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The World as Known to the Ancients (steel engraving)
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The World as Known to the Ancients (steel engraving)
A creased and stained steel engraving of a map which shows The World as Known to the Ancientsa which aŠcontains all the Parts of which it is thought the Ancients had any knowledgea. From A System of Geography, Popular and Scientific, or A Physical, Political, and Statistical Account of the World and its Various Divisions. Volume VI, Part IIa by James Bell and published by A. Fullarton & Co. Glasgow, in 1838
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Media ID 13666951
© Linda Steward
1830s Style Arabia Atlantic Ocean Dirty Document Education Exploration Georgian Style India Indian Ocean Libya Line Art Middle East Monochrome North Africa Paper Past Sepia Toned Social History Stained Steel Engraving Topography Traditional Culture Vignette Crease Dacia Drawing Art Product Image Created 19th Century Obsolete Scythia
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EDITORS COMMENTS
This print takes us back in time to the 19th century, showcasing a creased and stained steel engraving of "The World as Known to the Ancients". The map, featured in James Bell's comprehensive work on geography, offers an intriguing glimpse into the knowledge possessed by ancient civilizations. Rendered in monochrome and line art style, this engraved image carries a sense of historical significance. Despite its age and wear, this print exudes an air of elegance with its Georgian-style design. Its faded sepia tones add to its charm while highlighting regions such as Arabia, India, Asia, Europe, Libya, North Africa, Dacia, Scythia - all parts that were thought to be known by our ancestors. The intricate details depict topography and bodies of water like the Indian Ocean and Atlantic Ocean. As we explore this aged document further, we are reminded of the importance placed on traditional culture and education during that era. This artifact serves as a testament to past exploration efforts and provides valuable insights into social history. Displayed against a backdrop of dirty paper with visible stains and creases from years gone by; it is clear that this print has stood witness to countless hands tracing their fingers across its surface over time. With no people present within the frame itself but rather through illustration alone; it invites viewers to immerse themselves in different cultures through photography-like imagery. Overall, this remarkable artwork transports us back centuries ago when cartography was still evolving – reminding us how far we have come while preserving our connection with ancient wisdom.
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