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1852 Collection (page 9)

"1852: A Year of Battles, Discoveries, and Cultural Marvels" Step back in time to the year 1852

Background image1852 Collection: Medinet-Habou, Vue Generale des Rines, Thebes, 1849 / 51, printed 1852

Medinet-Habou, Vue Generale des Rines, Thebes, 1849 / 51, printed 1852
Medinet-Habou, Vue Generale des Rines, Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 45 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Medinet-Habou, Galerie du Palais de Ramses-Meiamoun;Thebes, 1849 / 51

Medinet-Habou, Galerie du Palais de Ramses-Meiamoun;Thebes, 1849 / 51
Medinet-Habou, Galerie du Palais de Ramses-Meiamoun; Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 52 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Le Sphynx vu de Face, Egypte Moyenne, 1849 / 51, printed 1852. Creator: Maxime du Camp

Le Sphynx vu de Face, Egypte Moyenne, 1849 / 51, printed 1852. Creator: Maxime du Camp
Le Sphynx vu de Face, Egypte Moyenne, 1849/51, printed 1852. A work made of salted paper print, plate 11 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Kalabscheh, Vue Generale du Temple de Kalabscheh (Talmis);Nubie, 1849 / 51

Kalabscheh, Vue Generale du Temple de Kalabscheh (Talmis);Nubie, 1849 / 51
Kalabscheh, Vue Generale du Temple de Kalabscheh (Talmis); Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 89 from the album " egypte, nubie

Background image1852 Collection: Jerusalem, Porte Doree (Bab-El-Daharieh);Palestine, 1849 / 51, printed 1852

Jerusalem, Porte Doree (Bab-El-Daharieh);Palestine, 1849 / 51, printed 1852
Jerusalem, Porte Doree (Bab-El-Daharieh); Palestine, 1849/51, printed 1852. A work made of salted paper print, plate 118 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Ibsamboul, Partie Septentrionale Du Speos D Hathor;Nubie, 1849 / 51, printed 1852

Ibsamboul, Partie Septentrionale Du Speos D Hathor;Nubie, 1849 / 51, printed 1852
Ibsamboul, Partie Septentrionale Du Speos D Hathor; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 108 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Ibsamboul, Colosse Occidental Du Speos De Phre;Nubie, 1849 / 51, printed 1852

Ibsamboul, Colosse Occidental Du Speos De Phre;Nubie, 1849 / 51, printed 1852
Ibsamboul, Colosse Occidental Du Speos De Phre; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 107 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852

Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852
Grand Temple d Isis a Philoe, Second Pylone; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 74 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Grand Temple de Denderah (Teutyres), Sculptures de la Facade Posterieure

Grand Temple de Denderah (Teutyres), Sculptures de la Facade Posterieure; Haute-Egypte, 1849/51, printed 1852. A work made of salted paper print, plate 19 from the album " egypte, nubie

Background image1852 Collection: Gournah, Statue de Memnon;Thebes, 1849 / 51, printed 1852. Creator: Maxime du Camp

Gournah, Statue de Memnon;Thebes, 1849 / 51, printed 1852. Creator: Maxime du Camp
Gournah, Statue de Memnon; Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 55 from the album " egypte, nubie, palestine et syrie" (1852)

Background image1852 Collection: Facade Posterieure, Grand Temple de Denderah (Teutyres), Haute Egypte

Facade Posterieure, Grand Temple de Denderah (Teutyres), Haute Egypte, 1849/51, printed 1852. A work made of salted paper print, plate 18 from the album " egypte, nubie

Background image1852 Collection: Baalbeck, Interieur De L Enceinte Des Temples Du Soleil Et De Jupiter;Syrie

Baalbeck, Interieur De L Enceinte Des Temples Du Soleil Et De Jupiter;Syrie
Baalbeck, Interieur De L Enceinte Des Temples Du Soleil Et De Jupiter; Syrie, 1849/51, printed 1852. A work made of salted paper print, plate 119 from the album " egypte, nubie

Background image1852 Collection: A box at the Italian Opera in 1852, 1898 (litho)

A box at the Italian Opera in 1852, 1898 (litho)
5913081 A box at the Italian Opera in 1852, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: A box at the Italian Opera, 1852)

