1720 Collection (page 8)

Portrait of a woman, Anonymous, 1700 - 1720, Portrait miniature

View of Istanbul from the Dutch Embassy at Pera Turkey, Jean Baptiste Vanmour, c. 1720 - c. 1737

Family Portrait of Hermanus Boerhaave, Professor of Medicine at the University of Leiden, and his Wife Maria Drolenvaux and little Daughter Johanna Maria, Aert de Gelder, 1720 - 1725

The Phoenix, Cornelis Troost, 1720 - 1750

Unseemly Love, perhaps a scene of the Widower Joost with Lucia, 2nd scene from the play De wanhebbelijke liefde by CJ van der Lijn, Cornelis Troost, 1720 - 1750

Still Life with Flowers in a Glass Vase, Rachel Ruysch, c. 1690 - c. 1720

The Casino, follower of Pietro Longhi, 1720 - 1790

Portrait of an Old Woman, circle of Vittore Ghislandi, 1720 - 1750

Italian Landscape, attributed to Pieter van Bloemen, 1700 - 1720

Mary Magdalene, copy after Guido Reni, 1627 - 1720

Anna Margaretha van Petcum (1676-1745). Wife of Johan Arnold Zoutman, Johan van Diest, 1690 - 1720

Woman Watering a Plant, Louis de Moni, 1720 - 1771

Dice Game at the Gallows, Jan van Huchtenburg, 1680 - 1720

Greek Men and Women Dancing the Khorra, Jean Baptiste Vanmour, c. 1720 - c. 1737

Party of Armenians Playing Cards, Jean Baptiste Vanmour, c. 1720 - c. 1737

Ladies Outing at Hunkar Iskelesi near Istanbul Turkey along the Bosporus, Jean Baptiste Vanmour, c. 1720 - c. 1737

Turkish Women in the Countryside near Istanbul Turkey, Jean Baptiste Vanmour, c. 1720 - c. 1737

Lying-in Room of a Distinguished Turkish Woman, Jean Baptiste Vanmour, c. 1720 - c. 1737

Banquet of Distinguished Turkish Women, Jean Baptiste Vanmour, c. 1720 - c. 1737

Greek Wedding, Jean Baptiste Vanmour, c. 1720 - c. 1737

Armenian Wedding, Jean Baptiste Vanmour, 1720 - 1737

Wedding procession on the Bosphorus, Turkey, Jean Baptiste Vanmour, c. 1720 - c. 1737

Dervishes Sharing a Meal, Jean Baptiste Vanmour, c. 1720 - c. 1737

Justice, Anonymous, 1650 - 1720

Room with monkeys, ca. 1720, Matthijs Pool, Leonard Schenk, 1710 - 1730

The House on the Rock, Anonymous, 1720

Parable of the wise and foolish virgins, Anonymous, 1720

Temptation of Christ, Anonymous, 1720

Resurrection of Christ, Anonymous, 1720

Christ anointed by a sinful woman, Anonymous, 1720

Christ predicts the destruction of Jerusalem, Anonymous, 1720

Ascension of Christ, Anonymous, 1720

CAMPDEN HOUSE 1720. London, UK, 19th century engraving

Study of a Seated Man (recto), Study of a Male Nude (verso); Jean-Simeon Chardin, French, 1699 - 1779; France, Europe; about 1720 - 1725; Charcoal and white chalk; 25.6 x 16.7 cm

An Ancient Port; Giovanni Battista Piranesi, Italian, 1720 - 1778; Italy, Europe; 1749 - 1750; Red and black chalk and brown and reddish wash

Landscape with Travellers, Two Riding in a Carriage Driven by a Postilion and a Third on Horseback behind; Marco Ricci, Italian, 1676 - 1730; about 1720; Pen and brown ink with brown wash

The Triumph of Venus; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Bacchanale; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Diana and Her Dog; Sebastiano Ricci, Italian, 1659 - 1734; 1717 - 1720; Oil on canvas; Unframed: 74 x 55.6 cm (29 1/8 x 21 7/8 in.)

