1730 Collection (page 7)

1730, Covens and Mortier Map of Southern Africa, topography, cartography, geography
1730, Covens and Mortier Map of Southern Africa

1730, Seutter Map of Turkey, Ottoman Empire, Persia and Arabia, topography, cartography
1730, Seutter Map of Turkey, Ottoman Empire, Persia and Arabia

1730, Homann Map of the Upper Rhine, Frankfurt, Cassel, Coblentz, Darmstadt, topography
1730, Homann Map of the Upper Rhine, Frankfurt, Cassel, Coblentz, Darmstadt

1730, Homann Map of the Lower Rhine, Frankfort, Cologne, Coln, Heidelberg, etc. topography
1730, Homann Map of the Lower Rhine, Frankfort, Cologne, Coln, Heidelberg, etc

1730, Ottens Map of Persia, Iran, Iraq, Turkey, topography, cartography, geography
1730, Ottens Map of Persia, Iran, Iraq, Turkey

1730, Homann Map of Scandinavia, Norway, Sweden, Denmark, Finland and the Baltics

1730, Covens and Mortier Map of Germany, Folding Case Map, topography, cartography
1730, Covens and Mortier Map of Germany, Folding Case Map

1730, Homann Map of Lower Saxond, Berlin Lubeck, Hamburg, Bremen, topography, cartography
1730, Homann Map of Lower Saxond, Berlin Lubeck, Hamburg, Bremen

NEW ORLEANS: CONVENT. A view of the Old Ursuline Convent at the intersection of Chartres and Ursuline Street in New Orleans, Louisiana, constructed c1730

Captain Charles Janvre de la Bouchetire d.c.1743 (c.1730-35). Latham, James 1696-1747. Date: 1730-35 (circa)

The Old Bank, Looking from the Mansion House, 1730, London

Georges Franazois Blondel, French (1730-c. 1791), A View of the Inside of the New Prison at Rome, c. 1765, mezzotint on laid paper

Pierre-Philippe Choffard after Jean-Michel Moreau, French (1730-1809), Chacun respecte le travail des autres, afin que le sien soit en snreta©, 1777-1779, etching and engraving

Louis-Michel Halbou and Antoine-Jean Duclos after Jean-Honora Fragonard, French
Louis-Michel Halbou and Antoine-Jean Duclos after Jean-Honora© Fragonard, French (1730-probably 1809), Le gascon puni, etching

Franazois Joullain after Claude Gillot, French (1697-1778), Scaramouche, c. 1730, etching on laid paper

Joseph de Longueil after Charles Eisen, French (1730-1792), Le concert mecanique, 1769, etching and engraving

A Clear Stage and No Favour, 1730 (engravign)
XJF867829 A Clear Stage and No Favour, 1730 (engravign) by English School, (18th century); Private Collection; English, out of copyright

Donato Creti, Italian (1671-1749), Apollo Standing in a River Landscape, 1720-1730, pen and brown and black ink on laid paper; laid down

Mauro Antonio Tesi, Italian (1730-1766), Capriccio with a Palladian Villa, c. 1760, pen and brown ink with brown wash and watercolor over graphite on laid paper

Attributed to Jacques-Franazois Amand (1730-1769), Gardens of the Villa Mattei, c. 1760, red chalk on laid paper

American 18th Century, Boy in Blue Coat, c. 1730, oil on canvas

Johann Beheim after Franz Anton Maulbertsch (Austrian, c. 1730 - after 1770), Four Saints, 1762, etching and engraving on laid paper

Franz Edmund Weirotter after Aa'tienne de Lavalla e-Poussin (Austrian, 1730 - 1771)
Franz Edmund Weirotter after Aa'tienne de Lavalla© e-Poussin (Austrian, 1730 - 1771), Nella Venuta in Roma: pl. 7, 1764, etching on laid paper

Franz Edmund Weirotter (Austrian, 1730 - 1771), The Pyramid of Sesto near the Gates of St. Pauli in Rome, c. 1764, etching on laid paper [proof state]

Attributed to Franz Edmund Weirotter (Austrian, 1730 - 1771), Houses on an Inlet, etching

Pierre-Philippe Choffard after Pierre-Antoine Baudouin (French, 1730 - 1809), Marchez tout doux, parlez tout bas, 1782, engraving and etching

Joseph de Longueil after Charles Eisen (French, 1730 - 1792), Le midi, etching and engraving

