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1769 Collection (page 9)

In the year 1769, as the Thirteen original colonies were taking their first steps towards independence

Background image1769 Collection: Gate of the leper house and the St. Jorishof Amsterdam, The Netherlands, Jan Matthias Cok

Gate of the leper house and the St. Jorishof Amsterdam, The Netherlands, Jan Matthias Cok, 1769

Background image1769 Collection: Village scene with church in Diemen, The Netherlands, Hendrik Berg, 1769

Village scene with church in Diemen, The Netherlands, Hendrik Berg, 1769

Background image1769 Collection: Comet above Amsterdam, The Netherlands, 1769, The Netherlands, Aert Schouman, 1769

Comet above Amsterdam, The Netherlands, 1769, The Netherlands, Aert Schouman, 1769

Background image1769 Collection: Battle with riders, Dirk Langendijk, 1769

Battle with riders, Dirk Langendijk, 1769

Background image1769 Collection: Bothuisje Amsterdam in the IJ, Hendrik van Hilten, 1769, The Netherlands

Bothuisje Amsterdam in the IJ, Hendrik van Hilten, 1769, The Netherlands

Background image1769 Collection: Portrait of David George van Lennep, Chief Merchant of the Dutch Factory at Smyrna

Portrait of David George van Lennep, Chief Merchant of the Dutch Factory at Smyrna (Izmir) and his Wife and Children, attributed to Antoine de Favray, 1769 - 1771

Background image1769 Collection: Coat of arms map of ancient families of Utrecht, The Netherlands, sheet top left

Coat of arms map of ancient families of Utrecht, The Netherlands, sheet top left, Johannes van Hiltrop, 1769

Background image1769 Collection: Weapon Map of ancient families of Utrecht, leaf right middle, Johannes van Hiltrop, 1769

Weapon Map of ancient families of Utrecht, leaf right middle, Johannes van Hiltrop, 1769

Background image1769 Collection: Village scene with church in Diemen, Hendrik Berg, 1769

Village scene with church in Diemen, Hendrik Berg, 1769

Background image1769 Collection: Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French

Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723 - 1769). The Marriage Bed (La Couche de la Mariee), 1768. Etching and engraving on laid paper

Background image1769 Collection: Uzuki, April. Suzuki, Harunobu, 1725?-1770, artist, [1769, printed later], 1 print

Uzuki, April. Suzuki, Harunobu, 1725?-1770, artist, [1769, printed later], 1 print : woodcut, color. Print shows a man serenading, holding a flute in one hand

Background image1769 Collection: Taira no Kanemori, Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769]

Taira no Kanemori, Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 27 x 20.5 cm. Print shows a mother reclining next to her child

Background image1769 Collection: Araihari, Washing and stretching cloth. Suzuki, Harunobu, 1725?-1770, artist, [between

Araihari, Washing and stretching cloth. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 27.2 x 20.1 cm

Background image1769 Collection: Okumura masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura

Okumura masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura Masanobu. Suzuki, Harunobu, 1725

Background image1769 Collection: Kaya no hahako, Mother and child behind mosquito netting. Suzuki, Harunobu, 1725?-1770

Kaya no hahako, Mother and child behind mosquito netting. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 26.5 x 20.9 cm

Background image1769 Collection: Musume o seotte kawa o wataru hotei, Hotei carrying a young girl piggyback. Suzuki

Musume o seotte kawa o wataru hotei, Hotei carrying a young girl piggyback. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 28.2 x 20.2 cm

Background image1769 Collection: Yuki, Snow. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print

Yuki, Snow. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 28.5 x 21.5 cm. Print shows a courtesan

Background image1769 Collection: Sugawara no michizane, Kitao, Shigemasa, 1739-1820, artist, [between 1769 and 1772]

Sugawara no michizane, Kitao, Shigemasa, 1739-1820, artist, [between 1769 and 1772], 1 print : woodcut, color; 25.7 x 19.2 cm

Background image1769 Collection: Kanda sairei no dashi no gangu o hiku haha to ko, Mother and children pulling a toy

Kanda sairei no dashi no gangu o hiku haha to ko, Mother and children pulling a toy float of the Kanda parade. Kitao, Shigemasa, 1739-1820, artist, [between 1769 and 1772], 1 print : woodcut

Background image1769 Collection: Yamasita kyAcnosuke, The actor Yamashita KyAcnosuke

