1558 Collection (page 3)

Drawings Prints, Drawing, Holy, Family, Infant, St. John, Baptist, recto, large-scale
Drawings and Prints, Drawing, Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso), Artist, Gregorio Pagani, Italian, Florence

Temptation St Anthony n. d Etching Prints after Hieronymus Bosch
Artokoloro

Pride Superbia series Seven Deadly Sins 1558
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Alchemist 1558 Engraving first state three sheet
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Speculum Romanae Magnificentiae Carnival games held
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Drawings Prints, Print, Adam, Eve, Artist, Hendrick Goltzius, Bartholomeus Spranger
Drawings and Prints, Print, Adam and Eve, Artist, After, Hendrick Goltzius, Bartholomeus Spranger, Netherlandish, Muhlbracht 1558-1617 Haarlem, Netherlandish, Antwerp 1546-1611 Prague, Goltzius

Gluttony Gula Seven Deadly Sins 1558 Engraving
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Abraham Isaac way Sacrifice 1558 Etching Sheet
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Speculum Romanae Magnificentiae Arch Titus 1558
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Prometheus ca 1558 Etching engraving plate 19 1 / 4 x 14 1 / 4
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Tobit Landscapes Biblical Mythological Scenes
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Drawings Prints, Print, Adoration Magi, Artist, Andreani, Aurelio Luini, Mantua, 1558 / 1559-1629
Drawings and Prints, Print, Adoration of the Magi, Artist, After, Andreani, Aurelio Luini, Mantua, 1558/1559-1629, Italian, Luino or Milan ca

Drawings Prints, Print, Dead Saviour, Supported angel, Artist, Hendrick Goltzius
Drawings and Prints, Print, The Dead Saviour Supported by angel, Artist, After, Hendrick Goltzius, Bartholomeus Spranger, Netherlandish, Muhlbracht 1558-1617 Haarlem, Netherlandish

Mercury Lulling Argus Sleep Landscapes Biblical
Artokoloro

Drawings Prints, Print, Holy, Family, Infant, John, Baptist, Artist, Hendrick Goltzius
Drawings and Prints, Print, The Holy Family with the Infant John the Baptist, Artist, Hendrick Goltzius, Federico Barocci, Netherlandish, Muhlbracht 1558-1617 Haarlem, Italian, Urbino ca

Portrait Walter Devereux 1539-1576 First Earl
Artokoloro

Envy Invidia Seven Deadly Sins 1558 Engraving
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Last Judgment 1558 Engraving first state two
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Avarice Avaritia series Seven Deadly Sins 1558
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Sloth Desidia series Seven Deadly Sins 1558 Engraving
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Anger Ira Seven Deadly Sins 1558 Engraving plate
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Skating St George Gate Antwerp ca 1558 Engraving
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Everyman ca 1558 Engraving letterpress text first state
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Pride Superbia Seven Deadly Sins 1558 Engraving
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Avarice Avaritia Seven Deadly Sins 1558 Engraving
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Anger Ira series Seven Deadly Sins 1558 Engraving
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Lust Luxuria Seven Deadly Sins 1558 Engraving
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MOSCOW: STREET SCENE, 1550s. Street scene on the Negliny Bridge in Moscow, 1550s. Drawing by Apollinary Vasnetsov, c1928

DUELING, 1595. Dueling techniques as illustrated in Vincentio Saviolo, His Practise, a translation, published at London, England, in 1595

Christoph Murer, Swiss (1558-1614), Joshua and the Israelites before the Walls of Jericho, c. 1600, pen and black ink and gray wash on laid paper

Belisario Corenzio, Italian (1558-1646), A Battle on a Bridge, pen and brown ink with blue wash over black chalk, squared for transfer in black chalk, on laid paper

Christoph Murer, The Four Horsemen of the Apocalypse, Swiss, 1558 - 1614, published 1630, woodcut on laid paper

Hendrik Goltzius in the style of Parmigianino (Dutch, 1558 - 1617), The Visitation, 1593, engraving on laid paper

Hendrik Goltzius after Polidoro da Caravaggio (Dutch, 1558 - 1617), Bacchus, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Hans Bol, 1593, engraving

Hendrik Goltzius after Maerten van Heemskerck (Dutch, 1558 - 1617), Johannes Zurenus (Jan van Suren), 1590, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Calliope, 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Flagellation of Christ, 1597, engraving

Benedetto Montagna (Italian, c. 1480 - 1555 or 1558), The Virgin and Child, c. 1502, engraving

Giorgio Ghisi after Giulio Romano (Italian, 1520 - 1582), The Three Fates, 1558, engraving on laid paper

Hendrik Goltzius after Cornelis Cornelisz van Haarlem, Ixion, Dutch, 1558 - 1617, 1588, engraving on laid paper

Hendrik Goltzius, William, Prince of Nassau-Orange, Dutch, 1558 - 1617, 1581, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), The Fall of Man, 1616, oil on canvas

Avarice, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Envy, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Laziness, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Wrath, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Pride, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

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"1558: A Year of Triumph and Challenges in Tudor England" In 1558, the year was marked by significant events that shaped the reign of Queen Elizabeth I, the last monarch of the Tudor dynasty. As Mary Tudor's reign came to an end, Elizabeth ascended to the throne amidst a nation divided. Mary Tudor, also known as "Bloody Mary, " had left a controversial legacy with her religious persecutions. However, her death opened doors for a new era under Elizabeth's rule. With determination and resilience, Elizabeth faced numerous challenges head-on. One such challenge was the looming threat of invasion from Spain's mighty Armada. Sir Thomas Leigh played a crucial role in preparing England's defense against this formidable force. The Spanish Armada would soon test Elizabeth's leadership and military prowess. Amidst these turbulent times, renowned artist Bruegel captured the essence of uncertainty with his painting titled "Whatever I do is in vain. I piss at the moon. " This artwork serves as a reminder that even powerful rulers like Elizabeth may face insurmountable obstacles. Jacques Duc De LA Force witnessed firsthand how history unfolded during this period. His accounts shed light on both political intrigues and personal triumphs within Queen Elizabeth's court. Elizabeth herself proved to be an exceptional ruler who defied expectations at every turn. Her coronation robes symbolized not only her authority but also her commitment to lead England towards prosperity and unity. The play "ELIZ I / PLAYERS / 27 / 50" showcased theatrical brilliance during this time when entertainment became intertwined with politics. It allowed people to escape reality while reflecting societal values through artistry. Elizabeth I continued to inspire artists like Lutterell and White Eng who immortalized her grace and strength through their works depicting her regal presence. At just seventeen years old, Elizabeth embarked on a journey filled with trials and tribulations that would shape her reign.