1455 Collection (page 3)

Ferrarese 15th Century, Madonna and Child with Angels, c. 1455-1470, tempera on panel

Benozzo Gozzoli (Italian, c. 1421 - 1497), A Hound Chasing a Hare, c. 1455, pen and brown ink with traces of red chalk, heightened with white on pink prepared paper

Fra Angelico, The Madonna of Humility, Italian, c. 1395 - 1455, c. 1430, tempera on panel

Darius Marching to the Battle of Issus, workshop of Apollonio di Giovanni, c. 1450 - c. 1455

Initial S: The Conversion of Saint Paul; Attributed to Pisanello, Italian, by 1395 - about 1455, Attributed to the Master of the Antiphonal Q of San Giorgio Maggiore, Italian

Fra Angelico, The Healing of Palladia by Saint Cosmas and Saint Damian, Italian, c. 1395-1455, c. 1438-1440, tempera on panel

Benozzo Gozzoli, Saint Ursula with Two Angels and Donor, Italian, c. 1421-1497, c. 1455-1460, tempera on panel

Pisanello, Angel in a Car Drawn by Horses, Italian, c. 1395-1455, c. 1449, bronze--Late cast

Pisanello, Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse], Italian, c. 1395-1455, 1449, lead

Pisanello, Eagle and Lesser Birds of Prey in a Rocky Landscape [reverse], Italian, c. 1395-1455, 1449, lead

Pisanello, Don Inigo d Avalos, d. 1484, Grand Chamberlain of Naples 1449 [obverse], Italian, c. 1395-1455, c. 1448-1449, bronze

Pisanello, Lion Being Taught by Cupid to Sing [reverse], Italian, c. 1395-1455, 1444, bronze

GUMIEL, Pedro (15th c.-16th c.); EGAS, Enrique de (1455-1534). Cathedral of Toledo. Room decorated with frescos by Juan de

ANGELICO, Fra (1387-1455). The Annunciation. Detail of the predella depicting the Nuptials of Saint Joseph and the Virgin Mary

SILO, Diego de (1495-1563); EGAS, Enrique de (1455-1534). Cathedral of Granada. SPAIN. Granada. Cathedral. Renaissance art

TURA: MADONNA & CHILD In a Garden. Wood, c1455, by Cosimo Tura

Picking the Roses
In the Temple Gardens, London, opposing nobles pick red or white roses according as they favour the party of Lancaster or York. Date: circa 1455

York & Lancaster Houses
Opposing nobles choose white or red roses depending on whether they favour the House of York or the House of Lancaster

Roses Red, Roses White
In the Temple gardens, London, the duke of York picks a white rose, the duke of Lancaster prefers the red... and so a legend is born and a nasty war gets a pretty name

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"1455: A Glimpse into a Transformative Era" Step back in time to the year 1455, where history was being shaped by remarkable individuals and significant events. Explore the artistic brilliance of Fra Angelico's masterpiece, "The Annunciation Altarpiece, " a captivating portrayal of divine beauty. Meanwhile, Vlad Tzepesch emerges as a formidable figure, leaving an indelible mark on history. In this era of spiritual significance, indulge in the power of faith with the Letter of Indulgence from 1455—a testament to religious devotion and forgiveness. Barden Towers stand tall as a symbol of strength amidst turmoil, while Rogier van der Weyden's Portrait of a Lady captures the elegance and grace that defined this period. Enter the world of Don Inigo Lopez de Mendoza, Marquis of Santillana—an influential nobleman whose legacy resonates through time. Roberto Valturio's groundbreaking work on military tactics showcases innovation ahead of its time. Hans von Gersdorff takes us beyond artistry into medicine; his expertise as a German surgeon revolutionized healthcare practices. The Knight's Sword from 1455 exemplifies both craftsmanship and warfare prowess—reminding us that even in times marked by conflict like the Wars of Roses, human ingenuity shines through. Immerse yourself in medieval manuscripts such as psalters adorned with historiated initials depicting scenes filled with monks' devotion—a glimpse into their sacred lives. As we reflect upon these fragments from 1455, let us appreciate how they shape our understanding today—inspiring awe for human achievements and reminding us that every moment carries within it stories waiting to be discovered.