The Adoration of the Shepherds; Sebastiano Conca, Italian (Neapolitan), 1680 - 1764; Naples, Italy, Campania, Europe; 1720; Oil on canvas; Unframed: 243.8 x 264.2 cm (96 x 104 in.)

Corpus and Cross (Crucifix); Unknown; France, Europe; Corpus 1680 - 1720; Cross 1765-1770; Boxwood figure on a cross of oak veneered with ebony

Saint Joseph with the Christ Child; Attributed to Gennaro Laudato, Italian, active in the 1790s, After a model by Giuseppe Sanmartino, Italian, 1720 - 1793; Naples, Italy

Laocoon; Giovanni Battista Foggini, Italian, 1652 - 1725; Florence, Italy, Tuscany, Europe; about 1720; Bronze; Object: H: 56 x W: 44 x D: 21.9 cm (H: 22 1/16 x W: 17 5/16 x D: 8 5/8 in.)

Set of twelve chairs (5 armchairs, 7 side chairs); Unknown; India, Asia; about 1680 - 1720; Ebony, ebonized hardwood, ivory, ebonized walnut inner-seat frame with cane; Various, see extensions

Lidded Bowl (ecuelle); Claude-Gabriel Dardet, French, active 1720 - 1729, master 1715; Paris, France, Europe; 1727; Silver-gilt; Object: H: 10.8 x W: 29.8 x D: 18.7 cm (H: 4 1/4 x W: 11 3/4 x D)

Pair of Mounted Lidded Vases; Unknown; porcelain about 1700 - 1720; mounts about 1710 - 1715; Hard-paste porcelain, polycrhome enamel decoration, gilt bronze mounts; Various, see extensions

Wall Clock; Case maker Jacques Caffieri, French, 1678 - 1755, master 1714, Movement maker Julien Le Roy, French, 1686 - 1759, master 1713, Dial enamelled by Antoine-Nicolas Martiniere, French

Mounted Lidded Bowl; Unknown; China, Asia; porcelain about 1720; mounts about 1745 - 1749; Hard-paste porcelain; colored enamel decoration; gilt bronze mounts; Object: H: 40 x Diam.: 38.1 cm (H)

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"Exploring the Multifaceted World of 1720: From Art to History, Plagues to Projects" Step into the vibrant year of 1720, where Italian artist Giovanni Battista Piranesi captures our attention with his masterpiece "Prisoners on a Projecting Platform. " This intriguing artwork transports us to an era filled with mystery and curiosity. Meanwhile, across the Atlantic Ocean, another significant event unfolds as the South Sea Bubble bursts. The financial crisis that ensues leaves its mark on history and teaches valuable lessons about speculation and greed. In the realm of medicine, we encounter the enigmatic figure of a plague doctor from France in the 18th century. Clad in their distinctive bird-like masks and long coats, these doctors bravely faced one of history's deadliest diseases. Turning our gaze towards innovation, we discover Orffyreus Wheel & Man—a fascinating invention that captivated minds during this period. Its perpetual motion machine sparked debates among scientists and dreamers alike. Nature enthusiasts will find solace in Gilbert White's observations from Selborne. His meticulous records provide invaluable insights into flora and fauna during this time—an ode to nature's wonders. Traveling further eastward brings us to Austria's Vienna Plan from 1720. This architectural marvel showcases grand visions for urban development while preserving historical charm—a testament to human ambition. Amidst all these tales lies Fat Edward Bright—a notorious character who roamed England's highways as a highwayman or robber during the 18th century. His daring escapades became legendary folklore throughout Britain. Across continents yet again, we stumble upon an engraving depicting New Orleans' plan between 1718-1720—showcasing French influence on Louisiana soil through intricate city planning—an enduring legacy still visible today. Returning once more to Gilbert White at Selborne reveals his unwavering dedication to documenting natural phenomena—the beauty he uncovers within every creature is truly awe-inspiring.