Augustin Pajou (French, 1730 - 1809), The Ludovisi Menander, 1752-1756, pen and black ink with gray wash over black chalk on laid paper

Augustin Pajou after Charles Mellin (French, 1730 - 1809), Angel from the Assumption [recto], 1752-1756, black chalk on laid paper

Salomon Gessner, Eros with Three Girls at a Fountain, Swiss, 1730 - 1788, 1770, etching on laid paper

Salomon Gessner, Figurine Seller with Two Girls, Swiss, 1730 - 1788, 1770, etching on laid paper

Salomon Gessner, Two Shepherds in a Rocky Landscape, Swiss, 1730 - 1788, 1764, etching on laid paper tinted pale blue

Salomon Gessner, Wooded Landscape with a Nymph and a Satyr, Swiss, 1730 - 1788, 1764, etching on laid paper tinted pale blue

Salomon Gessner, Wooded Landscape with a Herd of Goats and a Herm, Swiss, 1730 - 1788, 1764, etching on laid paper tinted pale blue

LAYING OUT BALTIMORE TOWN, JANUARY 12 1730. DRAWN BY F. B. MAYER, engraving 1880, US, USA, America

OLD VIEW OF NEW YORK. From Popples American Atlas, 1730. UNITED STATES OF AMERICA, US, USA, 1870s engraving

Map of South Carolina in 1730, by H. Moll, United States of America, Us, Usa, 1870S Engraving

THE COURSE OF THE RIVER ST. LAWRENCE AS FAR AS QUEBEC (From Popples Atlas, 1730) CANADA, 1870s engraving

OLD VIEW OF QUEBEC, from Popples American Atlas, 1730, CANADA, 1870s engraving

Siamese Boat on the Serpentine, 1847

REMAINS OF SHELTON HALL, THE BIRTHPLACE OF THE POET FENTON, in Shelton and Hardwick parish, England. Elijah Fenton (1683 1730), an English poet, biographer and translator

THE SERPENTINE, also known as the Serpentine River is a recreational lake in Hyde Park, London, England, created in 1730, UK, britain, british, europe, united kingdom, great britain, european

Portrait of an Historian, Anonymous, c. 1730

Musical Party, Melchior Brassauw, 1730 - 1757

Portrait of a woman, presumably Christiane Charlotte of Wurttemberg, 1694-1729, Anonymous, 1710 - 1730, Portrait miniature

Portrait of a man and a woman, presumably William Frederick Margrave of Brandenburg-Anspach, 1686-1723 and his wife Christiane Charlotte of Wurttemberg, 1694-1723, Anonymous, 1710 - 1730

Self-Portrait, Cornelis Troost, 1715 - 1730

Portrait of a Painter, perhaps the Artist Himself, attributed to Aert Schouman, 1730

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In the year 1730, a myriad of events and creations unfolded, painting a vivid picture of the era. Cockfighting, an ancient sport steeped in tradition and excitement, captivated audiences with its fierce battles. Meanwhile, the renowned artist William Hogarth continued to leave his mark on London's artistic scene with his thought-provoking works. London's Masonic Lodges buzzed with activity as secret societies flourished during this time. These enigmatic gatherings fostered camaraderie among members while guarding their esoteric knowledge from prying eyes. Curiosity about the celestial realm led to groundbreaking discoveries like the early map of the Moon in 1635. This intricate depiction unveiled our closest cosmic neighbor in unprecedented detail, sparking wonder and fueling humanity's fascination with space. April bloomed vibrantly through Twelve Months of Flowers in 1730—a color engraving that captured nature's delicate beauty. Laurent Bordelon skillfully brought forth this visual delight for all to enjoy and appreciate. Across the Atlantic Ocean, Newport, Rhode Island thrived amidst colonial America's bustling landscape. A lithograph from 1864 transported us back to this vibrant coastal town as it stood proudly in 1730—its rich history etched into every brick and cobblestone. Meanwhile, Mexico City pulsated with life as it embraced its role as a cultural hub in Mexico during this period. The cityscape bustled with activity—a testament to its significance within Latin American society at that time. Abraham Newland left an indelible mark on British currency by serving as Chief Cashier at The Bank of England—an influential figure shaping financial transactions throughout 1730s Britain. The Bradford Map or Lyne Survey showcased New York City's evolving landscape through a meticulous line engraving created just one year later—an invaluable historical artifact preserving urban development for generations to come.