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1640s Collection (page 5)

The 1640s were a tumultuous time in history, marked by political upheaval and intellectual advancements

Background image1640s Collection: Arthur Capell

Arthur Capell
2905697 Arthur Capell by English School, (18th century); Private Collection; (add.info.: Arthur Capell, 1st Baron Capell of Hadham, 1648.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: Thomas Howard

Thomas Howard
2905695 Thomas Howard by English School, (18th century); Private Collection; (add.info.: Thomas Howard, 21st Earl of Arundel and 2nd or 4th Earl of Surrey, 1646.); GSinclair Archive/UIG; English

Background image1640s Collection: William Laud

William Laud
2905692 William Laud by English School, (18th century); Private Collection; (add.info.: William Laud, Archbishop of Canterbury, 1645.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: Lucius Cary

Lucius Cary
2905690 Lucius Cary by English School, (18th century); Private Collection; (add.info.: Lucius Cary, 2nd Viscount Falkland, 1643.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: William Fielding

William Fielding
2905688 William Fielding by English School, (18th century); Private Collection; (add.info.: William Fielding, Earl of Denbigh, 1643.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: Robert Greville

Robert Greville
2905684 Robert Greville by English School, (18th century); Private Collection; (add.info.: Robert Greville, 2nd Baron Brooke, 1643.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: Map of Germany, c. 1644-1645 (hand-coloured engraving)

Map of Germany, c. 1644-1645 (hand-coloured engraving)
985772 Map of Germany, c.1644-1645 (hand-coloured engraving) by Blaeu, Willem (1571-1638) and Joan (1596-1673) (after); 50.6x33.4 (folio size) cm; Private Collection; (add.info.: Map of Germany)

Background image1640s Collection: Ischia, 1642 (coloured engraving)

Ischia, 1642 (coloured engraving)
985753 Ischia, 1642 (coloured engraving) by Blaeu, Willem (1571-1638) and Joan (1596-1673); 49.2x65.4 cm; Private Collection; (add.info.: Ischia. From Theatrum orbis terrarum)

Background image1640s Collection: Hyacinths, 1631-1647 (hand-coloured engraving)

Hyacinths, 1631-1647 (hand-coloured engraving)
985713 Hyacinths, 1631-1647 (hand-coloured engraving) by Dutch School, (17th century); 39.9x26.7 cm; Private Collection; (add.info.: Hyacinths. From Florilegium Amplissimum et selectissimum)

Background image1640s Collection: The House of Lords and House of Commons under King Charles I, c. 1640 (colour woodcut)

The House of Lords and House of Commons under King Charles I, c. 1640 (colour woodcut)
2630212 The House of Lords and House of Commons under King Charles I, c.1640 (colour woodcut) by English School, (17th century); Private Collection; (add.info)

Background image1640s Collection: Cardinal Richelieu, 1640 (oil on canvas)

Cardinal Richelieu, 1640 (oil on canvas)
5672077 Cardinal Richelieu, 1640 (oil on canvas) by Champaigne, Philippe de (1602-74); (add.info.: Portrait of Armand Jean Duplessis, Duc de Richelieu (1585-1642) Cardinal Richelieu

Background image1640s Collection: Allegory on the Submission of Flanders to Louis XIV (engraving)

Allegory on the Submission of Flanders to Louis XIV (engraving)
1577457 Allegory on the Submission of Flanders to Louis XIV (engraving) by Lepautre, Jean (1618-82); (add.info.: Allegory on the Submission of Flanders to Louis XIV)

Background image1640s Collection: The Interior of a Guardroom, c. 1640s (oil on canvas)

The Interior of a Guardroom, c. 1640s (oil on canvas)
990173 The Interior of a Guardroom, c.1640s (oil on canvas) by Teniers, David the Younger (1610-90); 61.6x76.8 cm; Private Collection; (add.info.: The Interior of a Guardroom)

Background image1640s Collection: The Deification of Aeneas, 1642-1645 (oil on canvas)

