1830 1903 Collection

The Prime Minister: Robert Arthur Talbot Gascoyne Cecil, 3rd Marquis of Salisbury (1830-1903) British Conservative statesman. Prime Minister 1885, 1886, 1895-1902, in 1900

Robert Arthur Talbot Gascoyne Cecil, 3rd Marquis of Salisbury (1830-1903) British Conservative statesman
527829 Robert Arthur Talbot Gascoyne Cecil, 3rd Marquis of Salisbury (1830-1903) British Conservative statesman. Prime Minister 1885, 1886, 1895-1902. Salisbury addressing the House of Lords

The Artists Garden at Eragny Date: 1898

Wooded Landscape at LHermitage, Pontoise, 1879. Creator: Camille Pissarro (French, 1830-1903)
Wooded Landscape at LHermitage, Pontoise, 1879. Camille Pissarro, a painter fascinated by colour, was also a superb printmaker

The Mender, c. 1881. Creator: Camille Pissarro (French, 1830-1903)
The Mender, c. 1881. Unlike Cassatt and Degas, Pissarro eschewed the city and the bourgeoisie for much of his career, instead making the countryside and its inhabitants the subject of his art

The Lock at Pontoise, 1872. Creator: Camille Pissarro (French, 1830-1903)
The Lock at Pontoise, 1872. This depiction of a lock on the river Oise is one of four such compositions inspired by the area of Pontoise, a village north of Paris

Quai Boieldieu in Rouen, c. 1896. Creator: Camille Pissarro (French, 1830-1903)
Quai Boieldieu in Rouen, c. 1896

Paysanne portant des seaux, 1889. Creator: Camille Pissarro (French, 1830-1903)
Paysanne portant des seaux, 1889

Peasants Carrying Fagots, c. 1896. Creator: Camille Pissarro (French, 1830-1903)
Peasants Carrying Fagots, c. 1896

Paul Cezanne, 1874. Creator: Camille Pissarro (French, 1830-1903)
Paul Cezanne, 1874

Rue Damiette, Rouen, c. 1884. Creator: Camille Pissarro (French, 1830-1903)
Rue Damiette, Rouen, c. 1884

Nude Women, c. 1896. Creator: Camille Pissarro (French, 1830-1903)
Nude Women, c. 1896

View of Rouen, 1884. Creator: Camille Pissarro (French, 1830-1903)
View of Rouen, 1884

Group of Peasants, c. 1896. Creator: Camille Pissarro (French, 1830-1903)
Group of Peasants, c. 1896

The Cowherdess, Eragny, 1886. Creator: Camille Pissarro (French, 1830-1903)
The Cowherdess, Eragny, 1886. This drawing of a peasant girl seen from the back with her bodice cinched at the waist was a study for a figure who appeared in an oil painting, Vachere a Eragny, 1886

Chestnut Vendor, 1878. Creator: Camille Pissarro (French, 1830-1903)
Chestnut Vendor, 1878. Pissarro was essentially a landscape artist, and the majority of his prints were landscapes with peasant figures

La Charrue, 1901. Creator: Camille Pissarro (French, 1830-1903)
La Charrue, 1901

Bather and Geese, 1895. Creator: Camille Pissarro (French, 1830-1903)
Bather and Geese, 1895

Edge of the Woods Near LHermitage, Pontoise, 1879. Creator: Camille Pissarro (French, 1830-1903)
Edge of the Woods Near LHermitage, Pontoise, 1879. Pissarro painted this monumental landscape when he was desperately poor and struggling to sell his paintings

Cowherder, c. 1899. Creator: Camille Pissarro (French, 1830-1903)
Cowherder, c. 1899

Paysanne portant des seaux 1889 Camille Pissarro
Paysanne portant des seaux, 1889. Camille Pissarro (French, 1830-1903). Etching and drypoint

Chestnut Vendor 1878 Camille Pissarro French
Chestnut Vendor, 1878. Camille Pissarro (French, 1830-1903). Drypoint; sheet: 43.4 x 30.2 cm (17 1/16 x 11 7/8 in.); platemark: 20.9 x 16.3 cm (8 1/4 x 6 7/16 in.)

Paul Cezanne 1874 Camille Pissarro French
Paul Cezanne, 1874. Camille Pissarro (French, 1830-1903). Etching

Edge Woods L Hermitage Pontoise 1879 Camille Pissarro
Edge of the Woods Near L Hermitage, Pontoise, 1879. Camille Pissarro (French, 1830-1903). Oil on fabric; framed: 166 x 204 x 16.5 cm (65 3/8 x 80 5/16 x 6 1/2 in.); unframed

Peasants Carrying Fagots 1896 Camille Pissarro
Peasants Carrying Fagots, c. 1896. Camille Pissarro (French, 1830-1903). Lithograph

Group Peasants 1896 Camille Pissarro French 1830-1903
Group of Peasants, c. 1896. Camille Pissarro (French, 1830-1903). Lithograph

Cowherder 1899 Camille Pissarro French 1830-1903
Cowherder, c. 1899. Camille Pissarro (French, 1830-1903). Lithograph

Mender 1881 Camille Pissarro French 1830-1903
The Mender, c. 1881. Camille Pissarro (French, 1830-1903). Pen and black ink and brush and gray wash over graphite heightened with white gouache; sheet: 15.1 x 10.2 cm (5 15/16 x 4 in.)

