1535 Collection

British Coats of Arms
Royal coats of arms of Britain Henry VIII 1518, 1535; Elizabeth I 1576, 1578; Charles I; William & Mary 1689 Anne 1713; George I 1725; George II 1749; George III 1785

ANNE BOLEYN (1507-1536). Second wife of King Henry VIII of England. Drawing by Hans Holbein the Younger, c1535

More (Holbein) Colour
SIR THOMAS MORE English writer and statesman

More (Holbein)
SIR THOMAS MORE English writer and statesman, depicted holding a letter

Sir Thomas More
SIR THOMAS MORE English statesman and author and his household

Portrait of Sir Nicholas Poyntz (1510-1556) at the age of 25, 1535. Creator: Holbein, Hans, the Younger (After)
Portrait of Sir Nicholas Poyntz (1510-1556) at the age of 25, 1535. Private Collection

Lamentation of Christ with a Donor, c. 1535, by Jan van Scor
Jan van Scorel (1495-1562). Dutch painter. Lamentation of Christ with a Donor, c. 1535. Centraal Museum. Utrecht. Netherlands

Instruments of Mathematical Precision for executing Portraits (engraving)
1094669 Instruments of Mathematical Precision for executing Portraits (engraving) by French School, (19th century); Private Collection; (add.info)

The New Testament (chapter headings), 1535-1536 (woodcut print)
986387 The New Testament (chapter headings), 1535-1536 (woodcut print) by English School, (16th century); 31.5x19.5 cm; Private Collection; (add.info.: The New Testament (chapter headings)

Ancient Iron and Bronze Work (engraving)
2812340 Ancient Iron and Bronze Work (engraving) by English School, (19th century); Private Collection; (add.info.: Ancient Iron and Bronze Work)

Cartiers Ship at the Mouth of the St. Charles River. The anchored ship is completely frozen in place, with sailors walking about the iced over river, and setting up camp by the ship

Township of Hochelaga Visited by Cartier
A terrain map of the town of Hochelaga visited by Jacques Cartier in 1535, a circular collection of buildings surrounded by a wooden palisade on either side. At the bottom, French and St

Cartier Visits Hochelaga
A man bends on one knee with his hands outstretched, with various French soldiers standing is armour behind him. From his place of focus, and lack of armour, this could be Jacques Cartier

Cartiers Departure from St. Malo
Jacques Cartier departs from St. Malo France, to sail for the Iroquoian capital Stadacona, with two Iroquoian captives he had taken during his previous expedition. Date: 1535

Instrument of Mathematical Precision for designing Objects in Perspective (engraving)
1094671 Instrument of Mathematical Precision for designing Objects in Perspective (engraving) by French School, (19th century); Private Collection; (add.info)

Sir Thomas More, b 1480, d 1535 (engraving)
978646 Sir Thomas More, b 1480, d 1535 (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Thomas More, b 1480, d 1535)

LUTHER & PLAGUE VICTIMS LUTHER & PLAGUE VICTIMS
He tends victims of the Plague Date: 1535

Portrait of a Young Woman. Creator: Netherlandish Painter (ca. 1535)
Portrait of a Young Woman. (ca. 1535)

Charity, 1535. Creator: Cranach, Lucas, the Elder (1472-1553)
Charity, 1535. Found in the Collection of Nivaagaards Malerisamling

Holy Family landscape ruin right Johannes Baptist
The Holy Family, The Holy Family in a landscape before a ruin. On the right Johannes the Baptist as a child with his parents Elisabeth and Zacharias (or Anna and Joachim)

Portrait Joris van Egmond Portrait Joris van Egmond
Portrait of Joris van Egmond Portrait of Joris van Egmond Portrait of Joris van Egmond (1504-1559), Portrait of Joris van Egmond (1504-1559), bishop of Utrecht

Portrait man Half-way writing sheet paper table
Portrait of a man, Portrait of a man. Half-way, writing on a sheet of paper, behind a table. On the table are some books, a knife and an inkwell

Landscape Episode Conquest America procession
Landscape with an Episode from the Conquest of America, A procession of indigenous people runs through a vast hilly landscape dominated by a large rock

Crucifixion Christ Virgin St John Jesus Mary
Crucifixion of Christ, with the Virgin and St John, Crucifixion of Jesus with Mary on the right and Saint John on the left, in front of a blue background with golden stars on it

St Jerome study Saint Jerome pointing left hand
St Jerome in his study, Saint Jerome in his study, pointing with his left hand to a skull. On his desk there is also an open book in which a miniature of the Last Judgment, books and papers

Madonna Child Maria sitting plant-covered rocks
Madonna and Child, Maria sitting among plant-covered rocks with the Christ Child clambering on her lap. Left and right two angels are holding a canvas like canopy above Marys head

Baptism Christ right John Baptist baptizes Christ
The Baptism of Christ, The Baptism of Christ. On the right, John the Baptist baptizes Christ with the water of the Jordan. In heaven God the Father and the dove of the Holy Spirit

Portrait Young Minister Young Clergyman Halfway
Portrait of a Young Minister, Portrait of a Young Clergyman. Halfway through, in the right hand the gloves, in the left hand a book. Pieter Pourbus, Southern Netherlands, c

Portrait Desiderius Erasmus humanist Desiderius Erasmus
Portrait of Desiderius Erasmus, Portrait of the humanist Desiderius Erasmus. Half-length, sitting to the right, writing in a book, Desiderius Erasmus, Quinten Massijs (I) (copy after), after c

