1663 Collection (#4)

Pierre Drevet after Hyacinthe Rigaud, French (1663-1738), Jean Paul Bignon, Abbe du St. Quentin, engraving

Nicola Malinconico, Italian (1663-1721), The Transport of the Ark of the Covenant, late 1680s, pen and brown ink with gray wash over graphite

Jan Steen, Dutch (1625-1626-1679), The Dancing Couple, 1663, oil on canvas

Meindert Hobbema, Dutch (1638-1709), A Wooded Landscape, 1663, oil on canvas

Robert van Audenaerd after Carlo Maratta (Flemish, 1663 - 1743), Death of the Virgin, etching and engraving

Pierre Drevet, after Francois de Troy (French, 1663 - 1738), Fra da ric Auguste III
Pierre Drevet, after Francois de Troy (French, 1663 - 1738), Fra© da© ric Auguste III, roi de Pologne, engraving on laid paper [proof]

Pierre Drevet after Hyacinthe Rigaud (French, 1663 - 1738), Maria Serre, Mater Hyacinth Rigaud, 1703, etching and engraving

Pierre Drevet after Pierre Gobert, French (1663-1738), Marquis de la Vrilliere, 1701
Pierre Drevet after Pierre Gobert (French, 1663 - 1738), Marquis de la Vrilliere, 1701, engraving

Pierre Drevet after Nicolas de Largillierre (French, 1663 - 1738), Marie de Laubespine, engraving

Robert Nanteuil after F. Cabouret (French, 1623 - 1678), Jean Fronteau, 1663, engraving

(Italian, 1663 - 1729), Facciata della Chiesa del Ospitaletto (plate 33), published 1703, 1 vol: ill: 97 etchings by Carlevariis

Michel Corneille, The Purification of Aeneas, French, 1642 - 1708, c. 1663, pen and brown ink with blue wash over traces of graphite, on cream laid paper, squared in graphite for transfer

Portrait of Johan Philip Lansberge at the age of 67, Willem Jacobsz. Delff, Anonymous, Zacharias Roman, 1663

Saying Grace, Cornelis Pietersz. Bega, 1663

The Sick Woman, Jan Havicksz. Steen, c. 1663 - c. 1666

Figures in a Courtyard behind a House, Pieter de Hooch, c. 1663 - c. 1665

Hilly Landscape with Cows, Adriaen van de Velde, 1663

Flower Wreath Surrounding a Niche, A Flower Piece, Karel Batist, 1659 - 1663

Old Woman Meditating, Gabriel Metsu, c. 1661 - c. 1663

Interior with an Angler and a Man Sitting at a Spinning Wheel and Reel, Quiringh Gerritsz. van Brekelenkam, 1663

St Paul Healing the Cripple at Lystra, Karel Dujardin, 1663

Portrait of Johannes van Rees as a Child, Half Brother of Elisabeth van Oosten, formerly entitled Portrait of a Boy perhaps from the van Riebeeck Family, attributed to Willem Jansz. Ploy, 1663

Margarita Trip as Minerva, Instructing her Sister Anna Maria Trip, Ferdinand Bol, 1663

Portrait of a Man, Ferdinand Bol, 1663

Portrait of Johan van Oldenbarnevelt, 1547-1619, attributed to Cornelis Saftleven, in or after 1663

View of Ayutthaya, Thailand, attributed to Johannes Vinckboons, c. 1662 - c. 1663

Portrait of Jacoba Bicker (1640-95), wife of Pieter de Graeff, Caspar Netscher, 1663

Portrait of Pieter de Graeff (1638-1707), lord of Zuid-Polsbroek, Purmerland, and Ilpendam. Alderman of Amsterdam, Caspar Netscher, 1663

Portrait of Johan Servaes van Limburg, Dean of the Chapter of Sinte Marie in Utrecht, attributed to Cornelis Janssens van Ceulen (II), 1663 - 1678

View of a village, Salomon van Ruysdael, 1663

The Old Drinker, Gabriel Metsu, c. 1661 - c. 1663

Adoration of the Shepherds, Abraham Danielsz. Hondius, 1663

Annunciation to the Shepherds, Abraham Danielsz. Hondius, 1663

Portrait of Peter Purmerent, Reinier van Persijn, 1663

Two lawyers for courtroom, Abraham Dircksz Santvoort, Hendrick van Esch, Johannes van Esch (I), 1663

