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Probable Settlement of the Descendants of Noah (steel engraving)
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Probable Settlement of the Descendants of Noah (steel engraving)
A creased and stained steel engraving of a map which shows The Countries of the Ancient World Exhibiting the Probable Settlement of the Descendants of Noaha, from A System of Geography, Popular and Scientific, or A Physical, Political, and Statistical Account of the World and its Various Divisions. Volume VI, Part IIa by James Bell and published by A. Fullarton & Co. Glasgow, in 1838
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Media ID 13666949
© Linda Steward
1830s Style Anatolia Arabia Atlantic Ocean Bible Characters Dirty Document Education Family Tree Georgian Style Historical Palestine Indian Ocean Israel Judaism Line Art Middle East Monochrome Noah North Africa Old Testament Paper Past Russia Sepia Toned Social History Spreading Stained Steel Engraving Topography Traditional Culture Crease Diaspora Dispersal Image Created 19th Century Obsolete Shem Tartary
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EDITORS COMMENTS
This creased and stained steel engraving takes us back to the 19th century, offering a glimpse into the probable settlement of Noah's descendants. The map, part of James Bell's comprehensive System of Geography, showcases the dispersal of cultures across ancient lands. Rendered in monochrome line art with an obsolete engraved style, it exudes a sense of historical significance. The topography spans from Anatolia to Historical Palestine, capturing regions like Israel, Arabia, Asia, Russia, Europe, North Africa, and even parts of India and Atlantic Ocean. This intricate document serves as a testament to both physical geography and social history. As we explore this aged print further, we discover connections between religion and traditional culture. Judaism and Christianity find their roots in these ancient settlements depicted on the map. The family tree branches out through generations past as we trace the diaspora of Cush and Shem. Although time has left its mark on this piece with stains and creases marring its surface over centuries-old paper; it remains an invaluable resource for education and understanding our shared heritage. Its sepia-toned black-and-white composition adds depth to its portrayal while evoking nostalgia for bygone eras. Whitemay's photography skillfully captures this significant illustration from the 19th century - a visual representation that reminds us how cultures spread across continents throughout history without any human presence within its frame.
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