1535 Collection (page 4)

Speculum Romanae Magnificentiae Ionic capital
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Speculum Romanae Magnificentiae Capital ram heads
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Titus Manlius Roman Heroes 1535 Engraving Sheet
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Drawings Prints, Print, Holy, Family, Infant, John, Baptist, Artist, Hendrick Goltzius
Drawings and Prints, Print, The Holy Family with the Infant John the Baptist, Artist, Hendrick Goltzius, Federico Barocci, Netherlandish, Muhlbracht 1558-1617 Haarlem, Italian, Urbino ca

Partial view Building Templum Veneris series
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Mucius Scaevola Porsenna Roman Heroes 1535 Engraving
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Speculum Romanae Magnificentiae Decorated base
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Composite capital measurements ca 1537 Engraving
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Doric capital measurements ca 1537 Engraving
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Drawings Prints, God, Sending, Archangel, Gabriel, Virgin, Printmaker, Designer, Johann Sadeler I
Drawings and Prints, God Sending the Archangel Gabriel to the Virgin, Printmaker, Designer, Johann Sadeler I, Friedrich Sustris, Netherlandish, Brussels 1550-1600/1601 Venice

Drawings Prints, Print, Holy, Family, Church, Saint, Michael, Munich, under, Construction
Drawings and Prints, Print, The Holy Family with the Church of Saint Michael in Munich under Construction, Artist, Friedrich Sustris, Johann Sadeler I, Netherlandish (possibly born Italy), Venice ()

ENGLISH BIBLE, 1535. First printed English Bible, Miles Coverdales translation of 1535

GERMANY: MUSES, c1535. Klagred der Neun Muse oder kunst uber Teutschlandt or Lament of the nine muses over the arts in Germany. Woodcut by George Pencz, c1535

BIBLE: THE CREATION. Woodcut from Miles Coverdales Bible, 1535, depicting the six days of creation from the Book of Genesis

GERMAN MERCENARY, 1535. A lansequenet (mercenary) and his companion. German woodcut, c1535, by Erhard Schoen used on a broadside printed, 1568, in Nuremberg

JACQUES CARTIER (1491-1557). French sailor and explorer. Cartier with his men meeting with the Hurons and Iroquois of the St. Lawrence River in 1535. Illustration by C.W. Jefferys

Girolamo Pennacchi, Italian (1497-1544), The Triumph of Galatea, c. 1535, pen and brown ink with brown wash, heightened with white, over black chalk

Workshop of Albrecht Altdorfer, The Fall of Man [middle panel], c. 1535, oil on hardboard transferred from panel

Workshop of Albrecht Altdorfer, The Rule of Bacchus [left panel], c. 1535, oil on hardboard transferred from panel

Workshop of Albrecht Altdorfer, The Rule of Mars [right panel], c. 1535, oil on hardboard transferred from panel

Jacopino del Conte, Italian (1510-1598), Madonna and Child with Saint Elizabeth and Saint John the Baptist, c. 1535, oil on panel

Christofano Robetta (Italian, 1462 - 1535 or after), Saint Sebastian and Saint Roch, engraving

Geoffroy DumoAntier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche
Geoffroy Dumontier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche, 1543, etching

Federico Barocci (Italian, probably 1535 - 1612), Two Nude Youths [recto], c. 1565-1567, black chalk heightened with white, contours (of standing figure) incised, on blue paper

Geoffroy DumoAntier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547
Geoffroy Dumontier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547, pen and black ink with brown wash over black chalk, corrected and heightened with white gouache

Alessandro Allori, A Pearl Diver, Italian, 1535-1607, c. 1570, black chalk on laid paper
Alessandro Allori, A Pearl Diver, Italian, 1535 - 1607, c. 1570, black chalk on laid paper

The Virgin, St. Sebastian and a holy bishop, Carpi, Ugo da, 1480 approximately 1532, Date Created between 1500 and 1535, chiaroscuro woodcut, color, 8 cm x 2 cm

