1470s Collection

Juan Garcia de Loaysa y Mendoza
2910693 Juan Garcia de Loaysa y Mendoza; (add.info.: Juan Garcia de Loaysa y Mendoza (1478 in Talavera de la Reina, near Toledo, Spain)

A 15th Century merchant ship (line engraving)
1579764 A 15th Century merchant ship (line engraving); (add.info.: Line engraving of a 15th Century merchant ship. Dated 1470.); Universal History Archive/UIG.

Torso of Saint Sebastian, between c.1470 and c.1480. Creator: Unknown
Torso of Saint Sebastian, between c.1470 and c.1480

Saint Jerome in the Wilderness, 1475-1480. Creator: Bernardino Pinturicchio
Saint Jerome in the Wilderness, 1475-1480. Saint Jerome (ca. 347-420), one of the four Latin Fathers of the Church (along with Saints Augustine, Ambrose, and Gregory the Great)

Christ Before Caiaphas, 1470-1475. Creator: Antonio della Corna
Christ Before Caiaphas, 1470-1475. This small, brightly-coloured panel illustrates the New Testament scene in which Jesus Christ, after his arrest

Esther Before King Ahasureus, c1470. Creator: Unknown
Esther Before King Ahasureus, c1470. Book: Cologne Bible, ninth edition (Nuremburg: Anton Koberger, 1483)

Meeting of Two Generals, Folio from a Shahnama (Book of Kings), between 1475 and 1500. Creator: Unknown
Meeting of Two Generals, Folio from a Shahnama (Book of Kings), between 1475 and 1500

The Arhat Kalika, between 1450 and 1500. Creator: Unknown
The Arhat Kalika, between 1450 and 1500

Portrait of Charles the Bold, Duke of Burgundy, c.1460-c.1480. Creator: Anon
Portrait of Charles the Bold, Duke of Burgundy, c.1460-c.1480

Portrait of Philip the Good, Duke of Burgundy, c.1460-c.1480. Creator: Anon
Portrait of Philip the Good, Duke of Burgundy, c.1460-c.1480

Lamentation of Christ, 1470-1520. Creator: Bernardino Zaganelli di Bosio
Lamentation of Christ, 1470-1520. Attributed to Bernardino Zaganelli di Bosio

Saint Cosmas (or Damian), 1460-1480. Creator: Bartolomeo Vivarini
Saint Cosmas (or Damian), 1460-1480. Attributed to Bartolommeo Vivarini

Portal of Dormition Cathedral (1479), Moscow Kremlin, Moscow, Russia

Dormition Cathedral (1479), view from Ivan the Great bell tower, Moscow Kremlin, Moscow, Russia

Hercules and the Giants, c. 1475-80 (engraving)
659470 Hercules and the Giants, c.1475-80 (engraving) by Pollaiuolo, Antonio (1432/3-98) (school of); 36.7x54.7 cm; Private Collection; Photo © Christies Images

The Nativity, 1470-1475 (oil on panel)
5672200 The Nativity, 1470-1475 (oil on panel) by Francesca, Piero della (c.1415-92); Universal History Archive/UIG; Italian, out of copyright

Obelisk at Chipping Barnet commemorating the Battle of Barnet and the spot where the Earl of Warwick died, 14 April 1471, during the Wars of the Roses (1455-1487). It was a Yorkist victory. Date: 1471

An illuminated page depicting St. Jerome in his study, and a border incorporating a
985848 An illuminated page depicting St. Jerome in his study, and a border incorporating a griffin attacked by three men, 1470 (illuminated manuscript on vellum) by German School

Portrait of a Youth, bust-length, in a Dark Cap, c. 1475 (tempera on panel)
827667 Portrait of a Youth, bust-length, in a Dark Cap, c.1475 (tempera on panel) by Florentine School (15th Century); 38x26.7 cm; Private Collection; (add.info.: Portrait of a Youth, bust-length)

The Adoration of the Magi: The Virgin in the Grotto, c. 1475-80 (engraving)
659469 The Adoration of the Magi: The Virgin in the Grotto, c.1475-80 (engraving) by Mantegna, Andrea (1431-1506) (school of); 38.5x28.6 cm; Private Collection; Photo eChristies Images; Italian

Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen
986381 Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen, Standing in Front of a Gothic Church, c.1470 (hand-painted vellum leaf) by Unknown Artist

Brass rubbing, Robert Ingylton, Knight, and three wives
Monumental brass rubbing, Robert Ingylton, Knight, and three wives, Thornton, Buckinghamshire. 1472

Two Dutch men and a woman. Date: 1470-1485

William Caxtons Printing Office in Westminster Abbey, London. 1474

A Bacchanal with a Wine-Press, c. 1475 (engraving)
659468 A Bacchanal with a Wine-Press, c. 1475 (engraving) by Mantegna, Andrea (1431-1506); 29.9x43.7 cm; Private Collection; (add.info.: A Bacchanal with a Wine-Press. Andrea Mantegna (1431-1506)