Cowherdess Eragny 1886 Camille Pissarro French
The Cowherdess, Eragny, 1886. Camille Pissarro (French, 1830-1903). Crayon; sheet: 43.6 x 29.1 cm (17 3/16 x 11 7/16 in.)

Setting Sun 1879 Camille Pissarro French 1830-1903
Setting Sun, 1879. Camille Pissarro (French, 1830-1903). Drypoint and aquatint; sheet: 22.4 x 28 cm (8 13/16 x 11 in.); platemark: 11.9 x 16 cm (4 11/16 x 6 5/16 in.)

Quai Boieldieu Rouen 1896 Camille Pissarro French
Quai Boieldieu in Rouen, c. 1896. Camille Pissarro (French, 1830-1903). Lithograph

Nude Women 1896 Camille Pissarro French 1830-1903
Nude Women, c. 1896. Camille Pissarro (French, 1830-1903). Lithograph

Rue Damiette Rouen 1884 Camille Pissarro French
Rue Damiette, Rouen, c. 1884. Camille Pissarro (French, 1830-1903). Black crayon and watercolor, with color crayon; sheet: 29.2 x 22.7 cm (11 1/2 x 8 15/16 in.)

Rain Effects Effet de Pluic Camille Pissarro
Rain Effects (Effet de Pluic). Camille Pissarro (French, 1830-1903). Etching and aquatint

View Rouen 1884 Camille Pissarro French 1830-1903
View of Rouen, 1884. Camille Pissarro (French, 1830-1903). Etching and soft-ground etching

Riding the Buck Jumpers, Lord Salisbury on the Black Horse, Gladstone, from St
XCF136711 Riding the Buck Jumpers, Lord Salisbury on the Black Horse, Gladstone, from St. Stephens Review Presentation Cartoon, 30 July 1887 (colour litho) by Merry

Life Apples Pitcher 1872 Oil canvas 18 1 / 4 x 22 1 / 4
Artokoloro

Jalais Hill Pontoise 1867 Oil canvas 34 1 / 4 x 45 1 / 4
Artokoloro

Steamboats Port Rouen 1896 Oil canvas 18 x 21 1 / 2
Artokoloro

Boulevard Montmartre Winter Morning 1897 Oil
Artokoloro

Washerwoman Study 1880 Oil canvas 28 3 / 4 x 23 1 / 4
Artokoloro

Cowherd Valhermeil Auvers-sur-Oise 1874 Oil canvas
Artokoloro

Morning Overcast Day Rouen 1896 Oil canvas 21 3 / 8 x 25 5 / 8
Artokoloro

Garden Tuileries Winter Afternoon 1899 Oil canvas
Artokoloro

Public Garden Pontoise 1874 Oil canvas 23 5 / 8 x 28 3 / 4
Artokoloro

Barges Pontoise 1876 Oil canvas 18 1 / 8 x 21 5 / 8
Artokoloro

A Dream of Olympia, or the Daring Marquis and the Refractory Steed, from St
XCF136723 A Dream of Olympia, or the Daring Marquis and the Refractory Steed, from St. Stephens Review Presentation Cartoon, 8 January 1887 (colour litho) by Merry

Come Out of That, Mr Gladstone Returns from the Country, and Finds his Seat Occupied
XCF136722 Come Out of That, Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from St. Stephens Review Presentation Cartoon, 7 August 1886 (colour litho) by Merry

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"Exploring the Artistic Legacy of Camille Pissarro (1830-1903)" Step into the world of renowned French artist, Camille Pissarro, whose creative brilliance spanned from 1830 to 1903. During this period, notable events unfolded across various realms. In politics, Robert Arthur Talbot Gascoyne Cecil, the 3rd Marquis of Salisbury, served as Prime Minister during this era. His leadership shaped Britain's trajectory and left an indelible mark on history. Meanwhile, in the realm of artistry, Pissarro's brushstrokes captured the essence of nature and human life. "The Artists Garden at Eragny" reveals a serene sanctuary where beauty flourishes under his skilled hand. Similarly, "Wooded Landscape at LHermitage" transports us to a tranquil forest scene that emanates peace and serenity. Pissarro's works also depict everyday life with remarkable detail and emotion. In "The Mender, " we witness a poignant moment frozen in time – a reflection on labor and resilience. Meanwhile, "Peasants Carrying Fagots" showcases ordinary individuals engaged in their daily tasks with determination etched upon their faces. Not limited to capturing scenes of rural life alone, Pissarro ventured into urban landscapes as well. The bustling Quai Boieldieu in Rouen comes alive through his masterful strokes while Rue Damiette invites us to stroll along its historic streets. Collaboration among artists was another hallmark of this era; Paul Cezanne is immortalized by Pissarro's brushwork in an intimate portrait from 1874 – an homage to artistic camaraderie transcending time. As we delve deeper into Pissarro's oeuvre, we encounter glimpses of humanity stripped bare: "Nude Women. " Here lies an exploration of vulnerability intertwined with strength – a testament to his ability to capture the human form with sensitivity and grace.