1470 1480 Collection

Sermon of Saint Vincent Ferrer, ca. 1470-1480. Creator: Lonhy, Antoine de (active 1446-1490)
Sermon of Saint Vincent Ferrer, ca. 1470-1480. Found in the collection of the Musee national du Moyen Age (Musee de Cluny)

Louis de Gruuthuse before an astronomical clock (From: Horloge de Sapience by Henri Suso), ca. 1470-1480. Found in the Collection of Bibliothe que Nationale de France

Leaf Book Hours Coronation Virgin 1470-1480 Guillaume Vrelant
Leaf from a Book of Hours: Coronation of the Virgin, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.)

Leaf Book Hours Annunciation Shepherds 1470-1480
Leaf from a Book of Hours: Annunciation to the Shepherds, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.5 cm (4 x 2 15/16 in.)

Leaf Book Hours Presentation Temple 1470-1480
Leaf from a Book of Hours: Presentation in the Temple, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.)

Leaf Book Hours Visitation 1470-1480 Guillaume Vrelant
Leaf from a Book of Hours: The Visitation, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.5 cm (4 1/16 x 2 15/16 in.)

Sibyls Phrygian Sibyl 1470-1480 Francesco Rosselli
The Sibyls: The Phrygian Sibyl, c. 1470-1480. Francesco Rosselli (Italian, 1448-before 1513). Engraving

Virgin Child 1470-1480 Workshop Hans Memling
Virgin and Child, c. 1470-1480. Workshop of Hans Memling (Netherlandish, 1494). Oil on wood; framed: 41.3 x 31.4 x 4.1 cm (16 1/4 x 12 3/8 x 1 5/8 in.); unframed: 31.5 x 22 cm (12 3/8 x 8 11/16 in.)

Leaf Excised Book Hours Decorated Initial H 1470-1480
Leaf Excised from a Book of Hours: Decorated Initial H, c. 1470-1480. Related to Masters of the Zwolle Bible (Netherlandish)

Leaf Book Hours Virgin Child Enthroned 1470-1480
Leaf from a Book of Hours: Virgin and Child Enthroned, c. 1470-1480. Circle of Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold

Italian 15th Century, Saint Francis Receiving the Stigmata, 1470-1480, woodcut

Attributed to Francesco Francia (Italian, c. 1447 - 1517), Saint Sebastian, c. 1470-1480, niello print

German 15th Century, Saint Valentine, 1470-1480, woodcut, hand-colored in red lake, green, yellow, rose, and tan

Workshop of Master of the Aachen Madonna, Christ Crowned with Thorns, 1470-1480, metalcut, hand-colored in green, light rose, and yellow

Workshop of Master of the Aachen Madonna, The Pieta, 1470-1480, metalcut, hand-colored in green, light rose, and yellow

German 15th Century, The Adoration of the Magi, c. 1470-1480, metalcut, hand-colored in yellow, red-brown lake, and green

German 15th Century, The Lamentation, 1470-1480, woodcut, hand-colored in green, red, pink, yellow, and gold

German 15th Century, Madonna and Child in a Glory Standing on a Crescent Moon, 1470-1480, woodcut, hand-colored in rose, green, yellow

Workshop of Master of the Aachen Madonna, Saint Christopher, 1470-1480, metalcut, hand-colored in green and ochre

German 15th Century, The Flagellation, 1470-1480, metalcut, hand-colored in red and yellow

Leonardo da Vinci, Italian (1452-1519), Study of a Madonna [verso], probably 1470-1480, black chalk on laid paper

Andrea Mantegna (Italian, ca. 1431 - 1506). Battle of the Sea-Gods [left side], ca. 1470-1480. Engraving and drypoint on laid paper. Plate: 340 mm x 444 mm (13.39 in. x 17.48 in.)

after Andrea del Verrocchio, Madonna and Child, c. 1470-1480, tempera on panel

Master of the Prado Adoration of the Magi, The Presentation in the Temple
Master of the Prado " Adoration of the Magi", The Presentation in the Temple, Netherlandish, active probably third quarter 15th century, c. 1470-1480, oil on panel

Italian 15th Century, Saint Bernardino of Siena, 1470-1480, woodcut

after Israhel van Meckenem, Christ as the Man of Sorrows, c. 1470-1480, engraving

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In the late 15th century, a period of artistic brilliance emerged with remarkable works that continue to captivate us today. Louis de Gruuthuse stands in awe before an astronomical clock, as depicted in Henri Suso's "Horloge de Sapience. " This masterpiece transports us back to the early 1470s when this marvel of technology fascinated onlookers. Guillaume Vrelant's Leaf Book Hours Coronation Virgin (1470-1480) takes us on a spiritual journey through time. The delicate brushstrokes and intricate details transport us to a world where devotion and faith were paramount. The Leaf Book Hours Annunciation Shepherds (1470-1480) invites us into the sacred moment when angels delivered news of great joy, and is a testament to the skill and imagination of its creator, capturing our hearts with its ethereal beauty. Another leaf from Guillaume Vrelant's Book Hours presents the Temple scene (1470-1480), where Mary's presentation becomes a symbol of purity and grace. The artist masterfully captures every emotion, allowing us to witness this significant event firsthand. Visiting another page from this exquisite book, we are greeted by Guillaume Vrelant's portrayal of the Visitation (1470-1480). This tender encounter between Mary and Elizabeth reminds us of the power of friendship and support during challenging times. Francesco Rosselli brings ancient prophecies to life with his Phrygian Sibyl artwork (1470-1480). These mystical figures foretell events that would shape history, adding an air of mystery and intrigue to this era. Hans Memling's workshop gifts us with their rendition of Virgin Child (1470-1480), showcasing their exceptional talent for capturing innocence and maternal love within one frame. It serves as a timeless reminder that love knows no boundaries or limitations.