188 Cm Collection

Pierre Dupuy ca 1648 Etching engraving Sheet
Artokoloro

Aeneas rescuing Anchises young boy carrying lantern
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Portrait Jean-Michel Moreau 1787 Etching engraving
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Virgin Child Saints ca 1550-56 Etching Sheet
Artokoloro

Omnia Vincit Amor 1599 Engraving Plate 5 7 3 / 8
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Rembrandt Studio 1869 Etching chine colle Sheet
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Matthew Christ Apostles St Paul Woodblock Sheet
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Melchior Three Magi series Jacques Bellange ca
Artokoloro

Jean Champlain 1655 Engraving first state four
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Broom Peddler 1737 Etching engraving Sheet 9 1 / 2
Artokoloro

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"Exploring the Artistic World of 188 cm: A Journey through Engravings and Etchings" Step into the captivating world of art with a collection of engravings and etchings that revolve around the intriguing measurement of 188 cm. From Pierre Dupuy's ca 1648 Etching engraving Sheet, depicting an enchanting scene of Aeneas rescuing Anchises with a young boy carrying a lantern, to Jean-Michel Moreau's exquisite Portrait from 1787, each artwork tells its own unique story. Transport yourself back in time as you gaze upon the Virgin Child Saints from ca 1550-56, captured beautifully in an etching sheet. The delicate lines bring forth their innocence and purity, evoking a sense of awe and reverence. Meanwhile, Omnia Vincit Amor enchants us further with its intricate details engraved on a plate measuring 5 7/8 by 3/8 inches in size. Love conquers all indeed. Rembrandt Studio takes us on yet another artistic journey through his chine colle sheet from 1869. The masterful use of this technique adds depth and texture to his work, leaving viewers mesmerized by his skillful hand. Matthew Christ Apostles St Paul Woodblock Sheet invites us to delve into biblical narratives brought to life through woodblock printing techniques. The intricate patterns carved onto the wooden surface create stunning visual representations that captivate our imagination. Jacques Bellange's Melchior Three Magi series transports us to ancient times as we witness these majestic figures depicted in all their glory. Their regal presence is enhanced by Bellange's meticulous attention to detail. Jean Champlain's first state four engraving from 1655 showcases his mastery over this medium as he captures scenes filled with emotion and drama. Each stroke brings characters alive before our eyes.