1515 Collection (page 7)

Drawings Prints, Print, Die, Propheten, alle, Deudsch, Artist, Lucas, Cranach, Younger
Drawings and Prints, Print, Die Propheten alle Deudsch, Artist, Lucas Cranach the Younger and Workshop, German, Wittenberg 1515-1586 Wittenberg, Cranach, Lucas, the Younger, and Workshop, German

Drawings Prints, Print, Copy Martin Luther, Full Length, Artist, Lucas Cranach Younger
Drawings and Prints, Print, Copy of Martin Luther, Full Length, Artist, After, Lucas Cranach the Younger, German, Wittenberg 1515-1586 Wittenberg, Cranach, Lucas, the Younger, German, 1515, 1586

Drawings Prints, Print, Winter, Artist, Battista, Angolo, del, Moro, Giulio Romano
Drawings and Prints, Print, Winter, Artist, After, Battista Angolo del Moro, Giulio Romano, Italian, Verona ca. 1515-ca. 1573 Murano, Italian, Rome 1499

Drawings Prints, Print, St. James Greater, Artist, Lucas Cranach Younger, German
Drawings and Prints, Print, St. James the Greater, Artist, Lucas Cranach the Younger, German, Wittenberg 1515-1586 Wittenberg, Cranach, Lucas, the Younger, German, 1515, 1586, 1515

Drawings Prints, Print, Portrait, Johann Georg Viberg, Artist, Lucas Cranach Younger
Drawings and Prints, Print, Portrait of Johann Georg Viberg, Artist, After, Lucas Cranach the Younger, German, Wittenberg 1515-1586 Wittenberg, Cranach, Lucas, the Younger, German, 1515, 1586, 1515

Satyr Playing Lyre Sleeping Nymph ca 1515 Engraving
Artokoloro

Youth Right Arm Raised Shoulder-Length Portrayal
Artokoloro

MINTING COINS, c1515. The minting of coins. Woodcut, c1515, by Hans Burgkmair

Nicolaus Beatrizet, French (1515-1565 or after), The River God Nile, engraving on laid paper

German 16th Century, Parading Knights in Oriental Costume, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Court Amusements with Two Monkeys, c. 1515, pen and brown ink with watercolor on laid paper

French early 16th century, An Ape in Purple with a Sick Man, a Good Man, and a Miser [fol. 36 verso], c. 1512-1515, pen and brown ink with watercolor on laid paper

French early 16th century, Always Have the Bedclothes Folded up [fol
French early 16th century, " Always Have the Bedclothes Folded up" [fol. 41 recto], c. 1512-1515, pen and brown ink with watercolor on laid paper

Bacchiacca, The Flagellation of Christ, Italian, 1494-1557, c. 1512-1515, oil on panel

Vincenzo Foppa, Saint Anthony of Padua, Italian, c. 1430-1515-1516, c. 1495-1500, oil (?) on panel

Correggio, The Mystic Marriage of Saint Catherine, Italian, 1489-1494-1534, 1510-1515, oil on panel

Giannicola di Paolo, Italian (c. 1460-1544), The Annunciation, 1510-1515, oil on panel

Venetian 16th Century, Orpheus, c. 1515, oil on panel transferred to canvas

Correggio, Italian (1489-1494-1534), Salvator Mundi, c. 1515, oil on panel

Raphael, Italian (1483-1520), Bindo Altoviti, c. 1515, oil on panel

Nicolaus Beatrizet after Michelangelo (French, 1515 - 1565 or after), Striding Man, engraving with stipple

Andrea del Sarto (Italian, 1486 - 1530), Head of a Woman, c. 1515, black chalk on laid paper

Titian (Italian, c. 1490 - 1576), An Eagle, c. 1515, pen and brown ink on laid paper; laid down on decorated mount

German 16th Century, Procession of Knights Viewed by Ladies on a Balcony, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Three Men in Red Capes Dancing with Their Partners, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Outdoor Games, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Three Dancing Couples Led by Two Knights in Room with Column, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Men in Red, White and Blue Dancing with Their Partners, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Three Couples in a Circle Dance, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Seven Men in Red Gathered in a Circle, c. 1515, pen and brown ink with watercolor on laid paper

German 16th Century, Masquerade, c. 1515, pen and brown ink with watercolor on laid paper

Albrecht DaOErer, The Triumphal Arch of Maximilian, German, 1471 - 1528, 1515 (1799 edition), 42 woodcuts and 2 etchings on laid paper assembled to form one image

Master of 1515 (Italian, 1483 - 1548), Allegory of Fortitude (?), c. 1515-1520, engraving

St. Peter preaching the gospel, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The resurrection, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Ceiling with three angels, between ca. 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The death of Ananias, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Venus and cupids, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The Lamentation of Christ, Colijn de Coter, c. 1510 - c. 1515

Christ Carrying the Cross, Quinten Massijs (I), c. 1510 - c. 1515

Adoration of the Magi, workshop of Jacob Cornelisz van Oostsanen, c. 1510 - c. 1515

Holy Family with Young Saint John, circle of Bartolommeo (Fra), c. 1505 - c. 1515

View in a Forest, outer right wing of a triptych, Gerard David, c. 1505 - c. 1515

View in a Forest, outer left wing of a triptych, Gerard David, c. 1505 - c. 1515

Virgin and Child with the Infant Saint John the Baptist, Master of the Conversazione di Santo Spirito, c. 1490 - c. 1515

Worshipping the Christ Child, Meester Allegro, 1480 - 1515

Virgin and Child with young John the Baptist, Saints Peter and Antony Abbot, Anonymous, c. 1515

Christas Second Visit to the House of Mary and Martha, Cornelis Engebrechtsz, c. 1515 - c. 1520

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In the year 1515, a fascinating era of exploration and artistic brilliance unfolded. Albrecht Durer's Rhinoceros captured the imagination with its intricate details, showcasing the wonders of nature in a way never seen before. Meanwhile, Philip Neri emerged as a prominent figure, spreading his message of love and compassion throughout Europe. Dürer's world map from 1515 unveiled new horizons for adventurers seeking to conquer uncharted territories. It sparked curiosity about distant lands and ignited dreams of discovery. The Northern hemisphere star chart of 1537 further fueled this thirst for knowledge by mapping out celestial bodies that guided explorers on their daring journeys. Amidst this backdrop, Saint Teresa appeared anonymously through artistry—a testament to her profound impact on spirituality during this time. Her ethereal presence was beautifully depicted in various forms: St Teresa with Christ symbolized divine union while St Teresa & Crucifix portrayed her devotion to faith. Flippo Neri also made his mark during these years, leaving an indelible impression as he embraced simplicity and humility in his teachings. His influence resonated deeply among those seeking spiritual enlightenment. The works of Marcus Manilius, a Roman astronomer from antiquity, continued to inspire astronomers even centuries later. His wisdom echoed through time as scholars studied his writings alongside the Southern hemisphere star chart created in 1537—an invaluable tool for navigating unknown skies. As we reflect upon the significance of "1515, " it becomes evident that it was not merely a year but rather an epoch defined by exploration, spirituality, and intellectual pursuits. It encapsulated humanity's insatiable desire to understand both our earthly realm and the vastness beyond—bridging artistry with science in pursuit of truth and meaning.