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1502 1555 Collection

"Exploring the Artistic Legacy of Heinrich Aldegrever (1502-1555)" Step back in time and immerse yourself in the captivating world of German artist Heinrich Aldegrever

Background image1502 1555 Collection: Bernt Knipperdolling 1536 Heinrich Aldegrever

Bernt Knipperdolling 1536 Heinrich Aldegrever
Bernt Knipperdolling, 1536. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Self-Portrait 1530 Heinrich Aldegrever German

Self-Portrait 1530 Heinrich Aldegrever German
Self-Portrait, 1530. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Mucius Saevola 1530 Heinrich Aldegrever German

Mucius Saevola 1530 Heinrich Aldegrever German
Mucius Saevola, 1530. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Lot Daughters 1555 Heinrich Aldegrever

Story Lot Daughters 1555 Heinrich Aldegrever
The Story of Lot: Lot with His Daughters, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Lot 1555 Heinrich Aldegrever German 1502-1555

Story Lot 1555 Heinrich Aldegrever German 1502-1555
The Story of Lot, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Lot Family Fleeing Sodom 1555 Heinrich Aldegrever

Story Lot Family Fleeing Sodom 1555 Heinrich Aldegrever
The Story of Lot: Lot and His Family Fleeing Sodom, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Lot Lot Prevents Sodomites Violence 1555

Story Lot Lot Prevents Sodomites Violence 1555
The Story of Lot: Lot Prevents the Sodomites from Violence, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Lot Lot Welcomes Angels 1555 Heinrich Aldegrever

Story Lot Lot Welcomes Angels 1555 Heinrich Aldegrever
The Story of Lot: Lot Welcomes the Angels, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Parable Good Samaritan Robbers Attacking Travelers

Parable Good Samaritan Robbers Attacking Travelers
The Parable of the Good Samaritan: The Robbers Attacking the Travelers, 1554. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Parable Good Samaritan Good Samaritan Putting

Parable Good Samaritan Good Samaritan Putting
The Parable of the Good Samaritan: The Good Samaritan Putting the Traveler on His Donkey, 1554. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Albert van der Helle 1538 Heinrich Aldegrever

Albert van der Helle 1538 Heinrich Aldegrever
Albert van der Helle, 1538. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Susanna Daniel Cross-Examining Elders Heinrich Aldegrever

Story Susanna Daniel Cross-Examining Elders Heinrich Aldegrever
The Story of Susanna: Daniel Cross-Examining the Elders. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Story Susanna Susanna Accused Adultery 1555 Heinrich Aldegrever

Story Susanna Susanna Accused Adultery 1555 Heinrich Aldegrever
The Story of Susanna: Susanna Accused of Adultery, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving

Background image1502 1555 Collection: Portrait Bernard Knipperdolling Jan Muller Dutch

Portrait Bernard Knipperdolling Jan Muller Dutch
Portrait of Bernard Knipperdolling. Jan Muller (Dutch, 1571-1628), after Heinrich Aldegrever (German, 1502-1555/61). Engraving


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"Exploring the Artistic Legacy of Heinrich Aldegrever (1502-1555)" Step back in time and immerse yourself in the captivating world of German artist Heinrich Aldegrever. Born in 1502, this talented individual left an indelible mark on art history with his unique style and thought-provoking compositions. One of Aldegrever's notable works is "Bernt Knipperdolling, " created in 1536. This intriguing piece showcases the enigmatic figure of Bernt Knipperdolling, a prominent Anabaptist leader during the tumultuous times of religious reform. In another masterpiece, "Self-Portrait" from 1530, we catch a glimpse into Aldegrever's own persona. The meticulous attention to detail and delicate brushwork reveal his skill as both an artist and observer. Aldegrever's fascination with storytelling is evident through pieces like "Mucius Saevola" (1530) and "Story Lot Daughters" (1555). These narrative-driven artworks transport us to ancient times, where heroes like Mucius Saevola or biblical characters like Lot come alive through intricate etchings. The story continues with "Story Lot Family Fleeing Sodom" (1555), depicting the dramatic escape from a doomed city. In contrast, "Story Lot Lot Prevents Sodomites Violence" (1555) portrays moments of tension as righteous Lot intervenes to protect visitors from harm. Aldegrever also delves into biblical parables such as "Parable Good Samaritan Robbers Attacking Travelers. " Through this artwork, he prompts viewers to reflect on compassion and kindness towards others amidst adversity. Another remarkable creation by Aldegrever is captured in "Albert van der Helle" (1538), showcasing his ability to portray human emotions with depth and sensitivity.