1430s Collection

ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Renaissance art. Quattrocento. Tempera on wood. ITALY. San Giovanni Valdarno. Museum of the Basilica de Santa Maria de la Gracia. Proc: MONACO

WHITE TOWER OF LONDON from a manuscript of the poems of Charles d Orleans, who was captured at Agincourt in 1415 and remained a prisoner in England until 1440

ANGELICO, Fra. The Annunciation Altarpiece
ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Left lower detail of the predella, depicting the wedding between Virgin Mary and Saint Joseph. Renaissance art. Quattrocento. Tempera on wood

Madonna and Child with Saints Peter and Mark and Three Venetian Procurators, 1510. Creator: Giovanni Bellini
Madonna and Child with Saints Peter and Mark and Three Venetian Procurators, 1510

Madonna and Child, 1430-1450. Creator: Francesco Squarcione
Madonna and Child, 1430-1450

Madonna and Child, c1430-1450. Creator: Unknown
Madonna and Child, c1430-1450

Scenes from the Life of Saint Catherine of Alexandria, c1430-1450. Creator: Unknown
Scenes from the Life of Saint Catherine of Alexandria, c1430-1450. This three-part panel was originally part of a large altarpiece whose central image probably represented Saint Catherine with

A Yantra of Mahavira, between 1425 and 1450. Creator: Unknown
A Yantra of Mahavira, between 1425 and 1450

Portrait of Lysbeth van Duvenvoorde, c.1430. Creator: Anon
Portrait of Lysbeth van Duvenvoorde, c.1430

Jacoba of Bavaria (1401-1436), countess of Holland and Zeeland, c.1435. Creator: Pieter Willem Sebes
Jacoba of Bavaria (1401-1436), countess of Holland and Zeeland, c.1435

Kumbum Stupa (1439), Palcho Monastery (Pelkor Chode, Shekar Gyantse), Gyantse County, Shigatse Prefecture, Tibet, China

Brass plate memorial to Nicholas and Isabella Carew
Engraving after a brass plate memorial to Nicholas Carew (or De Carru, c1356-1432) and his wife Isabella (or Isabel), in St Mary's Church, Beddington, Surrey

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

Crowned Virgin, c. 1430-1440 (paint and ink on vellum)
986369 Crowned Virgin, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Crowned Virgin)

Leaf Book Hours Crucifixion 1430s workshop Master
Leaf from a Book of Hours: The Crucifixion, 1430s. And workshop Master of Guillebert de Mets (Flemish). Ink, tempera and gold on vellum; leaf: 14.1 x 10.1 cm (5 9/16 x 4 in.)

Leaf Book Hours Decorated Initial Deus Foliated Border
Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit), 1430s. And workshop Master of Guillebert de Mets (Flemish)

Master of the Playing Cards, German (active c. 1430-1455), A Poet Reading, 1430s, engraving on laid paper

LEONE BATTISTA ALBERTI (1404-1472). Italian mathematician, architect, painter, and writer. Line engraving

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The 1430s were a time of artistic brilliance and historical significance. Fra Angelico, a renowned Italian painter, created masterpieces such as "The Annunciation" altarpiece, showcasing his exquisite talent and devotion to religious themes. Meanwhile, in England, the White Tower of London stood tall as a symbol of power and imprisonment for Charles d Orleans, who was captured during the Battle of Agincourt in 1415. Intricate brass plate memorials like that dedicated to Nicholas and Isabella Carew served as lasting tributes to loved ones. Far away in Gyantse County, the Kumbum Stupa at Palcho Monastery mesmerized with its architectural grandeur since its completion in 1439. Artistic expressions flourished during this era too. The Nativity painting on vellum from the early 15th century showcased delicate brushwork and ink detailing. Similarly captivating was the Crowned Virgin depiction on vellum - both pieces capturing the essence of spirituality. Traveling eastward to Baku, Azerbaijan, one could find the Tartar Mosque standing proudly amidst its surroundings - an architectural gem representing cultural diversity. Illuminated manuscripts played a significant role during this period as well. The Leaf Book Hours Crucifixion from a workshop mastered by an unknown artist demonstrated meticulous attention to detail while conveying religious narratives. Another example is the Leaf Book Hours Decorated Initial Deus Foliated Border which showcased intricate designs surrounding sacred texts. German artist Master of Playing Cards captivated audiences with his work "A Poet Reading, " offering glimpses into daily life through artistry and storytelling. Lastly, within illuminated books like Rohan Book of Hours emerged illuminations depicting individuals facing divine judgment – reminding viewers about their own mortality and spiritual journey.