Background image1852 Collection: Sleeping Woman in White Dress, c. 1851-1855 (stereoscopic daguerreotype)

Sleeping Woman in White Dress, c. 1851-1855 (stereoscopic daguerreotype)
1766813 Sleeping Woman in White Dress, c.1851-1855 (stereoscopic daguerreotype) by Gouin, Alexis Louis Charles Arthur (fl.c.1830)

Background image1852 Collection: Shipping on the Hooghly River, Calcutta, 1852 (oil on canvas)

Shipping on the Hooghly River, Calcutta, 1852 (oil on canvas)
1196746 Shipping on the Hooghly River, Calcutta, 1852 (oil on canvas) by Martin, C.J. (fl.1810-60); 39.4x62.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1852 Collection: Idyll, 1851-52 (oil on canvas)

Idyll, 1851-52 (oil on canvas)
989561 Idyll, 1851-52 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 84.5x63.5 cm; Private Collection; (add.info.: Idyll; Idylle. William Adolphe Bouguereau (1825-1905). Oil on canvas

Background image1852 Collection: Study for a Woman Sleeping, c. 1852 (oil on canvas)

Study for a Woman Sleeping, c. 1852 (oil on canvas)
987554 Study for a Woman Sleeping, c.1852 (oil on canvas) by Courbet, Gustave (1819-77); 72.3x97.8 cm; Private Collection; (add.info.: Study for a Woman Sleeping; Femme Endormie, Etude)

Background image1852 Collection: The Huguenot, 1852 (oil on canvas)

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Background image1852 Collection: The Parting of Lord William and Lady Rachel Russell in 1683

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Background image1852 Collection: Lancaster, 1852 (pencil, watercolour and gum arabic)

Lancaster, 1852 (pencil, watercolour and gum arabic)
659821 Lancaster, 1852 (pencil, watercolour and gum arabic) by Fripp, George Arthur (1813-96); 46.4x69.3 cm; Private Collection; (add.info.: Lancaster. George Arthur Fripp (1813-1896)

Background image1852 Collection: Jeanne Granier (1852) (b / w photo)

Jeanne Granier (1852) (b / w photo)
5220092 Jeanne Granier (1852) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jeanne Granier (1852)

Background image1852 Collection: Raoul Pugno (1852) (b / w photo)

Raoul Pugno (1852) (b / w photo)
5219987 Raoul Pugno (1852) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Raoul Pugno (1852)

Background image1852 Collection: Trade signs: Metal, Glass and Oil Trades (litho)

Trade signs: Metal, Glass and Oil Trades (litho)
6026897 Trade signs: Metal, Glass and Oil Trades (litho) by English School, (20th century); Private Collection; (add.info.: Metal, Glass and Oil Trades)

Background image1852 Collection: Prince Bismarck (engraving)

Prince Bismarck (engraving)
1063596 Prince Bismarck (engraving) by German School, (19th century); Private Collection; (add.info.: Prince Bismarck. Illustration for The Graphic)

Background image1852 Collection: Victor Hugo hails a universal republic during a speech while in exile on 1st August 1852

Victor Hugo hails a universal republic during a speech while in exile on 1st August 1852
909661 Victor Hugo hails a universal republic during a speech while in exile on 1st August 1852, 19th Century (b/w engraving) by Lix

Background image1852 Collection: The Balloon Kettle, as it stood in St Georges Fields, London, about 1790 (engraving)

The Balloon Kettle, as it stood in St Georges Fields, London, about 1790 (engraving)
586657 The Balloon Kettle, as it stood in St Georges Fields, London, about 1790 (engraving) by English School, (19th century); Private Collection; (add.info.: The Balloon Kettle)

Background image1852 Collection: The Protection Giant (engraving)

The Protection Giant (engraving)
2777171 The Protection Giant (engraving) by Leech, John (1817-64) (after); Private Collection; (add.info.: The Protection Giant. Cartoon, 13 March 1852)

Background image1852 Collection: An Easy Place (engraving)

