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View of Portugal from the Nuremberg Chronicle 1493 (woodcut)
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View of Portugal from the Nuremberg Chronicle 1493 (woodcut)
XJF1072649 View of Portugal from the Nuremberg Chronicle 1493 (woodcut) by German School, (15th century); Private Collection; (add.info.: Written by Hartmann Schedel (1440-1514); Illustrated by Michael Wolgemut and Wilhelm Pleydenwurff; Liber Chronicarum; world history; ); German, out of copyright
Media ID 12700859
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This woodcut print from the Nuremberg Chronicle 1493 offers a mesmerizing glimpse into the enchanting beauty of Portugal during the 15th century. The German School's meticulous craftsmanship brings to life an exquisite landscape that is both awe-inspiring and evocative. As we gaze upon this scene, our eyes are immediately drawn to a charming town nestled amidst rolling hills and lush fields. A majestic castle proudly stands atop one of these hills, its towering presence commanding attention. Adjacent to it, a grand church with intricate architectural details adds a sense of spiritual significance to the surroundings. The town itself is enclosed within sturdy walls, symbolizing protection and fortitude. Beyond these protective barriers lies a serene countryside adorned with verdant trees that sway gently in the breeze. The tranquility of this setting invites us to imagine strolling through its streets or exploring the idyllic landscapes beyond. Created by Hartmann Schedel and illustrated by Michael Wolgemut and Wilhelm Pleydenwurff for Liber Chronicarum, this woodcut print captures not only Portugal's physical beauty but also its historical significance as part of world history. It serves as a testament to human ingenuity and artistic prowess during an era marked by exploration and discovery. This remarkable artwork transports us back in time, allowing us to marvel at Portugal's splendor while contemplating how it has evolved over centuries. Its enduring appeal reminds us that art has the power to transcend time, connecting generations through shared appreciation for cultural heritage
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