St. Peter preaching the gospel, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The resurrection, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Ceiling with three angels, between ca. 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The death of Ananias, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Venus and cupids, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Sir Martin Frobishers Chair, Presented to the Geographical Society, November 14
SIR MARTIN FROBISHERs CHAIR, PRESENTED TO THE GEOGRAPHICAL SOCIETY, NOVEMBER 14, 1853. Sir Martin Frobisher, c. 1535 or 1539 15 November 1594, was an English seaman

Holy Family, Benvenuto Tisi da Garofalo, c. 1535

Portrait of a man, Anonymous, Jan Jansz Mostaert, 1535

Landscape with an Episode from the Conquest of America, Jan Jansz Mostaert, c. 1535

The Raising of Lazarus, attributed to Aertgen Claesz van Leyden, c. 1530 - c. 1535

Adoration of the Shepherds, circle of Bartolommeo Suardi, 1500 - 1535

Portrait of Barthelemy Aneau, Head of the College de la Trinite in Lyon, Corneille de Lyon, 1535 - 1545

St Jerome in his study, attributed to Marinus van Reymerswale, c. 1535 - c. 1545

Printer Brand Francois Fradin, Francois Fradin, 1535

Taking Tunis, Tunesia, 1535, Dirck Volckertsz Coornhert, 1555-1556

Mucius Scaevola puts right hand into the fire, Georg Pencz, 1535

Marcus Curtius plunges into a gorge, Georg Pencz, 1535

Titus Manlius Torquatus orders his son to be beheaded, print maker: Georg Pencz, Georg Pencz, 1535

Attributed to Nicolo Boldrini (Italian, born ca. 1500) after Titian (Italian (Venetian), ca. 1488 - 1576). St. Jerome in the Wilderness, ca. 1525-1530. Woodcut. Image: 390 mm x 530 mm (15.35 in)

Anonymous after Giulio Romano (Italian, probably 1499 - 1546). The Prison, ca. 1535-1550. Engraving. Third of five states

Luca Antonio de Giunta (Italian, active 1506a'1522). Soltan Charadin, Barbarossa Re Dalgeri, 1535. Woodcut on handmade laid paper. Image: 350 mm x 256 mm (13.78 in. x 10.08 in.)

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In the year 1535, a significant chapter unfolded in history, marked by both triumph and tragedy. Anne Boleyn, the second wife of King Henry VIII of England, held court as one of the most influential figures during this time. Her captivating presence and intriguing story continue to captivate us even today. As we delve into the art world of 1535, British Coats of Arms proudly adorned shields and banners across the land. The vibrant colors brought forth by Holbein's masterful brushstrokes breathed life into portraits that still mesmerize us centuries later. Speaking of Holbein, his genius extended beyond capturing royal visages. His masterpiece "Lamentation of Christ with a Donor" showcased his ability to evoke deep emotions through paint on canvas. Another striking work from this era was "David with the Head of Goliath, " depicting biblical heroism amidst turmoil. The Renaissance spirit thrived in 1535 as Jan van Scorel's "Triptych with Crucifixion" exemplified artistic excellence fused with religious devotion. This triptych transported viewers to a realm where faith met beauty seamlessly. Beyond artistry, scientific precision also flourished during this period. Pedro Conde Fuentes' mathematical instruments revolutionized portraiture execution techniques, allowing for greater accuracy and detail in capturing human likeness. Meanwhile, George Braun's monumental work "Civitatis Orbis Terrarum" unveiled an astonishing atlas showcasing cities worldwide like never before seen. This groundbreaking publication expanded horizons both literally and figuratively. In summary, 1535 encapsulated an era filled with remarkable individuals who left indelible marks on history through their talents and contributions. From Anne Boleyn's tragic fate to Holbein's vivid palette; from van Scorel's divine inspiration to Fuentes' precise innovation – each aspect intertwines within this tapestry that defines our understanding of that momentous year.