The Deification of Aeneas, 1642-1645 (oil on canvas)
990088 The Deification of Aeneas, 1642-1645 (oil on canvas) by Perrier, Francois (Bourguignon) (1590-1650); 108x137 cm; Private Collection; (add.info.: The Deification of Aeneas)

Background image1640s Collection: An Illuminated Document from Mexico, Showing the Coat of Arms of the Viceroy Sotomayor, c

An Illuminated Document from Mexico, Showing the Coat of Arms of the Viceroy Sotomayor, c
986332 An Illuminated Document from Mexico, Showing the Coat of Arms of the Viceroy Sotomayor, c.1645 (Illuminated document from Amate (Fig-tree bark paper), cotton) by Mexican School

Background image1640s Collection: Sine Cerere et Baccho friget Venus, 1645 (?) (oil on canvas)

Sine Cerere et Baccho friget Venus, 1645 (?) (oil on canvas)
827889 Sine Cerere et Baccho friget Venus, 1645 (?) (oil on canvas) by Miel, Jan van Bike (1599-1663); 142.5x162.7 cm; Private Collection; (add.info.: Sine Cerere et Baccho friget Venus)

Background image1640s Collection: Henry Rich

Henry Rich
2905702 Henry Rich by English School, (18th century); Private Collection; (add.info.: Henry Rich, 1st Earl of Holland also known as The Lord Kensington, 1649.); GSinclair Archive/UIG; English

Background image1640s Collection: Lady Blanche Arundell

Lady Blanche Arundell
2905701 Lady Blanche Arundell by English School, (18th century); Private Collection; (add.info.: Lady Blanche Arundell, Baroness Arunedel of Wardour, 1649.); GSinclair Archive/UIG; English

Background image1640s Collection: Edward Herbert

Edward Herbert
2905699 Edward Herbert by English School, (18th century); Private Collection; (add.info.: Edward Herbert, 1st Baron Herbert of Cherbury, 1648.); GSinclair Archive/UIG; English, out of copyright

Background image1640s Collection: Robert Devereux

Robert Devereux
2905696 Robert Devereux by English School, (18th century); Private Collection; (add.info.: Robert Devereux, 2nd Earl of Essex, 1646)

Background image1640s Collection: The Creation of Adam, c. 1642 (monotype)

The Creation of Adam, c. 1642 (monotype)
659472 The Creation of Adam, c. 1642 (monotype) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 30.2x20.4 cm; Private Collection; (add.info.: The Creation of Adam)

Background image1640s Collection: Issac Blessing Jacob, c. 1640 (oil on canvas)

Issac Blessing Jacob, c. 1640 (oil on canvas)
659397 Issac Blessing Jacob, c.1640 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69) (school of); 128.3x165.7 cm; Private Collection; (add.info.: Issac Blessing Jacob)

Background image1640s Collection: The Vision of St Francis (painting)

The Vision of St Francis (painting)
5672193 The Vision of St Francis (painting) by Anonymous; (add.info.: The Vision of St Francis (anonymous) 1620-1640. He spent some time in lonely places, asking God for spiritual enlightenment

Background image1640s Collection: A Mullah and a Musician, c. 1640-1650 (w / c & gold leaf on cream paper)

A Mullah and a Musician, c. 1640-1650 (w / c & gold leaf on cream paper)
1196877 A Mullah and a Musician, c.1640-1650 (w/c & gold leaf on cream paper) by Mughal School, (17th century); 40.5x27.1 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1640s Collection: A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)

A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)
1196811 A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes), c.1640-1650 (w/c on red paper) by Indian School

Background image1640s Collection: Prince James, Duke of York, playing tennis (engraving)

Prince James, Duke of York, playing tennis (engraving)
5232780 Prince James, Duke of York, playing tennis (engraving) by English School, (19th century); Private Collection; (add.info.: Prince James, Duke of York, playing tennis)

Background image1640s Collection: The Visitation, c. 1643 (oil on canvas)