An Easy Place (engraving)
2777169 An Easy Place (engraving) by English School, (19th century); Private Collection; (add.info.: An Easy Place. Cartoon, 3 April 1852)

Background image1852 Collection: The Easter Recess (engraving)

The Easter Recess (engraving)
2777167 The Easter Recess (engraving) by English School, (19th century); Private Collection; (add.info.: The Easter Recess. Cartoon, 24 April 1852)

Background image1852 Collection: The charwomen in the National Gallery. A cartoon about the conservation controversy at

The charwomen in the National Gallery. A cartoon about the conservation controversy at the National Gallery, after nine paintings were cleaned in the autumn of 1852

Background image1852 Collection: The Life of William Ewart Gladstone, the Prime Ministers of Queen Victorias Reign (litho)

The Life of William Ewart Gladstone, the Prime Ministers of Queen Victorias Reign (litho)
1615760 The Life of William Ewart Gladstone, the Prime Ministers of Queen Victorias Reign (litho) by English School, (19th century); Private Collection; (add.info)

Background image1852 Collection: Warwick Race Plate, 1852, Charles I discovering the Body of his Standard-Bearer at Edgehill

Warwick Race Plate, 1852, Charles I discovering the Body of his Standard-Bearer at Edgehill (engraving)
1618403 Warwick Race Plate, 1852, Charles I discovering the Body of his Standard-Bearer at Edgehill (engraving) by English School, (19th century); Private Collection; (add.info.: Warwick Race Plate)

Background image1852 Collection: 'Kingston, 'the Winner of the Goodwood Cup, 1852 (engraving)

"Kingston, "the Winner of the Goodwood Cup, 1852 (engraving)
1618323 " Kingston, " the Winner of the Goodwood Cup, 1852 (engraving) by Herring, Benjamin (1830-71); Private Collection; (add.info.: " Kingston)

Background image1852 Collection: May-Day, 1852, and Maypole in the Village of Burley, New Forest, Hants (engraving)

May-Day, 1852, and Maypole in the Village of Burley, New Forest, Hants (engraving)
1607443 May-Day, 1852, and Maypole in the Village of Burley, New Forest, Hants (engraving) by English School, (19th century); Private Collection; (add.info.: May-Day, 1852)

Background image1852 Collection: Epsom Races, 1852, 'Daniel O Rourke, 'the Winner of 'The Derby Stakes'(engraving)

Epsom Races, 1852, "Daniel O Rourke, "the Winner of "The Derby Stakes"(engraving)
1607481 Epsom Races, 1852, " Daniel O Rourke, " the Winner of " The Derby Stakes" (engraving) by Herring, Benjamin (1830-71); Private Collection; (add.info.: Epsom Races, 1852)

Background image1852 Collection: Metropolitan Improvements (engraving)

Metropolitan Improvements (engraving)
1601631 Metropolitan Improvements (engraving) by English School, (19th century); Private Collection; (add.info.: Metropolitan Improvements)

Background image1852 Collection: A box at the Italian Opera, 1852

A box at the Italian Opera, 1852. Woman in off-the-shoulder dresses with shawl berthas, gentleman with opera glasses in white tie and black coat. Handcoloured lithograph by R.V

Background image1852 Collection: Woman at the Freres Provencaux Restaurant, Paris, 1850

Woman at the Freres Provencaux Restaurant, Paris, 1850. She wears a lilac jacket over a flounced crinoline. The Trois Freres Provencaux in the Palais Royal was a fashionable bouillabaise specialty

Background image1852 Collection: Cartoon, Horrible Incident in Real Life

Cartoon, Horrible Incident in Real Life
The master of a household visits the kitchen to get a little supper after the servants have gone, only to find it crawling with cockroaches. 1852

Background image1852 Collection: Cartoon, A Dissolving View (Disraeli and Derby)

Cartoon, A Dissolving View (Disraeli and Derby)
Cartoon, A Dissolving View -- Benjamin Disraeli and Lord Derby win the General Election, though only by a slim majority. The election results indicated clear support for Free Trade as against

Background image1852 Collection: Cartoon, The Political Topsy

Cartoon, The Political Topsy -- a satirical comment on Benjamin Disraelis ability to switch between Protectionism and Free Trade according to his own convenience

