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1764 Collection (page 9)

In the year 1764, a myriad of events unfolded, shaping history and leaving their mark on various aspects of society

Background image1764 Collection: Villa Maecenas Tivoli Interior two figures opening

Villa Maecenas Tivoli Interior two figures opening
Artokoloro

Background image1764 Collection: Drawings Prints, Print, Visit, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann

Drawings Prints, Print, Visit, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann
Drawings and Prints, Print, The Visit, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann, British, London 1757-1827 London, Rowlandson, Thomas, Ackermann, Rudolph, 1757, 1764, 1827, 1834

Background image1764 Collection: View gardens Villa d Este Tivoli cyprus trees

View gardens Villa d Este Tivoli cyprus trees
Artokoloro

Background image1764 Collection: Design Altar Choir Grill Abbey Rebais Pen black ink

Design Altar Choir Grill Abbey Rebais Pen black ink
Artokoloro

Background image1764 Collection: Toilette Venus 1751 Oil canvas 42 5 / 8 x 33 1 / 2

Toilette Venus 1751 Oil canvas 42 5 / 8 x 33 1 / 2
Artokoloro

Background image1764 Collection: Elopers Musashino Edo period 1615-1868 Japan

Elopers Musashino Edo period 1615-1868 Japan
Artokoloro

Background image1764 Collection: Adoration Shepherds 1764 Etching aquatint printed

Adoration Shepherds 1764 Etching aquatint printed
Artokoloro

Background image1764 Collection: View Svenarum Province Smaland Sweden ca 1764

View Svenarum Province Smaland Sweden ca 1764
Artokoloro

Background image1764 Collection: 1764, Anville Map of Itally in Roman Times, topography, cartography, geography, land

1764, Anville Map of Itally in Roman Times, topography, cartography, geography, land
1764, Anville Map of Itally in Roman Times

Background image1764 Collection: 1764, Gentlemans Magazine Map of London and Environs, topography, cartography

1764, Gentlemans Magazine Map of London and Environs, topography, cartography
1764, Gentlemans Magazine Map of London and Environs

Background image1764 Collection: 1764, Brion de la Tour Map of the Western Hemisphere, North America and South America

1764, Brion de la Tour Map of the Western Hemisphere, North America and South America

Background image1764 Collection: 1764, Brion de la Tour Map of America, North America and South America, topography

1764, Brion de la Tour Map of America, North America and South America, topography
1764, Brion de la Tour Map of America, North America and South America

Background image1764 Collection: 1764, Bellin Map of Port du Carenage, St. Lucia, West Indies, topography, cartography

1764, Bellin Map of Port du Carenage, St. Lucia, West Indies, topography, cartography
1764, Bellin Map of Port du Carenage, St. Lucia, West Indies

Background image1764 Collection: 1764, Bellin Map of Cape Town, Cape of Good Hope, topography, cartography, geography

1764, Bellin Map of Cape Town, Cape of Good Hope, topography, cartography, geography
1764, Bellin Map of Cape Town, Cape of Good Hope

Background image1764 Collection: 1764, Bellin Map of Bombay, Mumbai India, topography, cartography, geography, land

1764, Bellin Map of Bombay, Mumbai India, topography, cartography, geography, land
1764, Bellin Map of Bombay, Mumbai India

Background image1764 Collection: 1764, Bellin Map of Acapulco, Mexico, topography, cartography, geography, land, illustration

1764, Bellin Map of Acapulco, Mexico, topography, cartography, geography, land, illustration
1764, Bellin Map of Acapulco, Mexico

Background image1764 Collection: PONTIAC: FORT DETROIT. Chief Pontiacs siege of Fort Detroit, 1763-64

PONTIAC: FORT DETROIT. Chief Pontiacs siege of Fort Detroit, 1763-64. Illustration by Frederic Remington

Background image1764 Collection: That accounts for it, Cruikshank, Isaac, 1764 1811, engraver, London, engraving 1799

That accounts for it, Cruikshank, Isaac, 1764 1811, engraver, London, engraving 1799, a number of men and women each with a particular problem that seems to be troubling them

Background image1764 Collection: Louis-Marin Bonnet after Jean-Baptiste Greuze, French (1736-1793), Head of a Young

Louis-Marin Bonnet after Jean-Baptiste Greuze, French (1736-1793), Head of a Young Woman Wearing a Cap, before 1764, chalk manner printed in red ink

Background image1764 Collection: Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c

Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper

Background image1764 Collection: Pierre Etienne Moitte after Charles-Nicolas Cochin II, French (1722-1780), Louis-Rene