John Baptist preaching Baptist stands landscape
John the Baptist preaching, John the Baptist stands in a landscape and addresses a crowd. In the background on the right approaching soldiers on horseback

Portrait physician Albert Jan Verbeek Albert Jan Verbeek
Portrait of the physician Albert Jan Verbeek, Albert Jan Verbeek, Dirk Jurriaan Sluyter (mentioned on object), Amsterdam, 1535, paper, engraving, h 298 mm × w 250 mm

Sculpture Double caryatid caryatids architecture
Sculpture. Double caryatid, caryatids, architecture, anonymous, Netherlands (possibly), c. 1535 - c. 1540, paper, engraving, h 168 mm × w 41 mm

Adoration Magi Defendente Ferrari Italian active
Adoration of the Magi; Defendente Ferrari (Italian, active about 1500 - 1535); about 1520; Oil on panel; 262.3 × 186.1 cm (103 1, 4 × 73 1, 4 in.)

Head Boy Federico Barocci Italian 1535 1612 1586
Head of a Boy; Federico Barocci (Italian, about 1535 - 1612); about 1586 - 1589; Black, red, white and flesh toned chalk (recto); Black chalk (verso); 24.9 x 17.6 cm (9 13, 16 x 6 15, 16 in.)

Hercules Resting Killing Hydra Giulio Romano
Hercules Resting after Killing the Hydra; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); Italy; about 1535; Pen and brown ink (recto); Black chalk

Thebaid Monks Hermits Landscape Lorenzo Costa
A Thebaid: Monks and Hermits in a Landscape; Lorenzo Costa (Italian, about 1459, 1460 - 1535); about 1505; Pen and brown ink; 20.3 x 20.6 cm (8 x 8 1, 8 in.)

Christ Carrying Cross recto Resurrection verso
Christ Carrying the Cross (recto); The Resurrection (verso); Sodoma (Giovanni Antonio Bazzi) (Italian, 1477 - 1549); Italy; about 1535; Pen and brown ink, brush with brown wash

Entombment Federico Barocci Italian 1535 1612
The Entombment; Federico Barocci (Italian, about 1535 - 1612); about 1579 - 1582; Black chalk and oil paint on oiled paper; 47.8 × 35.6 cm (18 13, 16 × 14 in.)

Portrait Scholar Cleric Hans Holbein Younger
Portrait of a Scholar or Cleric; Hans Holbein the Younger (German, 1497, 1498 - 1543); 1532 - 1535; Black and red chalk, pen and brush and black ink, on pink prepared paper; 21.9 x 18.4 cm (8 5)

Figure Study Federico Barocci Italian 1535 1612
Figure Study; Federico Barocci (Italian, about 1535 - 1612); Italy; 1603 - 1607; Black and white chalk, beige chalk on right knee, stylus indentations

Copy Primaticcios Juno Awakening Sleep 1535
Copy after Primaticcios Juno Awakening Sleep, after 1535. Copy after Francesco Primaticcio (Italian, 1504-1570). Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash)

Christ Woman Adultery 1535 later Cast model Valerio Belli
Christ and the Woman Taken in Adultery, c. 1535 or later. Cast after a model by Valerio Belli (Italian, c. 1468-1546). Gilt bronze (later perforated with a keyhole); overall

Six Saints 1535 Niccolo Boldrini Italian 1500-aft 1566
The Six Saints, c. 1535. Niccolo Boldrini (Italian, c. 1500-aft 1566), after Titian (Italian, c. 1488-1576). Woodcut

Renaissance. Triptych with the Crucifixion by Jan van Scorel (1495-1562) and workshop, around 1535. Museum Catharijneconvent. Utrecht. Netherlands

Pedro Conde Fuentes - 1
PEDRO ENRIQUES ACEVEDO DE TOLEDO, conde de FUENTES Spanish administrator in the Netherlands. Date: 1535 - 1610

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Cadiz (1572). Fishing in an almadraba tuna. Etching. SPAIN. CATALONIA. Barcelona

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In the year 1535, a significant chapter unfolded in history, marked by both triumph and tragedy. Anne Boleyn, the second wife of King Henry VIII of England, held court as one of the most influential figures during this time. Her captivating presence and intriguing story continue to captivate us even today. As we delve into the art world of 1535, British Coats of Arms proudly adorned shields and banners across the land. The vibrant colors brought forth by Holbein's masterful brushstrokes breathed life into portraits that still mesmerize us centuries later. Speaking of Holbein, his genius extended beyond capturing royal visages. His masterpiece "Lamentation of Christ with a Donor" showcased his ability to evoke deep emotions through paint on canvas. Another striking work from this era was "David with the Head of Goliath, " depicting biblical heroism amidst turmoil. The Renaissance spirit thrived in 1535 as Jan van Scorel's "Triptych with Crucifixion" exemplified artistic excellence fused with religious devotion. This triptych transported viewers to a realm where faith met beauty seamlessly. Beyond artistry, scientific precision also flourished during this period. Pedro Conde Fuentes' mathematical instruments revolutionized portraiture execution techniques, allowing for greater accuracy and detail in capturing human likeness. Meanwhile, George Braun's monumental work "Civitatis Orbis Terrarum" unveiled an astonishing atlas showcasing cities worldwide like never before seen. This groundbreaking publication expanded horizons both literally and figuratively. In summary, 1535 encapsulated an era filled with remarkable individuals who left indelible marks on history through their talents and contributions. From Anne Boleyn's tragic fate to Holbein's vivid palette; from van Scorel's divine inspiration to Fuentes' precise innovation – each aspect intertwines within this tapestry that defines our understanding of that momentous year.