1741 Collection (page 8)

Jean Dambrun after Jean-Honora Fragonard (French, 1741 - 1808 or after), Le calendrier
Jean Dambrun after Jean-Honora© Fragonard (French, 1741 - 1808 or after), Le calendrier des viellards, etching and engraving

Etienne Desrochers after Jean Ranc (French, 1668 - 1741), Francois Verdier, 1723, engraving on laid paper

Charles-Etienne Gaucher after Jean-Michel Moreau (French, 1741 - 1804), Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching

Charles-Etienne Gaucher after Charles-Nicolas Cochin II (French, 1741 - 1804), Charles Jean Francois Henault, engraving and etching on laid paper

Jean-Michel Moreau after Pierre Paul Merelle (French, 1741 - 1814), D. Pineau, Sculpteur, 1770, engraving and etching on laid paper

James Barry (Irish, 1741 - 1806), Eastern Patriarch, 1803, pen-and-tusche lithograph

Jacob Cats (Dutch, 1741 - 1799), Winter Scene, 1790, pen and brown ink with gray wash and watercolor on laid paper

Johann Jacob SchaOEbler (German, 1689 - 1741), Pantaloon and the Doctor Fighting with Columbine and Brigatella in the Garden, c

Jean-Michel Moreau, A Dancer, French, 1741 - 1814, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk

Georg Friedrich Schmidt after Hyacinthe Rigaud, Monseigneur Louis-Charles d Orla ans
Georg Friedrich Schmidt after Hyacinthe Rigaud, Monseigneur Louis-Charles d Orla© ans de Saint-Albin, Archbishop of Cambrai, German, 1712 - 1775, 1741, engraving on laid paper

Angelica Kauffmann, Juno, Swiss, 1741 - 1807, published 1780, etching and aquatint in brown on laid paper

Angelica Kauffmann, Rinaldo and Armida, Swiss, 1741 - 1807, etching

Bartmy. Faujas de Saint-Fond, geologist engraved by Ambroise Tardieu

A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741. UNITED STATES OF AMERICA, US, USA, 1870s engraving

To the Independent Electors of Westminster: Vernon and Edwin, 1741

Constitutional Club, Dent, William, active 1741-1780, artist, England, satire on the Westminster by-election of 1788 shows five men carving a fox on a table as William Pitt carries a coin-filled

Collapsed tower at Egmond-aan-Zee, 1741, The Netherlands, Adriaan Spinder, 1741 - 1743

Madonna on the crescent moon, Felice Ramelli, 1676 - 1741, Portrait miniature

The Spendthrift or the Wasteful Woman, act III, scene V, from the Play by Thomas Asselijn, Joanna and the Polish Jewish Traders, Cornelis Troost, 1741

Portrait of a woman, attributed to Jacob Christof Le Blon, 1700 - 1741

View of castle Gelderse Toren in Spankeren, The Netherlands, Hendrik Spilman, 1741

Jean-Michel Moreau le Jeune (French, 1741-1814) after P. L. Moreau (French). The Royal Banquet Given to the King and Queen by the City of Paris on 21 January 1782 on the Occasion of the Birth of

Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723 - 1769). The Marriage Bed (La Couche de la Mariee), 1768. Etching and engraving on laid paper

Jean Audran (French, 1667-1756) after Pierre Gaubert (French, 1659 - 1741). Louis XV as a Boy, ca. 1716-1718. Etching and engraving on laid paper. Plate: 500 mm x 346 mm (19.69 in. x 13.62 in.)

Ichikawa EbizAc, Ichikawa EbizAc. Torii, Kiyomasu, active 1720-early 1760s, artist, [between 1736 and 1741], 1 print : woodcut, color; 30.8 x 14.4 cm

Have No Fear, My Good Friend"
" Have No Fear, My Good Friend" ; Jean-Michel Moreau le jeune, French, 1741 - 1814; France, Europe; 1775; Pen and brown ink and brush and brown wash; 26.7 x 21.6 cm (10 1/2 x 8 1/2 in.)