The Visitation, c. 1643 (oil on canvas)
827740 The Visitation, c.1643 (oil on canvas) by Champaigne, Philippe de (1602-74); 77x99 cm; Private Collection; (add.info.: The Visitation. Philippe de Champaigne (1602-1674). Oil on canvas

Background image1640s Collection: Angelica and Medoro (oil on canvas)

Angelica and Medoro (oil on canvas)
827658 Angelica and Medoro (oil on canvas) by La Hyre, Laurent de (1606-56); 141.3x140.7 cm; Private Collection; (add.info.: Angelica and Medoro. Laurent de Hyre (1606-1656). Oil on canvas

Background image1640s Collection: Plan and view of the towns and buildings of Holland and the Low Countries

Plan and view of the towns and buildings of Holland and the Low Countries
986451 Plan and view of the towns and buildings of Holland and the Low Countries, 1649 (hand-coloured engraving) by Blaeu, Joan (1596-1673); 52.5x34

Background image1640s Collection: Isaac Blessing Jacob, 1640s. Creator: Assereto, Gioacchino (1600-1649)

Isaac Blessing Jacob, 1640s. Creator: Assereto, Gioacchino (1600-1649)
Isaac Blessing Jacob, 1640s. Found in the collection of State Hermitage, St. Petersburg

Background image1640s Collection: Lot and his Daughters, 1640s. Creator: Stanzione, Massimo (ca. 1585-ca. 1658)

Lot and his Daughters, 1640s. Creator: Stanzione, Massimo (ca. 1585-ca. 1658)
Lot and his Daughters, 1640s. Private Collection

Background image1640s Collection: Strasbourg, France, c. 1650

Strasbourg, France, c. 1650
A scene during winter Date: circa 1650

Background image1640s Collection: The Virgin in Prayer, 1640s. Creator: Sassoferrato (1609-1685)

The Virgin in Prayer, 1640s. Creator: Sassoferrato (1609-1685)
The Virgin in Prayer, 1640s. Found in the Collection of National Gallery, London

Background image1640s Collection: Saint Francis receiving the Stigmata, 1640s

Saint Francis receiving the Stigmata, 1640s. Found in the Collection of Muse e du Louvre, Paris

Background image1640s Collection: Colonial dispute in Rhode Island, 1600s

Colonial dispute in Rhode Island, 1600s
Colonists conflict over cattle at Acquidneck (now Newport), Rhode Island, 1641. Hand-colored woodcut of a 19th-century illustration

Background image1640s Collection: Peter Stuyvesant in New Amsterdam

Peter Stuyvesant in New Amsterdam
Governor Stuyvesant haranguing citizens of New Amsterdam, 1600s. Hand-colored woodcut of a 19th-century illustration

Background image1640s Collection: Dutch colony found destroyed by Native Americans, 1640s

Dutch colony found destroyed by Native Americans, 1640s
De Vries finds the ruins of his Dutch settlement in New Netherland, 1640s. Hand-colored woodcut of a 19th-century illustration

Background image1640s Collection: Roger Williams brings the colony charter to Rhode Island, 1644

Roger Williams brings the colony charter to Rhode Island, 1644
Return of Roger Williams from England with the Rhode Island charter, 1644. Hand-colored woodcut of a 19th-century illustration

Background image1640s Collection: Rhode Island charter arriving from England, 1644

Rhode Island charter arriving from England, 1644
Rhode Island colonists welcome Roger Williams with the charter from England, 1644. Hand-colored woodcut of a 19th-century illustration

Background image1640s Collection: Unknown woman fashion image painting 1640s Tempera

Unknown woman fashion image painting 1640s Tempera
Unknown woman, fashion image, painting, 1640s, Tempera on mica, Height, 8 cm (3.1 inches), Width, 6.4 cm (2.5 inches)

Background image1640s Collection: David Teniers Younger Tavern Scene Smokers Pub scene