Background image1852 Collection: Cartoon, Mrs Gamp Taking the Little Party... Back to School

Cartoon, Mrs Gamp Taking the Little Party... Back to School
Cartoon, Mrs Gamp Taking the Little Party She Looks After Back to School. A satirical comment on the Morning Herald newspaper (represented here as the Dickens character Mrs Gamp)

Background image1852 Collection: A Dervish, c. 1851-2 (grisaille, with touches of blue and pink)

A Dervish, c. 1851-2 (grisaille, with touches of blue and pink)
1196886 A Dervish, c.1851-2 (grisaille, with touches of blue and pink) by Ghaffari, Abu l Hassan (1814-66); 31.4x23.8 cm; Private Collection; (add.info.: Ghaffari)

Background image1852 Collection: The Deer Pass, c. 1852 (oil on canvas)

The Deer Pass, c. 1852 (oil on canvas)
828395 The Deer Pass, c.1852 (oil on canvas) by Landseer, Edwin (1802-73); 88.1x213.4 cm; Private Collection; (add.info.: The Deer Pass. Sir Edwin Henry Landseer (1802-1873). Oil on canvas

Background image1852 Collection: The Book Fair, 1852 (oil on panel)

The Book Fair, 1852 (oil on panel)
989430 The Book Fair, 1852 (oil on panel) by Schendel, Petrus van (1806-70); 87.6x119.4 cm; Private Collection; (add.info.: The Book Fair. Petrus van Schendel (1806-1870). Oil on panel

Background image1852 Collection: Interior of a Larder with Women cleaning Game, 1852 (oil on panel)

Interior of a Larder with Women cleaning Game, 1852 (oil on panel)
989266 Interior of a Larder with Women cleaning Game, 1852 (oil on panel) by Hove, Hubertus van (1814-65); 44.2x55.9 cm; Private Collection; (add.info.: Interior of a Larder with Women cleaning Game)

Background image1852 Collection: Henri Gervex (1852) (b / w photo)

Henri Gervex (1852) (b / w photo)
5220028 Henri Gervex (1852) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Henri Gervex (1852)

Background image1852 Collection: Jean Dagnan-Bouveret (1852) (b / w photo)

Jean Dagnan-Bouveret (1852) (b / w photo)
5220018 Jean Dagnan-Bouveret (1852) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jean Dagnan-Bouveret (1852)



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"1852: A Year of Battles, Discoveries, and Cultural Marvels" Step back in time to the year 1852, a remarkable period filled with significant events and captivating achievements. From the echoes of The Battle of Waterloo still resonating across Europe to groundbreaking scientific breakthroughs, this year left an indelible mark on history. In the realm of science, Ramon Y Cajal would later become a Nobel laureate in 1906 for his histological diagram of a mammalian retina. His meticulous work paved the way for our understanding of vision and how our eyes perceive the world around us. Meanwhile, at Kew Gardens' magnificent Great Palm House in 1852, visitors marveled at its breathtaking interior. Amidst lush greenery and vibrant blooms, nature's wonders were showcased like never before—a testament to mankind's fascination with botanical diversity. Transporting ourselves further back in time to Brussels in 1815 brings us face-to-face with Duke Wellington as he summoned troops to Waterloo—a pivotal moment that shaped European history forever. Foot guards valiantly fought alongside him during this historic battle against Napoleon Bonaparte's forces. Closer to home in South Wales, construction was underway on Landore Viaduct—an engineering marvel that connected communities and facilitated trade routes. This monumental structure stands as a testament to human ingenuity even today. The year also witnessed celestial wonders captured through early daguerreotypes by John Adams Whipple and George Phillips Bond at Harvard College Observatory. Their pioneering efforts brought us closer than ever before to the moon's enchanting beauty—unveiling secrets hidden within its craters and vast expanse. Amidst these grand events stood cultural milestones such as Théophile Steinlen's iconic artwork "Tournée du Chat Noir. " This whimsical depiction encapsulated Parisian nightlife while capturing imaginations worldwide—a timeless piece that continues to inspire artists even today. However, not all was grandeur and celebration.