Yamasita kyAcnosuke, The actor Yamashita KyAcnosuke. Torii, Kiyotsune, artist, [between 1769 and 1772], 1 print : woodcut, color; 27.3 x 13.8 cm

Background image1769 Collection: Kasamori osen to kyaku, Kasamori Osen. Katsukawa, ShunshAc, 1726-1793, artist, [ca

Kasamori osen to kyaku, Kasamori Osen. Katsukawa, ShunshAc, 1726-1793, artist, [ca. 1769], 1 print : woodcut, color; 30.9 x 14 cm

Background image1769 Collection: Engawa no wakasha to onna, A young dandy and a woman on a veranda. Suzuki, Harunobu

Engawa no wakasha to onna, A young dandy and a woman on a veranda. Suzuki, Harunobu, 1725-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 28.3 x 20.9 cm

Background image1769 Collection: Venus on the Waves

Venus on the Waves; Francois Boucher, French, 1703 - 1770; 1769; Oil on canvas; Unframed: 265.7 x 76.5 cm (104 5/8 x 30 1/8 in.), Framed: 273.1 x 86.7 x 6.4 cm (107 1/2 x 34 1/8 x 2 1/2 in.)

Background image1769 Collection: Vase with Neptune and Vase with an Allegory of Venice

Vase with Neptune and Vase with an Allegory of Venice; Factory of Geminiano Cozzi, Italian (Venetian), active 1764 - 1812; Venice, Italy, Europe; 1769; Hybrid soft-paste porcelain; Various

Background image1769 Collection: Folding Stool

Folding Stool; Jean-Baptiste-Claude Sene, French, 1748 - 1803, master 1769, Carved by Nicolas-Francois Vallois, French, born 1738, active through the 1780s, Originally gilded by Chatard

Background image1769 Collection: Compound Microscope and Case

Compound Microscope and Case; Micrometric stage invented by Michel-Ferdinand d Albert d Ailly, sixth duke of Chaulnes, French, 1714 - 1769, Gilt-bronze mounts attributed to Jacques Caffieri, French

Background image1769 Collection: Still Life with Fish, Vegetables, Gougeres, Pots, and Cruets

Still Life with Fish, Vegetables, Gougeres, Pots, and Cruets on a Table; Jean-Simeon Chardin, French, 1699 - 1779; 1769; Oil on canvas; Unframed: 68.6 x 58.4 cm (27 x 23 in.)

Background image1769 Collection: Three Studies of the Head of a Youth

Three Studies of the Head of a Youth; Francesco Salvator Fontebasso, Italian, 1707 - 1769; about 1737; Black chalk; 42.3 x 27.6 cm (16 5/8 x 10 7/8 in.)

Background image1769 Collection: Benjamin West, P. R. A. Sir Thomas Lawrence, 1769-1830, British

Benjamin West, P. R. A. Sir Thomas Lawrence, 1769-1830, British
Benjamin West, P.R.A. Sir Thomas Lawrence, 1769-1830, British

Background image1769 Collection: George James Welbore Agar-Ellis, later 1st Lord Dover Dover, George, 1st Baron, Sir

George James Welbore Agar-Ellis, later 1st Lord Dover Dover, George, 1st Baron, Sir Thomas Lawrence, 1769-1830, British

Background image1769 Collection: Admiral John Markham, Sir Thomas Lawrence, 1769-1830, British

Admiral John Markham, Sir Thomas Lawrence, 1769-1830, British

Background image1769 Collection: Samuel Lysons, Sir Thomas Lawrence, 1769-1830, British

Samuel Lysons, Sir Thomas Lawrence, 1769-1830, British

Background image1769 Collection: The Banks of the Ganges, Attributed to William Daniell, 1769-1837, British

The Banks of the Ganges, Attributed to William Daniell, 1769-1837, British

Background image1769 Collection: Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching

Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off Approaching Storm, Madras Signed and dated, lower left: " W. D. 1833.", William Daniell, 1769-1837, British

Background image1769 Collection: Eagle, a Celebrated Stallion Eagle, a stallion Signed and dated, lower left: [monogram]

Eagle, a Celebrated Stallion Eagle, a stallion Signed and dated, lower left: [monogram]
Eagle, a Celebrated Stallion Eagle, a stallion Signed and dated, lower left: " [monogram] 1809", James Ward, 1769-1859, British

Background image1769 Collection: Kashmir Goats, William Daniell, 1769-1837, British