Portrait of Gabriel Bernard de Rieux; Maurice-Quentin de La Tour, French, 1704 - 1788; Paris, France, Europe; 1739 - 1741; Pastel and gouache on paper mounted on canvas; Unframed

Bust of Louise Brongniart; Jean-Antoine Houdon, French, 1741 - 1828; 19th or early 20th century; Marble; Object [including socle]: H: 46 cm (H: 18 1/8 in.), Socle footprint, round: Diam

Tapestry: The Abandonment of Psyche; After design by Francois Boucher, French, 1703 - 1770, and woven under the direction of Nicolas Besnier, French, 1714 - 1754, and Jean-Baptiste Oudry, French

The Toilette of Psyche from The Story of Psyche tapestry series; After design by Francois Boucher, French, 1703 - 1770, woven under the direction of Nicolas Besnier, French, 1714 - 1754

Tapestry: Psyche at Cupids Palace; After cartoon by Francois Boucher, French, 1703 - 1770, and woven under the direction of Nicolas Besnier, French, 1714 - 1754, and Jean-Baptiste Oudry, French

Bowl; Painting attributed to Ignaz Preissler, German, 1676 - 1741; Kangxi, China, Asia; porcelain about 1700; painted decoration about 1715 - 1720; Hard-paste porcelain, underglaze blue

Leaf-Shaped Dish; Painting attributed to Ignaz Preissler, German, 1676 - 1741, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen, Germany

Head of a bacchante; Charles-Joseph Natoire, French, 1700 - 1777; 1741; Black and red chalk, heightened with white chalk and blue and pink pastels on blue-gray paper; 32.7 x 23.5 cm

The Nail Makers (Le Cloutier Grossier); Jean-Michel Moreau le jeune, French, 1741 - 1814; about 1763; Pen and black ink and brush with gray wash over traces of black chalk; 11.7 x 24.1 cm

Rinaldo and Armida Signed and dated lower right: Angelica Kaufafmann 1771"
Rinaldo and Armida Signed and dated lower right: " Angelica Kaufafmann 1771", Angelica Kauffmann, 1741-1807, Swiss

Thomas Graham, Thomas Hickey, 1741-1824, Irish

Christ Disappearing at Emmaus, Henry Fuseli, 1741-1825, Swiss

Scene of Witches, from The Masque of Queens by Ben Jonson A Scene of
Scene of Witches, from " The Masque of Queens" by Ben Jonson A Scene of Witches from Ben Jonsons Masque of Queens, c.1785, Henry Fuseli, 1741-1825, Swiss

William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire William Cavendish, Marquess of Hartington (later 4th Duke of Devonshire) Signed and dated

Gentleman with a Cannon Signed and dated in brown paint, lower left: ADevis
Gentleman with a Cannon Signed and dated in brown paint, lower left: " ADevis pinx | 1741", Arthur Devis, 1712-1787, British

The Education of Achilles, James Barry, 1741-1806, Irish

Tekemessa and Eurysakes, Henry Fuseli, 1741-1825, Swiss

Dido, Henry Fuseli, 1741-1825, Swiss

Purniya, Chief Minister of Mysore Purnia, Thomas Hickey, 1741-1824, Irish

Portrait of a woman, traditionally identified as Lady Hervey, Angelica Kauffmann, 1741-1807, Swiss

Nancy Parsons in Turkish dress, George Willison, 1741-1797, British

Canaletto (Italian, 1697-1768), The Porta Portello, Padua, c. 1741-1742, oil on canvas

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"Exploring the Vibrant Tapestry of 1741: A Journey through Colonial Savannah, Georgia and Beyond" Step back in time to the enchanting world of Colonial Savannah, Georgia in the 1700s. As you wander through its cobblestone streets, immerse yourself in the rich history and cultural tapestry that defined this era. Intriguingly, amidst this backdrop emerges an "Enraged Musician, " a satirical painting by Hogarth capturing the essence of society's obsession with music during this period. The melodies composed by Antonio Vivaldi or perhaps an anonymous artist would have filled the air as they echoed from grand halls to intimate gatherings. Meanwhile, across distant lands at Foundling Hospital Schools in Berkhamsted, young minds were nurtured under watchful eyes. Here, children found solace and education within these walls while their portraits adorned hallways - much like Tupac Amaru II's captivating painting symbolizing resistance against oppression. But it wasn't just art that captivated hearts; feats of strength amazed audiences as Thomas Topham showcased his extraordinary abilities as a strongman. His incredible prowess left onlookers awestruck and inspired generations to push their physical limits. However, not all sounds brought joy during this time; noise pollution became a growing concern for individuals like Robert Blair who sought tranquility amid bustling cities. John Dormer too longed for peaceful moments amidst chaos while Benedict Arnold navigated treacherous paths towards infamy. Yet beyond these human stories lay tales of exploration etched into history forever. Vitus Jonassen Bering embarked on a daring expedition only to face tragedy when his shipwreck marooned him off Kamchatka peninsula in 1741. This line engraving from the 19th century immortalizes his courageous spirit and unwavering determination. And finally, we encounter Ang Kauffmann's allegorical works which encapsulate the essence of this era.