Pierre Etienne Moitte after Charles-Nicolas Cochin II, French (1722-1780), Louis-Rene de Caradeuc de la Chalotais, 1764, engraving over etching on laid paper

Background image1764 Collection: Jean-Honora Fragonard after Giovanni Lanfranco, French (1732-1806), Saint Luke

Jean-Honora Fragonard after Giovanni Lanfranco, French (1732-1806), Saint Luke
Jean-Honora© Fragonard after Giovanni Lanfranco, French (1732-1806), Saint Luke, 1761-1764, etching on laid paper

Background image1764 Collection: Jacques-Louis Copia after Jean-Baptiste Mallet, French (1764-1799), Chit chit, stipple

Jacques-Louis Copia after Jean-Baptiste Mallet, French (1764-1799), Chit chit, stipple engraving

Background image1764 Collection: William Hogarth, English, (1697-1764), The Bruiser, 1763, etching and engraving

William Hogarth, English, (1697-1764), The Bruiser, 1763, etching and engraving

Background image1764 Collection: William Hogarth, English, (1697-1764), Evening, 1738, etching and engraving

William Hogarth, English, (1697-1764), Evening, 1738, etching and engraving

Background image1764 Collection: William Hogarth, English, (1697-1764), Crowns, Mitres, Maces, Etc. 1754, etching

William Hogarth, English, (1697-1764), Crowns, Mitres, Maces, Etc. 1754, etching

Background image1764 Collection: Sebastiano Conca, Italian (1680-1764), A Bishop Blessing a King, black chalk heightened

Sebastiano Conca, Italian (1680-1764), A Bishop Blessing a King, black chalk heightened with white on blue laid paper

Background image1764 Collection: Luigi Ademollo, Italian (1764-1849), Moses and Aaron before Pharaoh, with the Rods

Luigi Ademollo, Italian (1764-1849), Moses and Aaron before Pharaoh, with the Rods Turned into Serpents, pen and black ink, with black wash and white gouache on wove paper

Background image1764 Collection: Pietro Fancelli, Italian (1764-1850), Women Dancing, c. 1820, black chalk on wove paper

Pietro Fancelli, Italian (1764-1850), Women Dancing, c. 1820, black chalk on wove paper

Background image1764 Collection: Anton Weiss, Austrian (1724-1784), A Game of Cards [recto], 1764, gray wash with

Anton Weiss, Austrian (1724-1784), A Game of Cards [recto], 1764, gray wash with touches of pen and brown ink over graphite on laid paper

Background image1764 Collection: Franazois Boucher, Allegory of Music, French, 1703-1770, 1764, oil on canvas

Franazois Boucher, Allegory of Music, French, 1703-1770, 1764, oil on canvas

Background image1764 Collection: Charles Amedee Philippe Van Loo, The Camera Obscura, French, 1719-1795, 1764, oil

Charles Amedee Philippe Van Loo, The Camera Obscura, French, 1719-1795, 1764, oil on canvas

Background image1764 Collection: Franz Edmund Weirotter after Aa'tienne de Lavalla e-Poussin (Austrian, 1730 - 1771)

Franz Edmund Weirotter after Aa'tienne de Lavalla e-Poussin (Austrian, 1730 - 1771)
Franz Edmund Weirotter after Aa'tienne de Lavalla© e-Poussin (Austrian, 1730 - 1771), Nella Venuta in Roma: pl. 7, 1764, etching on laid paper

Background image1764 Collection: Franz Edmund Weirotter (Austrian, 1730 - 1771), The Pyramid of Sesto near the Gates of St

Franz Edmund Weirotter (Austrian, 1730 - 1771), The Pyramid of Sesto near the Gates of St. Pauli in Rome, c. 1764, etching on laid paper [proof state]

Background image1764 Collection: Giovanni de Pian (Italian, 1764 - 1800), Frontispiece, 1764-1800, etching

Giovanni de Pian (Italian, 1764 - 1800), Frontispiece, 1764-1800, etching

Background image1764 Collection: Johann Gottfried Schadow (German, 1764 - 1850), Schadow and His Family, 1794-95

Johann Gottfried Schadow (German, 1764 - 1850), Schadow and His Family, 1794-95, etching on laid paper

Background image1764 Collection: Louis-Marin Bonnet after Carle Van Loo (French, 1736 - 1793), Marie-Rosalie Vanloo, c

Louis-Marin Bonnet after Carle Van Loo (French, 1736 - 1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on blue paper

