1457 1504 Collection

The Madonna and Child with the Infant St. John and Two Angels, mid-1480s (tempera on panel)
GLS219811 The Madonna and Child with the Infant St. John and Two Angels, mid-1480s (tempera on panel) by Lippi, Filippino (c.1457-1504); diameter: 118.4 cm; Art Gallery and Museum, Kelvingrove

Madonna and Child enthroned with st John the Baptist and saints, known as Otto altarpiece, 1485-86, (tempera on wood)
7146530 Madonna and Child enthroned with st John the Baptist and saints, known as Otto altarpiece, 1485-86, (tempera on wood) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence

The penitent st Jerome, 1493-95, (tempera on wood)
7146525 The penitent st Jerome, 1493-95, (tempera on wood) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The penitent st Jerome, 1493-95)

Adoration of the Child, 1478-80 circa, (tempera on panel)
7146521 Adoration of the Child, 1478-80 circa, (tempera on panel) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Child)

The Annunciation, altarpiece of the Carafa Chapel, 1488-93 (fresco)
862868 The Annunciation, altarpiece of the Carafa Chapel, 1488-93 (fresco) by Lippi, Filippino (c.1457-1504); Santa Maria sopra Minerva, Rome, Italy; Photo © Stefano Baldini

St. Jerome in His Study, c. 1490. Creator: Filippino Lippi (Italian, 1457-1504)
St. Jerome in His Study, c. 1490

Head of a Young Man, second half 1400s. Creator: Filippino Lippi (Italian, 1457-1504)
Head of a Young Man, second half 1400s

The Holy Family with Saint John the Baptist and Saint Margaret, c. 1495. Creator: Filippino Lippi
The Holy Family with Saint John the Baptist and Saint Margaret, c. 1495. Lippis sophisticated composition gracefully overlaps five figures in a round format

Filippino Lippi 1457-1504 painting Watercolor
Filippino Lippi, 1457-1504, painting, Watercolor and gouache on parchment

St. Jerome Study 1490 Filippino Lippi Italian
St. Jerome in His Study, c. 1490. Filippino Lippi (Italian, 1457-1504). Pen and brown ink over traces of black chalk(?), with brush and brown wash

St. Jerome Study 1510 Giovanni Antonio da Brescia
St. Jerome in His Study, c. 1510. Giovanni Antonio da Brescia (Italian), after Filippino Lippi (Italian, 1457-1504). Engraving

Saint John Jerome fragment Crucifixion ca 1490s
Artokoloro

Virgin Nativity ca 1500 Tempera gold wood 12 3 / 4 x 9 3 / 4
Artokoloro

The Virgin and Child with Angels also known as The Virgin with the Pomegranate. Filippino Lippi (1457-1504) Italian painter

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"1457-1504: A Journey through Renaissance Art" Step back in time and immerse yourself in the captivating world of Renaissance art. From the mid-1480s to 1504, a period filled with masterpieces that continue to inspire and awe us today. "The Madonna and Child with the Infant St. John and Two Angels, " painted in the mid-1480s, showcases delicate brushwork and vibrant colors on a panel canvas. This tender portrayal of motherly love captures our hearts as we witness the bond between Mary, Jesus, and young St. John. Moving forward to 1485-86, we encounter "Madonna and Child enthroned with St. John the Baptist and saints, " also known as Otto altarpiece. Crafted meticulously on wood using tempera paints, this piece transports us into a divine realm where heavenly figures surround Mary's throne. In 1493-95, "The Penitent St Jerome" comes alive on wood panels through intricate details that bring forth his contemplative spirit amidst lush landscapes. The artist's skillful use of tempera creates depth while highlighting Jerome's inner struggle for redemption. An exquisite masterpiece from around 1478-80 is "Adoration of the Child. " Painted on panel using tempera techniques, it depicts an enchanting scene where angels gather around baby Jesus in adoration—an embodiment of purity and innocence. Stepping into fresco artistry, we encounter "The Annunciation, " an altarpiece within Carafa Chapel created between 1488-93. Its fresco technique breathes life into Gabriel's visitation to Mary—capturing their expressions frozen in time for eternity. Filippino Lippi takes center stage in 1502 with his magnificent frescoes titled "Stories of St John. " These detailed depictions transport us into biblical narratives surrounding this revered saint—a testament to Lippi's mastery over the medium.