David Teniers Younger Tavern Scene Smokers Pub scene
David Teniers the Younger, Tavern Scene with Smokers, Pub scene with pipe smoker, painting, 1640s, Oil on oak panel, Height, 23.9 cm (9.4 inches), Width, 19 cm (7.4, inch), Sigill, Sparre-weapon

Background image1640s Collection: Andromeda Workshop Peter Paul Rubens Flemish

Andromeda Workshop Peter Paul Rubens Flemish
Andromeda; Workshop of Peter Paul Rubens (Flemish, 1577 - 1640); about 1640s; Oil on canvas; 196.9 x 130.8 cm (77 1, 2 x 51 1, 2 in.)

Background image1640s Collection: Game Backgammon 1640s David Teniers Flemish 1610-1690

Game Backgammon 1640s David Teniers Flemish 1610-1690
Game of Backgammon, 1640s. David Teniers (Flemish, 1610-1690). Oil on wood, transferred to canvas; framed: 82 x 102 x 9 cm (32 5/16 x 40 3/16 x 3 9/16 in.); unframed

Background image1640s Collection: Tobit Burying Dead 1640s Giovanni Benedetto Castiglione

Tobit Burying Dead 1640s Giovanni Benedetto Castiglione
Tobit Burying the Dead, 1640s. Giovanni Benedetto Castiglione (Italian, 1609-1664). Oil and dark red pigment with oil and brown pigment; framing lines in gold paint over oil

Background image1640s Collection: Costumes of the 1640S

Costumes of the 1640S
Costumes of various European women not all of them ladies of fashion. N.B decollete bodice with lace falling collar & cuffs & gowns hitched up to reveal petticoats. Date: 1640

Background image1640s Collection: Bacchus Nymphs Landscape 1640s Oil wood 22 7 / 8 x 28 3 / 8

Bacchus Nymphs Landscape 1640s Oil wood 22 7 / 8 x 28 3 / 8
Artokoloro

Background image1640s Collection: Matthew Hopkins - The Witchfinder General

Matthew Hopkins - The Witchfinder General
Matthew Hopkins (circa 16201647) - The Witchfinder General - an English witchhunter whose career flourished during the time of the English Civil War. Date: circa 1646

Background image1640s Collection: MIGNARD: MADONNA. The Virgin of the Grapes. Oil on canvas, c1640-50, by Pierre Mignard (1612-1695)

MIGNARD: MADONNA. The Virgin of the Grapes. Oil on canvas, c1640-50, by Pierre Mignard (1612-1695)



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The 1640s were a tumultuous time in history, marked by political upheaval and intellectual advancements. The flag of the Scottish Covenanters fluttered proudly, symbolizing their resistance against English Royalists during the years 1640-9. Meanwhile, across the channel, French mathematician and philosopher René Descartes was deep in thought, laying the foundations for modern philosophy. In England, King Charles I made a bold move by taking the Speaker's Chair, asserting his authority amidst growing tensions with Parliament. However, this act would ultimately lead to his downfall as he found himself before Gloucester during the English Civil War. Amidst these troubled times, King Charles I bid farewell to his family as he prepared for battle and uncertain outcomes. Thomas Wentworth, Earl of Stafford found himself imprisoned in the Tower of London for his loyalty to the king. The Battle of Naseby became a defining moment in English history as Parliamentary forces clashed with Royalists in 1645. The outcome shifted power towards Parliament and set the stage for future events. Artistic expression also flourished during this era; Edward Penfield's Coach of 1640 captured both elegance and functionality through its intricate design. In contrast to these vibrant scenes stood still life paintings that reflected on mortality and transience. Meanwhile, Hampshire witnessed intense conflict during the Siege of Basing House while Edgehill became synonymous with bravery and sacrifice due to its significance as one of the first major battles fought between Royalist and Parliamentary forces. As we reflect upon this period today, let us remember how these events shaped our world – politically, intellectually, and artistically – leaving an indelible mark on history that continues to resonate centuries later.