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The Wife of Bath, illustration from Geoffrey Chaucers (c. 1345-1400) Canterbury Tales

The Wife of Bath, illustration from Geoffrey Chaucers (c. 1345-1400) Canterbury Tales


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The Wife of Bath, illustration from Geoffrey Chaucers (c. 1345-1400) Canterbury Tales

XJF264704 The Wife of Bath, illustration from Geoffrey Chaucers (c.1345-1400) Canterbury Tales, printed by William Caxton (c.1422-91) (woodcut) (b/w photo) by English School, (15th century); Private Collection; English, out of copyright

Media ID 12783933

© www.bridgemanart.com

Chaucer Pilgrim Pilgrimage Rosary Sidesaddle


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The Wife of Bath, a Vibrant Depiction of Feminine Power and Independence

EDITORS COMMENTS
. This print showcases an exquisite woodcut illustration from Geoffrey Chaucer's renowned literary masterpiece, "The Canterbury Tales". The focus is on the iconic character known as The Wife of Bath, brought to life by the skilled hands of the English School in the 15th century. In this striking image, we witness The Wife of Bath confidently astride her horse, embodying strength and determination. Riding sidesaddle with grace and poise, she defies societal norms while embarking on a medieval pilgrimage alongside other pilgrims. Her presence exudes an aura of authority that challenges traditional gender roles. Adorned in elegant attire befitting her status as a woman of means, The Wife of Bath clutches a rosary tightly in one hand—a symbol not only of religious devotion but also perhaps hinting at her own desires and aspirations. With every stride taken by her noble steed beneath her, she propels herself forward towards self-discovery and personal growth. This remarkable artwork captures both the spirit of Chaucer's timeless tale and the essence of female empowerment during this era. It serves as a testament to women who dared to defy conventions placed upon them by society—an inspiration for generations past and present. As it graces private collections worldwide today, this evocative print continues to remind us all that true strength lies within oneself—regardless of gender or societal expectations.

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