An Elderly Lady, 1470 (painting)
5672188 An Elderly Lady, 1470 (painting) by Memling, Hans (c.1433-94); Universal History Archive/UIG; Netherlandish, out of copyright

Monsters and snakes in a landscape, 1478 (hand-coloured woodcut)
985879 Monsters and snakes in a landscape, 1478 (hand-coloured woodcut) by German School, (15th century); 28x19.2 cm; Private Collection; (add.info.: Monsters and snakes in a landscape)

Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink
986281 Woman in a death-bed scene with John the Baptist, c.1475-1500 (ink, paints and gold leaf on vellum) by French School

Pietro da Perusia active 1470s painter painting
Pietro da Perusia, active in the 1470s, painter, painting, Watercolor and gouache on parchment

Leaf Book Hours Annunciation recto 1470s Flanders
Leaf from a Book of Hours: The Annunciation (recto), 1470s. Flanders, Ghent (?), 15th century. Ink, tempera and gold on vellum; leaf: 17.9 x 12.5 cm (7 1/16 x 4 15/16 in.)

Leaf Book Hours Annunciation 1470s Flanders Ghent
Leaf from a Book of Hours: The Annunciation, 1470s. Flanders, Ghent (?), 15th century. Ink, tempera and gold on vellum; leaf: 17.9 x 12.5 cm (7 1/16 x 4 15/16 in.)

Leaf Book Hours Blank verso 1470s Flanders Ghent
Leaf from a Book of Hours: Blank (verso), 1470s. Flanders, Ghent (?), 15th century. Ink, tempera and gold on vellum; leaf: 17.9 x 12.5 cm (7 1/16 x 4 15/16 in.)

Scene at the Battle of Morat, Switzerland
Scene at the Battle of Morat (Murten), Canton of Fribourg, Switzerland, between Charles I, Duke of Burgundy (Charles the Bold) and a Swiss Confederation

Queen Margaret, her son, and Edward IV
Queen Margaret and her son (Prince of Wales, Edward of Westminster, Edward of Lancaster, 1453-1471) brought before Edward IV after the Battle of Tewkesbury. 1471

Flight Egypt 1470s Tempera wood Overall corners
Artokoloro

Sketches Figures Virgin Kneeling Saint Peter Standing
Artokoloro

Eltham Palace, Kent, engraved by William Watkins, 1831 (engraving)
XJF472245 Eltham Palace, Kent, engraved by William Watkins, 1831 (engraving) by Baynes, Thomas Mann (1794-1854) (after); Private Collection; (add.info)

German 15th Century (Augsburg), The Crucifixion, 1470s, pen and ink with watercolor wash

Jan Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430 / 1440-1494) South Netherlandish
Jan Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430/1440-1494) South Netherlandish painter. Image of saints on reverse of panels when closed

Jans Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430 / 1440-1494) South
Jans Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430/1440-1494) South Netherlandish painter. Central panel of the Adoration of the Magi

MEMLING, Hans (1433-1494). Deposition from the Cross. 1470s. Flemish art. Oil on wood. SPAIN. Granada. Royal Chapel

BERMEJO, Bartolom頨1420-1498). Descent of Christ
BERMEJO, Bartolom頨 1420-1498). Descent of Christ

Justus of Ghent, Joos van Wassenhove (1435-1480). Moses. 1470s. Flemish art. Oil on wood. ITALY. Urbino. Ducal Palace

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The 1470s were a time of artistic and architectural marvels, showcasing the rich cultural tapestry of the era. In Moscow, Russia, the Portal of Dormition Cathedral (1479) in the majestic Moscow Kremlin stood as a testament to grandeur and religious devotion. From the vantage point of Ivan the Great bell tower, one could admire the breathtaking view of Dormition Cathedral (1479), its golden domes reaching towards the heavens. Artists during this period also left their mark on history. The engraving "Hercules and the Giants" (c. 1475-80) depicted an epic battle between mythical figures, capturing both strength and vulnerability in exquisite detail. Another engraving from 1475 showcased "Martyrdom of Simon of Trent, " illustrating a tragic event with haunting precision. Religious themes continued to inspire artists as seen in "The Nativity" (1470-75), an oil painting on panel that portrayed serene beauty amidst humble surroundings. Meanwhile, an illuminated page featuring St. Jerome immersed in his study transported viewers into a world where knowledge thrived alongside spirituality. Portraits also flourished during this decade; "Portrait of a Youth" (c. 1475) captured youthful innocence with delicate brushstrokes while revealing hints about fashion trends at that time through his dark cap. Engravings such as "The Adoration of Magi: The Virgin in Grotto" (c. 1475-80) invited viewers to witness divine reverence within intricate details etched onto metal plates. Beyond art and architecture, historical events left their mark too - like Chipping Barnet's obelisk commemorating Battle of Barnet fought there years prior or brass rubbing displaying Robert Ingylton Knight accompanied by three wives symbolizing social norms prevalent then. Intriguingly, two Dutch men and a woman caught our attention - perhaps representing societal dynamics or simply a glimpse into everyday life during the 1470s.