Justice enthroned above portrait of Justinian on base with title flanked by Temperance and Prudence, Cornelis van Dalen I, Franciscus Hackius, Lowijs Elzevier III and Daniel, 1663

The Sermon, Cornelis van Dalen (I), Jacob Lescailje, 1663

Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of the Painter, Hyacinthe Rigaud, 1714. Engraving on laid paper. Plate: 469 mm x 335 mm (18.46 in)

The Dream of Aeneas; Salvator Rosa, Italian, 1615 - 1673; Italy, Europe; about 1663; Black and white chalk; 30 x 22.4 cm (11 13/16 x 8 13/16 in.)

Landscape in Latium with Farm Laborers; Claude Lorrain (Claude Gellee), French, 1604 or 1605 ? - 1682; France, Europe; about 1660 - 1663; Pen and brown ink, brown wash

The Alchemist; Cornelis Bega, Dutch, 1631 or 1632 - 1664; 1663; Oil on panel; Unframed: 36.2 x 32.2 cm (14 1/4 x 12 11/16 in.), Framed: 49.5 x 45.7 x 6.7 cm (19 1/2 x 18 x 2 5/8 in.)

The Bucintoro Departing from the Bacino di San Marco; Luca Carlevarijs, Italian, 1663 - 1730; 1710; Oil on canvas; Unframed: 134.8 x 259.4 cm (53 1/16 x 102 1/8 in.)

Regatta on the Grand Canal in Honor of Frederick IV, King of Denmark; Luca Carlevarijs, Italian, 1663 - 1730; 1711; Oil on canvas; Unframed: 135.3 x 259.7 cm (53 1/4 x 102 1/4 in.)

Bacchus and Ariadne; Giuseppe Piamontini, Italian, 1663 - 1744; Florence, Italy, Tuscany, Europe; first half of 18th century; Bronze; Object: H: 40.01 x W: 29.53 x D: 21.59cm (H: 15 3/4 x W)

Portrait of Monseigneur Louis Doni d Attichy, Bishop of Riez and later of Autun; Robert Nanteuil, French, 1623 - 1678; France, Europe; 1663; Pastel on paper; 34.3 x 27.9 cm (13 1/2 x 11 in.)

David with the Head of Goliath; Guido Cagnacci, Italian, 1601 - 1663; Italy, Europe; about 1645 - 1650; Oil on canvas; Unframed: 108.3 x 86.4 cm (42 5/8 x 34 in.)

The Thames at Westminster Stairs, London signed and dated 163(?1 or 7), Claude de Jongh, active 1628-1663, Dutch

Sketch for an oval ceiling, Attributed to Louis Laguerre, 1663-1721, French

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In the year 1663, a multitude of remarkable events unfolded across different corners of the world. St. Joseph of Cupertino, known for his extraordinary levitation abilities, continued to astound believers with his miraculous acts. Meanwhile, August Hermann Francke dedicated himself to education and philanthropy, leaving an indelible mark on society. Amidst this backdrop of spiritual wonders and intellectual pursuits, Mary Frith emerged as a notorious figure in London's underworld. Known as "Pickpocket, " she skillfully navigated the city's streets while evading capture. The publication of John Eliot's Indian Bible marked a significant milestone in Native American history. This translation allowed indigenous communities to access religious texts in their own language, fostering cultural preservation and understanding. William Juxon played a pivotal role during these times as well. As Archbishop of Canterbury during King Charles I's execution in 1649, he witnessed historic moments that shaped England forever. Across Europe, Italy showcased its architectural splendor through Jean Blaeu's engraving capturing Tivoli's breathtaking Villa d'Este from his renowned work Theatrum Civitatum et Admirandorum Italiae. Meanwhile, Russia celebrated its rich heritage with the printing of the Russian Bible in Moscow. This ecclesiastical Slavonic text not only served as a religious guide but also depicted intricate plans showcasing the grandeur of Moscow itself. Closer to home in England, Bishop Thomas Wilson left an enduring legacy through his writings and teachings that inspired generations to come. As we reflect upon these diverse stories from 1663 - tales ranging from levitation miracles to criminal exploits; translations bridging cultures and preserving traditions; architectural marvels captured on paper; and influential figures shaping nations - we are reminded that history is woven together by countless threads forming our collective tapestry.