Background image1764 Collection: Jacques-Louis Copia after Jean-Baptiste Mallet (French, 1764 - 1799), Par ici, stipple

Jacques-Louis Copia after Jean-Baptiste Mallet (French, 1764 - 1799), Par ici, stipple engraving

Background image1764 Collection: Simon Charles Miger after Charles-Nicolas Cochin II (French, 1736 - 1820), M. David Hume

Simon Charles Miger after Charles-Nicolas Cochin II (French, 1736 - 1820), M. David Hume, 1764, engraving on laid paper [second state]

Background image1764 Collection: William Hogarth (English, 1697 - 1764), England, 1756, etching and engraving

William Hogarth (English, 1697 - 1764), England, 1756, etching and engraving

Background image1764 Collection: William Hogarth (English, 1697 - 1764), Gin Lane, 1751, etching and engraving

William Hogarth (English, 1697 - 1764), Gin Lane, 1751, etching and engraving

Background image1764 Collection: William Hogarth (English, 1697 - 1764), The Times, pl. 1, 1762, etching and engraving

William Hogarth (English, 1697 - 1764), The Times, pl. 1, 1762, etching and engraving
William Hogarth (English, 1697 - 1764), The Times, pl.1, 1762, etching and engraving

Background image1764 Collection: William Hogarth (English, 1697 - 1764), The Bench, 1758, etching and engraving

William Hogarth (English, 1697 - 1764), The Bench, 1758, etching and engraving

Background image1764 Collection: Giacomo Guardi (Italian, 1764 - 1835), Capriccio of Classical Ruins with a Fortress

Giacomo Guardi (Italian, 1764 - 1835), Capriccio of Classical Ruins with a Fortress, pen and brown ink with gray wash on laid paper

Background image1764 Collection: John Singleton Copley, Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), American, 1738 - 1815

John Singleton Copley, Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), American, 1738 - 1815, c. 1764, oil on canvas

Background image1764 Collection: Jean Sima on Chardin, Still Life with a White Mug, French, 1699 - 1779, c

Jean Sima on Chardin, Still Life with a White Mug, French, 1699 - 1779, c
Jean Sima© on Chardin, Still Life with a White Mug, French, 1699 - 1779, c. 1764, oil on canvas

Background image1764 Collection: Salomon Gessner, Two Shepherds in a Rocky Landscape, Swiss, 1730 - 1788, 1764, etching

Salomon Gessner, Two Shepherds in a Rocky Landscape, Swiss, 1730 - 1788, 1764, etching on laid paper tinted pale blue

Background image1764 Collection: Salomon Gessner, Wooded Landscape with a Nymph and a Satyr, Swiss, 1730 - 1788, 1764

Salomon Gessner, Wooded Landscape with a Nymph and a Satyr, Swiss, 1730 - 1788, 1764, etching on laid paper tinted pale blue



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In the year 1764, a myriad of events unfolded, shaping history and leaving their mark on various aspects of society. One notable occurrence was the rise of Daniel Mendoza, a renowned boxer who revolutionized the sport with his innovative techniques and skillful footwork. His impact would forever change the face of boxing. Amidst this era, in Winchester Cathedral's graveyard lies a gravestone that serves as a solemn reminder of lives lost and stories untold. It stands as a testament to the passage of time and our fleeting existence. The Bathos by Hogarth is an artistic masterpiece that captures the essence of satire during this period. With its clever wit and social commentary, it reflects upon society's follies while providing entertainment for all who gaze upon it. Eclipse, an exceptional racehorse born in 1764, left spectators awestruck with its unmatched speed and dominance on the track. This legendary equine athlete became synonymous with greatness in racing circles. Across distant lands in Gevaudan, France, fear gripped communities as they faced relentless attacks from an unknown creature known as Bete Du Gevaudan. The mystery surrounding this beast captivated imaginations far and wide. William Hogarth's "The Reward of Cruelty" depicted scenes depicting animal cruelty which stirred public outrage against such acts. Through his artistry, he shed light on societal issues that demanded attention and reform. Meanwhile, Lawrence Grey assumed his position as the 2nd Earl Grey during these transformative times. His influence would later extend beyond his lifetime through one iconic beverage named after him - Earl Grey tea. Southampton Bargate stood tall amidst bustling streets; its architectural grandeur symbolizing progress within urban landscapes throughout Britain at large. As Blackfriars Bridge took shape over London's River Thames during construction in 1764, it represented both engineering marvels and connectivity between different parts of the city—an emblem of progress.