11th 12th Centuries Collection

Santo Domingo de la Calzada (1019-1109), Spanish hermit, relief in his mausoleum in the cathedral of Santo Domingo de la Calzada (La Rioja), representing the construction of a bridge for pilgrims

The Ark of the Covenant and the Beast, miniature in the Beatus of Turin (Commentary on the Apocalypse of Beatus of Liebana), codex on parchment made?

Letter I illuminated with figurations of the bust of Jesus Christ and an evangelist, corresponding to the part of the four Gospels in the Missale Parvum, manuscript on parchment, c

Table of concordance of the four gospels, biblical references are framed between columns crowned with horseshoes, capitals and bases decorated with human and animal heads

Missale Parvum. Manuscript on parchment, c. 1075 - 1100, work attributed to the Scriptorium of the Cathedral of Girona

Tapestry of Creation, detail of March

Fabric of green eagles, made in silk, with a bow loom, Hispano-Arab, from the Cathedral of Barcelona, 11th-12th century

Battle of the Crusaders and pagan troops near the city of Aleppo. Miniature in the Recueil des histoires de Troyes, illuminated manuscript, c.1464, designed by the priest of Philip the Good

Cathedral of Santiago de Compostela, facade of Platerias: expulsion from paradise

Santiago de Compostela Cathedral, facade of the Platerias: centaur (relief)

Standard of Saint Odon with a figure on a prayer. Cloth in embroidered linen with polychromed silk, from the workshops of the Urgell Cathedral between 1905 and 1122

Sardinia Sassari Ardara S. Antioco di Bisarcio, this is my Italy, the italian country of visual history, Medieval Romanesque architecture, originally cathedral for the diocese of Bisarcio

Umbria Perugia Spoleto S. Ansano Italy italian country
Umbria Perugia Spoleto S. Ansano, this is my Italy, the italian country of visual history, Exterior views neoclassical facade 17th century with Greek Corinthian capitals high relief sculpture of

Umbria Perugia Foligno S. Giovanni Profiamma
Umbria Perugia Foligno S. Giovanni in Profiamma, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture, sculpture, stone ciborium, metal crucifix

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The 11th and 12th centuries were a time of great artistic and cultural achievements. In Santo Domingo de la Calzada, the mausoleum of the Spanish hermit stands as a testament to his devotion and legacy. The relief on his tomb depicts the life and miracles of this revered figure. Meanwhile, in the Beatus of Turin, an illuminated manuscript from that era, we find a captivating miniature titled "The Ark of the Covenant and the Beast. " This intricate artwork showcases biblical scenes with stunning detail. Another remarkable piece from this period is found in a beautifully decorated letter known as Letter I. Illuminated with figurations of Jesus Christ's bust and an evangelist, it exemplifies the religious fervor that characterized these times. Biblical references were also meticulously framed within a table of concordance in manuscripts like Missale Parvum. These sacred texts written on parchment served as guides for religious ceremonies during that period. Artisans showcased their skills through tapestries such as "Tapestry of Creation, " where March is depicted in vibrant colors. Additionally, Hispano-Arab silk weavers used bow looms to create exquisite fabrics like the one seen in the fabric adorned with green eagles at Santiago de Compostela Cathedral. However, not all was peaceful during this time. The Battle between Crusaders and pagan troops near Aleppo serves as a reminder of conflicts fought for religious dominance across different lands. Moving back to Santiago de Compostela Cathedral, its Platerias facade tells stories through various reliefs: one depicting Adam and Eve's expulsion from paradise while another portrays a centaur—an intriguing mix between human and animal forms—symbolizing mythical creatures prevalent in medieval art. Standards played an important role during battles or processions; Saint Odon's standard featured figures engaged in prayer while another symbolized Saint Luke using Tetramorph—a representation combining four living creatures associated with the evangelist.