1838 Collection (page 7)

Big pine in Bruhl valley near Moding, 1838 (oil on canvas)
6372823 Big pine in Bruhl valley near Moding, 1838 (oil on canvas) by Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853); 66x112 cm; Osterreichische Galerie Belvedere, Vienna, Austria; German

The Progress of Steam Navigation (engraving)
1609654 The Progress of Steam Navigation (engraving) by Andrews, George Henry (1816-98) (after); Private Collection; (add.info.: The Progress of Steam Navigation)

Etienne Berne-Bellecour (1838) (b / w photo)
5220003 Etienne Berne-Bellecour (1838) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Etienne Berne-Bellecour (1838)

Charlies Stables, south side of Tron Gate, east of Stockwell Street, taken down in 1838 (engraving)
5210021 Charlies Stables, south side of Tron Gate, east of Stockwell Street, taken down in 1838 (engraving) by English School, (19th century); Private Collection; (add.info.: Charlies Stables)

Old Barnes Pool Bridge, 1838 (gravure)
965556 Old Barnes Pool Bridge, 1838 (gravure) by English School, (20th century); Private Collection; (add.info.: Old Barnes Pool Bridge, 1838)

Excise Ticket, for letting otherwise than by the mile, one horse for 365 days, 1838 (engraving)
3657211 Excise Ticket, for letting otherwise than by the mile, one horse for 365 days, 1838 (engraving) by English School, (19th century); Private Collection; (add.info.: Excise Ticket)

The New House of Commons (engraving)
1061888 The New House of Commons (engraving) by English School, (19th century); Private Collection; (add.info.: The New House of Commons, Portraits of Members who have never before sat in Parliament)

Canada Goose, c. 1827-1838 (hand-coloured etching with aquatint engraving)
985904 Canada Goose, c.1827-1838 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info)

BKS300394087B 01
022014upload, 1811, 1838, 19th Century, Books & Manuscripts, Cardus Cichoraceus, Close Up, Engraving, Flora Napolitana, Gnaphalium Penduculare, Italian School, Michele Tenore, Nature, Nobody, Pink

Karnac, 27th November 1838, 1842-1849 (hand-coloured lithograph)
986404 Karnac, 27th November 1838, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: Karnac, 27th November 1838)

Venus Anadyomene, 1838. Creator: Chasseriau, Theodore (1819-1856)
Venus Anadyomene, 1838. Found in the collection of Musee du Louvre, Paris

Portrait of Alexandre Ledru-Rollin (1807-1874), 1838. Creator: Mongez
Portrait of Alexandre Ledru-Rollin (1807-1874), 1838. Found in the collection of Musee Carnavalet, Paris

A photograph of Ann Hathaways Cottage, Shottery, near Stratford-on-Avon. The cottage remained the property of the Hathaway family until 1838. Date: 16th century

The National, Gallery, Trafalgar Square, London, built between 1834 and 1838. Seen here from across one of the fountains in Trafalgar Square. Date: built 1834 - 1838

Harts, Temperance House, coffee and dining rooms at 159 Aldersgate Street, London Date: 1838

View of the Port of Rhodes, Greece 1838 Date: 1838

Coastal View Santorin island, town of Phera, Greece 1838 Date: 1838

Gustave Flourens released from prison by revolutionaries
The release of Gustave Florens (1838-1871), the French Revolutionary leader, by some of his followers, Mazas, France, 1871

Locomotive engine 1838
Locomotive engine, Birmingham and Derby junction railway. Date: 1838

ALEXANDER JOLLY Bishop of Moray with his autograph Date: 1755 - 1838

Forfarshire Shipwreck
When this paddle steamer wrecks on the Farne Islands, off Northumberland, lighthouse keeper Darling and 18-year old daughter Grace row to the wreck and save nine. Date: 7 September 1838

Talented Daughter
Unappreciated talent : Now then Julier do a done with that pehanner and give the mangle a turn ! Date: 1837 - 1838

NEW CROSS / RAILWAY 1838
New Cross, south-east London, with the London and Croydon railway line Date: 1838

