1502 1540 Collection

Ferdinand I, 1531. Creator: Barthel Beham (German, 1502-1540)
Ferdinand I, 1531

Battle of Naked Men. Creator: Barthel Beham (German, 1502-1540)
Battle of Naked Men

Genius Riding on a Ball, 1520. Creator: Barthel Beham (German, 1502-1540)
Genius Riding on a Ball, 1520

Portrait of Magdalena Pittrichin, 1528. Creator: Beham, Barthel (c. 1502-1540)
Portrait of Magdalena Pittrichin, 1528. Found in the Collection of Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo

Genius Riding Ball 1520 Barthel Beham German
Genius Riding on a Ball, 1520. Barthel Beham (German, 1502-1540). Engraving

Battle Naked Men Barthel Beham German 1502-1540
Battle of Naked Men. Barthel Beham (German, 1502-1540). Engraving

Ferdinand I 1531 Barthel Beham German 1502-1540
Ferdinand I, 1531. Barthel Beham (German, 1502-1540). Engraving

Judith half-length profile left sword right hand
Artokoloro

Virgin Child Skull copy 16th century Engraving printed
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St Christopher early 16th century Engraving Sheet
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Horizontal Panel Two Tritons Foliate Tails Playing Horns
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Standard Bearer Raised Left Hand early 16th century
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Vertical Panel Candelabrum Containing Medallion
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Naked Child Back Seated Front Vessel mid-17th century
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Halberdier Horseback early 16th century Engraving
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Genius Globe Floating Air mid-17th century Engraving
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Boy Stepping Right Banderoles mid-17th century
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Riding Standard Bearer Foot Soldier early 16th century
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Judith looking towards right seated nude atop
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Der Welt Lauf Sleeping Justice copy early 16th century
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Adam Eve 1543 Engraving Sheet 3 1 / 8 x 2 1 / 8 8 5. 4 cm
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Two Boys Playing Dog mid-17th century Engraving
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Cimon seated column right suckling Pero kneeling next
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Emperor Charles V 16th century Engraving third state
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Child Three Skulls reverse copy early 16th century
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Ensign Drummer Piper 1543 Engraving Sheet 2 7 / 8 x 2
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Battle Banner copy early 16th century Engraving
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Vertical Panel Candelabrum Supported Two Half-Length Female Figures
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Peasant Couple Dancing early 16th century Engraving
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Emperor Ferdinand I 16th century Engraving first state
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Cimon Pero mid-17th century Engraving Sheet 2 3 / 16
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Horizontal Panel Armor Center Flanked Two Genii
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Apollo Daphne reverse copy n. d Engraving Sheet
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Footsoldier front Tree mid-17th century Engraving
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Coat Arms Cock 1543 Engraving Sheet 2 3 / 4 x 1 7 / 8
Artokoloro

Judith seated nude sword right hand gazing down
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Judgment Paris copy 16th century Engraving Prints
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Judith ca 1526 Engraving Sheet 3 3 / 8 2 5 / 8 8. 5
Artokoloro

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"Exploring the Artistic Brilliance of Barthel Beham (1502-1540)" Step into the captivating world of German artist Barthel Beham, whose creative genius spanned from 1502 to 1540. Ferdinand I, depicted in a stunning portrait from 1531, showcases Beham's ability to capture regal elegance with meticulous detail. Intriguingly titled "Battle of Naked Men, " another masterpiece by Beham reveals his fascination with human anatomy and movement. This artwork is a testament to his skill in portraying dynamic scenes that leave viewers captivated. One cannot help but be enchanted by "Genius Riding on a Ball, " created in 1520. This whimsical piece demonstrates Beham's imaginative prowess as he depicts a figure defying gravity atop an unlikely object. Beham's talent extends beyond fantastical imagery; he also excels at portraiture. The enchanting "Portrait of Magdalena Pittrichin" from 1528 showcases his ability to capture the essence and personality of his subjects through delicate brushstrokes. The recurring theme of genius riding balls is evident in another remarkable creation from 1520. In this work, we witness yet again how Beham seamlessly combines imagination and technical skill to produce thought-provoking art. Delving into historical events, we encounter the intense depiction of the "Battle of Naked Men. " Created by Barthel Beham between 1502 and 1540, this artwork immortalizes a significant moment in history with its raw emotion and attention to detail. A notable commission for Ferdinand I resulted in an exquisite portrait crafted by Barthel Beham during the year 1531. Through careful observation and masterful execution, he captures not only the physical likeness but also conveys Ferdinand I's power and authority.