Kashmir Goats, William Daniell, 1769-1837, British

Background image1769 Collection: Sacrifice to Hercules, Gaspar van der Hagen, active 1747-died 1769, Flemish

Sacrifice to Hercules, Gaspar van der Hagen, active 1747-died 1769, Flemish

Background image1769 Collection: The Midday Meal Signed, verso, branded monogram: IW RA, James Ward, 1769-1859

The Midday Meal Signed, verso, branded monogram: IW RA, James Ward, 1769-1859
The Midday Meal Signed, verso, branded monogram: " IW RA", James Ward, 1769-1859, British

Background image1769 Collection: Lord Granville Leveson-Gower, later 1st Earl Granville, Sir Thomas Lawrence, 1769-1830

Lord Granville Leveson-Gower, later 1st Earl Granville, Sir Thomas Lawrence, 1769-1830, British

Background image1769 Collection: The Days Sport Winter Landscape with Sportsmen returning from Shooting Signed

The Days Sport Winter Landscape with Sportsmen returning from Shooting Signed and dated, lower right: " JWARD R.A. 1826", James Ward, 1769-1859, British

Background image1769 Collection: Academy by Lamplight, Joseph Wright of Derby, 1734-1797, British

Academy by Lamplight, Joseph Wright of Derby, 1734-1797, British

Background image1769 Collection: Hunter in a landscape signed and dated in black paint, lower right: JWard [monogram]

Hunter in a landscape signed and dated in black paint, lower right: JWard [monogram]
Hunter in a landscape signed and dated in black paint, lower right: " JWard [monogram] A. 1810", James Ward, 1769-1859, British

Background image1769 Collection: Sketch for Gordale Scar, James Ward, 1769-1859, British

Sketch for Gordale Scar, James Ward, 1769-1859, British

Background image1769 Collection: Interior of a Stable, James Ward, 1769-1859, British

Interior of a Stable, James Ward, 1769-1859, British

Background image1769 Collection: Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq

Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq. M.P. Reformer, Blucher, Tory and Crib, Animals Owned by Rowland Alston, M.P

Background image1769 Collection: An Overshot Mill, James Ward, 1769-1859, British

An Overshot Mill, James Ward, 1769-1859, British

Background image1769 Collection: Heath Ewe and Lambs Signed and dated in black paint, lower left: J

Heath Ewe and Lambs Signed and dated in black paint, lower left: J
Heath Ewe and Lambs Signed and dated in black paint, lower left: " J. Ward. 1810~", James Ward, 1769-1859, British

Background image1769 Collection: Rough-Coated Collie Signed in brown paint, lower left: J WARD[monogram]. ARA'

Rough-Coated Collie Signed in brown paint, lower left: J WARD[monogram]. ARA"
Rough-Coated Collie Signed in brown paint, lower left: " J WARD[monogram].ARA", James Ward, 1769-1859, British



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In the year 1769, as the Thirteen original colonies were taking their first steps towards independence, little did they know that a series of events would shape the course of history. It was a time when great leaders like Duke Wellington and Napoleon I were making their mark on the world stage. The Battle of Waterloo, fought in 1815, became one of the most significant conflicts in European history. Duke Wellington's strategic brilliance led to victory over Napoleon's forces. The clash between these two titans forever changed the political landscape. Speaking of politics, caricaturist Gillray captured the essence of this era through his satirical drawings. His portrayal of Napoleon I and King George III shed light on their contrasting personalities and power struggles. Summoned to Waterloo in Brussels for battle preparations, soldiers like those from Foot guards played an instrumental role in defending against Napoleon's army. Their bravery and unwavering commitment ensured victory for Duke Wellington. Meanwhile, artist LEJEUNE documented these historic moments through his paintings. His visitation to battlefields immortalized scenes that would be remembered for generations to come. On a different continent altogether, Boston underwent significant changes during this period. A map engraved by George G. Smith showcased how its topography transformed from 1722 until 1769 - a testament to progress and growth. Duke Wellington himself was no stranger to advancements; he embraced new technologies such as stereoscopes which allowed people to experience three-dimensional images firsthand. As for Napoleon, even on St Helena where he was exiled after defeat at Waterloo, he remained ever vigilant with his trusty spyglass by his side - always keeping an eye on any potential threats or opportunities that may arise. Thus, in 1769, amidst battles won and lost both on land and sea; amidst political intrigue and territorial transformations; amidst technological advancements shaping artistry - history unfolded before our very eyes setting the stage for what was yet to come.