1820 Collection (page 4)

Dr Syntax lamenting the loss of his wife. Date: 1820

Cato St - Richard Tidd
Richard Tidd A shoemaker, one of the Cato Street conspirators. Sentenced to death for high treason and hung on 2 May 1820 at Newgate. Date: 1820

Exterior of Crosby Hall, Bishopsgate. Date: circa 1820

Bouquet of flowers with a butterfly, 1820, watercolour by Count Fyodor Tolstoy (1783 - 1873)
5305348 Bouquet of flowers with a butterfly, 1820, watercolour by Count Fyodor Tolstoy (1783 - 1873). Russian artist who served as Vice-President of the Imperial Academy of Arts for forty years

View of Gondar city in Abyssinia 70, the source of the Nile River at the fountains of Geesh 71
6337795 View of Gondar city in Abyssinia 70, the source of the Nile River at the fountains of Geesh 71, and three queens of Sennaar 72 by English School

Governor of Abyssinia in breastplate with turban and upright ornament 67, eating raw flesh cut from a live cow 68
6337791 Governor of Abyssinia in breastplate with turban and upright ornament 67, eating raw flesh cut from a live cow 68

Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56
6337777 Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57 by English School

The King of Darfur planting corn 16, the King of Bornu standing over the body of his predecessor 17
6337730 The King of Darfur planting corn 16, the King of Bornu standing over the body of his predecessor 17, and view of the city of Timbuktu, Mali 18 by English School

North Africans praying for a shipwreck 4, hawking in Barbary 5, and English ships under Lord Exmouth bombarding Algiers
6337715 North Africans praying for a shipwreck 4, hawking in Barbary 5, and English ships under Lord Exmouth bombarding Algiers in 1816 6 by English School

Corderie, c. 1820-35 (porcelain)
1766897 Corderie, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Corderie. A Sevres Plate from the Service des Art Industriel depicting men making ropes)

Bucherons Fagoteurs, c. 1820-35 (porcelain)
1766896 Bucherons Fagoteurs, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Bucherons Fagoteurs)

Brodeuse, c. 1820-35 (porcelain)
1766895 Brodeuse, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Brodeuse. A Sevres plate from the Service des Art Industriel depicting an embroidery)

Composition, c. 1820-35 (porcelain)
1766893 Composition, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Typographie / Composition)

Papiers Peints, Laboratoire, Magasin, c. 1820-35 (porcelain)
1766892 Papiers Peints, Laboratoire, Magasin, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papiers Peints, Laboratoire, Magasin)

Dessert, c. 1820-35 (porcelain)
1766888 Dessert, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Patissier / Dessert)

Teinture, c. 1820-35 (porcelain)
1766887 Teinture, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Tapisseries des Gobelin / Teinture)

Belshazzars Feast, 1820 (oil on canvas)
652134 Belshazzars Feast, 1820 (oil on canvas) by Martin, John (1789-1854); 160x249 cm; Private Collection; (add.info.: Belshazzars Feast. John Martin (1789-1854). Oil on canvas. Dated 1820

A Picturesque Tour of the Island of Jamaica, from drawings made in the years 1820
828310 A Picturesque Tour of the Island of Jamaica, from drawings made in the years 1820 and 1821, 1820-21 (watercolour) by Hakewill

Mien-ning, 241e empereur de Chine, ne en 1780, proclame le 25 aout 1820, mort le 25 fevrier 1850 (engraving)
3644635 Mien-ning, 241e empereur de Chine, ne en 1780, proclame le 25 aout 1820, mort le 25 fevrier 1850 (engraving) by French School, (19th century); Private Collection; (add.info.: Mien-ning)

Lauderdale House, Highgate, in 1820 (engraving)
3629163 Lauderdale House, Highgate, in 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: Lauderdale House, Highgate, in 1820)

Whittingtons Stone in 1820, from an original sketch (engraving)
3636969 Whittingtons Stone in 1820, from an original sketch (engraving) by English School, (19th century); Private Collection; (add.info.: Whittingtons Stone in 1820, from an original sketch)

Cato Street, from a view published in 1820 (engraving)
3636410 Cato Street, from a view published in 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: Cato Street, from a view published in 1820)

The Yard of the "Bull and Mouth"about 1820 (engraving)
3636332 The Yard of the " Bull and Mouth" about 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: The Yard of the " Bull and Mouth" about 1820)

Floating Dock, Deptford, 1820 (engraving)
3637076 Floating Dock, Deptford, 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: Floating Dock, Deptford, 1820)

The Bank of Leith, 1820 (engraving)
5203336 The Bank of Leith, 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: The Bank of Leith, 1820. Illustration for Cassells Old and New Edinburgh (c 1885)

St Marys (South Leith) Church, 1820 (engraving)
5203326 St Marys (South Leith) Church, 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: St Marys (South Leith) Church, 1820

George III, grandson of George II was born 1738; crowned in 1760; and died in 1820 (engraving)
6020302 George III, grandson of George II was born 1738; crowned in 1760; and died in 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: George III)

Dancing: Sir Roger de Coverley, 1820 (litho)
6027886 Dancing: Sir Roger de Coverley, 1820 (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: Sir Roger de Coverley, 1820)

