderio da Settignano or workshop (Italian, about 1430 - 1464); Italy; 1460s; Pen and brown ink over stylus underdrawing (recto)

Portrait man woman United States 1860s 1880s
Portrait of man and woman; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 19.4 x 25.5 cm (7 5, 8 x 10 1, 16 in.)

Francois-Louis Leseur artiste dramatique actor
Francois-Louis Leseur, artiste dramatique (actor); Nadar, Gaspard Felix Tournachon (French, 1820 - 1910); 1854 - 1855; Salted paper print; 19.4 x 14.4 cm (7 5, 8 x 5 11, 16 in.)

Excellency Lord Lytton Viceroy Governor-General
His Excellency Lord Lytton, Viceroy and Governor-General of India; Bourne & Shepherd (English, founded 1863); London, England; 1877; Woodburytype; 19.4 x 12.2 cm (7 5, 8 x 4 13, 16 in.)

Valley Mole Robert Howlett British 1831 1858
The Valley of the Mole; Robert Howlett (British, 1831 - 1858), Louis Desire Blanquart-Evrard (French, 1802 - 1872); England; September 3, 1855; Salted paper print; 19.4 x 16.5 cm (7 5, 8 x 6 1, 2 in.)

Sta Maria di Salute Venice Mrs Jane St John British
Sta Maria di Salute, Venice; Mrs. Jane St. John (British, 1803 - 1882); Venice, Italy; 1856 - 1859; Albumen silver print from a paper negative; 19.4 x 16.8 cm (7 5, 8 x 6 5, 8 in.)

Ruins Hadrians Villa Tivoli Mrs Jane St John
Ruins at Hadrians Villa, Tivoli; Mrs. Jane St. John (British, 1803 - 1882); Italy; 1856 - 1859; Albumen silver print from a paper negative; 19.4 x 24.9 cm (7 5, 8 x 9 13, 16 in.)

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"194 x: Capturing Scottish History through the Lens of Hill & Adamson" Step back in time to the year 1843, when Willie Liston and David Octavius Hill joined forces to create a photographic masterpiece. These Scottish pioneers embarked on a journey that would forever change the way we perceive history. Their collaboration with esteemed figures such as Rev Dr James Brewster and Sir David Brewster brought forth stunning images that showcased Scotland's rich cultural heritage. From portraits of influential individuals like Francis Charteris, the 10th Earl Wemyss, to capturing architectural marvels like Mackenzie Tomb in Greyfriars Churchyard – their lens painted a vivid picture of an era long gone. Not limited by borders, they ventured beyond Scotland's shores. Roger Fenton, an English photographer born in 1819, collaborated with them to document Valley Inkermann – immortalizing moments from one of history's most significant battles. The artistic prowess displayed by Thomas Duncan R. S. A and Miss Barker further elevated their work. Their contributions added depth and diversity to Hill & Adamson's portfolio, showcasing different perspectives within Scottish society. But it wasn't just about capturing people or places; it was about telling stories. Maitland McGill Crichton Esq became part of this narrative as his image spoke volumes about social dynamics during that period. And let us not forget the influence from other corners of Europe - Flemish artist Master Lee Hours depicted Initial C Flight Egypt while Master Lee Hours himself presented Initial D Massacre Innocents - both adding an international flavor to this historical collection. As we delve into these photographs today, we are transported back in time. We witness moments frozen forever – a testament to the artistry and dedication exhibited by Hill & Adamson throughout their active years in photography. So join us on this visual journey through history as we unravel the tales hidden within each frame captured by these remarkable visionaries known simply as "194 x.