Paris Bridges
A succession of Paris bridges - Pont Saint-Charles - Petit Pont - Pont Saint-Michel, viewed from beneath the Pont au Double Date: 1838

VICTORIA CROWNED
She is crowned in Westminster Abbey Date: 28 June 1838

CORONATION OF VICTORIA
VICTORIA CROWNED in Westminster Abbey Date: 28 June 1838

HOLBORN, LONDON
High Holborn including Sparrows Tea Establishment. Date: 1838

6th Dragoon Guards soldiers
6TH DRAGOON GUARDS on foot and horseback Date: 1838

Second Royal Exchange
Designed by Edward Jarman and opened in 1669, it burned down in January 1838. It had been used by the Lloyds insurance market

Portrait of Clara Wieck-Schumann (1819-1896), 1838. Creator: Staub, Andreas (1806-1839)
Portrait of Clara Wieck-Schumann (1819-1896), 1838. Private Collection

George Sand, 1838. Creator: Delacroix, Eugene (1798-1863)
George Sand, 1838. Found in the Collection of Ordrupgaard Museum, Charlottenlund

View of Glienicke Palace from Babelsberg, c. 1838. Creator: Freydanck, Carl Daniel (1811-1887)
View of Glienicke Palace from Babelsberg, c.1838. Found in the Collection of Staatliche Museen, Berlin

Vasily Vasilievich Engelhardt (1814-1868), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Alexander Frantsevich Tiran (1815-1865), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Nikolay Ivanovich Bukharov (1799-1862), 1838. Found in the Collection of State Hermitage, St. Petersburg

Alexey Grigoryevich Stolypin (1805-1847), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Mikhail Vasilyevich Pashkov (1802-1863), 1838. Found in the Collection of State Hermitage, St. Petersburg

Dmitri Dmitrievich Zasetsky, 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Prince Alexander Nikolayevich Dolgoruky (1819-1842), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Count Semyon Davidovich Abamelek-Lazarev (1815-1888), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Yegor Ivanovich Shevich (1808-1849), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Pavel Dmitrievich Solomirsky (1801-1861), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Yakov Viktorovich Shimanovsky, 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Pyotr Nikolayevich Novosiltsev, 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Irakly Abramovich Baratynsky (1802-1859), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Count Dmitri Alexeyevich Shcherbatov (1805-1853), 1838. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

Portrait of Emperor Peter I the Great (1672-1725), 1838. Found in the Collection of Kunsthalle, Hamburg

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In 1838, amidst a world of contrasting events and remarkable individuals, history unfolded in its diverse tapestry. Grace Darling, a beacon of bravery and resilience, embarked on a daring rowing adventure with her father to rescue stranded sailors from the treacherous sea. Their selfless act became an emblem of heroism. Simultaneously, the Trail of Tears marked a dark chapter in American history as the Cherokee Native Americans were forcibly removed from their ancestral lands and relocated westward. Robert Lindneux's poignant oil painting captures the sorrow and displacement endured by these resilient people. Barend Cornelis Koekkoek's Winter Landscape transports us to a serene scene painted between 1835-1838. The tranquility depicted contrasts sharply with the turmoil experienced during this period. John James Audubon's artistic prowess shines through his depictions of nature's wonders. From his Birds of America series spanning 1827-1838, we witness the majestic Crested Caracara soaring across canvas alongside other avian marvels like the Merlin Hawk and Key West Quail-Dove. Meanwhile, Union Workhouse in Sleaford stands as a testament to societal structures that sought to address poverty during this era. Its walls witnessed both hardship and hope for those seeking refuge within its doors. The Wharncliffe Viaduct symbolizes progress as it spans across landscapes connecting communities through engineering marvels. It serves as a reminder that even amidst tumultuous times, humanity strives for advancement. And finally, Corry's caricature featured in Vanity Fair humorously reflects society's satirical lens towards influential figures during 1877 while The Imperial State Crown represents enduring symbols of power and monarchy throughout time. Thus, within these fragments lies an encapsulation of life in 1838 - tales of courage against adversity; struggles etched upon canvases; nature celebrated through artistry; societal constructs shaping lives; bridges uniting communities; and the enduring presence of power and satire.