Marche aux oiseaux, place du Chatelet, 1820, d apres une lith de Marlet (engraving)
962947 Marche aux oiseaux, place du Chatelet, 1820, d apres une lith de Marlet (engraving) by French School, (19th century); Private Collection; (add.info.: Marche aux oiseaux, place du Chatelet)

Le Pont-Neuf et le quai de l Ecole en 1820, d apres un dessin du temps (engraving)
963199 Le Pont-Neuf et le quai de l Ecole en 1820, d apres un dessin du temps (engraving) by French School, (19th century); Private Collection; (add.info.: Le Pont-Neuf et le quai de l Ecole en 1820)

Studies of Costume at Our Childrens Fancy Dress Ball (chromolitho)
1063388 Studies of Costume at Our Childrens Fancy Dress Ball (chromolitho) by Green, Charles (1840-98) (after); Private Collection; (add.info.: Studies of Costume at Our Childrens Fancy Dress Ball)

Interior of the gas works, Brick Lane, Spitalfields, London, circa 1820 (engraving)
583444 Interior of the gas works, Brick Lane, Spitalfields, London, circa 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: Interior of the gas works, Brick Lane)

Remains of the great hall of Winchester House, Bankside (engraving)
602816 Remains of the great hall of Winchester House, Bankside (engraving) by English School, (19th century); Private Collection; (add.info.: Remains of the great hall of Winchester House, Bankside)

The Duke of Kent, Her Majestys Father born 1767, died 1820 (engraving)
736525 The Duke of Kent, Her Majestys Father born 1767, died 1820 (engraving) by English School, (19th century); Private Collection; (add.info.: The Duke of Kent, Her Majestys Father born 1767)

London postman, 1820 (colour litho)
2798015 London postman, 1820 (colour litho) by English School, (20th century); Private Collection; (add.info.: London postman, 1820. Postcard, early 20th century.); © Look and Learn

The Great Longchamps Day, 1820 (colour litho)
2794416 The Great Longchamps Day, 1820 (colour litho) by Courboin, Francois (1865-1926); Private Collection; (add.info.: The Great Longchamps Day, 1820)

Dr Glennies Academy
View of Dr. William Glennies Academy, Dulwich Grove, south London, in 1820. The school attended by British poet Lord Byron between 1799 and 1801. Date: 1875

St Olaves Church
View of St Olaves Church in 1820. St Olaves Church, Hart Street is a Church of England church in the City of London, located on the corner of Hart Street

Shepherds Well
View of Shepherds Well in 1820, which provided the dwellers of Hampstead with water. Date: 1875

The Plough Kensal Green
View of The Plough Inn in 1820. In the 1780s the Plough was a haunt of the artist George Morland. Date: 1875

Old Turnpike Kensington
View of the old Turnpike, Kensington, London in 1820. Date: 1875

The Gun Tavern 1820
The popular Gun Tavern & Tea Gardens were removed in the middle of the 19th century, for improvements to Buckingham Gate. Date: 1875

Cavendish Square 1820
A view of Cavendish Square 1820 Date: 1875

Serpentine Bridge
View of the Serpentine Bridge in Hyde Park. It was designed by John Rennie the Younger in 1820 as part of newly-built West Carriage Drive bounding Hyde Park against Kensington Gardens

The Four-in-Hand Club
The Four-In-Hand Club, a coach driving club, was founded in April 1808, by Charles Buxton, the inventor of the Buxton bit, along with some friends

Old White Bear Inn
The yard of the old White Bear Inn, Piccadilly. c1820. An inn called the White Bear is said to have existed in Piccadilly in 1685. It was demolished in 1870. Date: 1875

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In the year 1820, a wave of cultural and artistic movements swept across the globe, leaving behind a rich tapestry of history. The New Athenaeum Club emerged as a hub for intellectual exchange and social gatherings in this era, fostering creativity and innovation. Renowned Mexican artist Diego Rivera unveiled his masterpiece "Man, Controller of" during this period. Through his thought-provoking artwork, he explored themes of power dynamics and human agency. English poet John Clare captured the essence of his time through an oil on canvas painting created by William Hilton in 1820. This evocative piece serves as a window into the emotions and experiences that defined early 19th-century England. Horse racing galloped onto the scene with fervor in 1820, captivating audiences with its adrenaline-fueled competitions. The thrill and elegance associated with this sport became emblematic of the era's fascination with speed and competition. Francisco de Goya's enigmatic painting "The Great He-Goat" captivated viewers' imaginations between 1820 to 1823. Its haunting imagery challenged societal norms while reflecting Goya's unique perspective on humanity's darker aspects. London Gin Palace became synonymous with luxury and indulgence during this time. As establishments dedicated to serving gin-based beverages flourished across London, they became iconic symbols of opulence amidst an evolving urban landscape. The artistry extended beyond Europe's borders as well; Shuntei Katsukawa depicted Ichijo Jiro Tadanori battling Notonokami Noritsune in a woodblock print from around 1820. This portrayal showcases Japan's rich samurai culture while capturing their spirit of honor and bravery. Across the Atlantic Ocean, Brooklyn experienced winter magic immortalized by Louisa Ann Coleman after Francis Guy’s oil paintings from c1817-1820. These scenes transport us back to a simpler time when nature painted landscapes with a serene beauty.