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View of Copenhagen House, 1853 (w / c on paper)

View of Copenhagen House, 1853 (w  /  c on paper)


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View of Copenhagen House, 1853 (w / c on paper)

XCF286417 View of Copenhagen House, 1853 (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; English, out of copyright

Media ID 12790691

© www.bridgemanart.com

Copenhagen Fields Grounds Islington Pond Residence Town House


FEATURES IN THESE COLLECTIONS

> Architecture > Styles > Victorian Architecture

> Arts > Artists > S > Thomas Hosmer Shepherd

> Europe > United Kingdom > England > London > Boroughs > Islington

> Europe > United Kingdom > England > London > Towns > Islington

> Fine Art Finder > Artists > Thomas Hosmer Shepherd

> Fine Art Finder > London 19th & Later 20th C


EDITORS COMMENTS
This print transports us back to the year 1853, offering a glimpse into the architectural splendor of Copenhagen House. Painted by Thomas Hosmer Shepherd, this watercolor on paper captures the essence of this magnificent Victorian townhouse located in Islington, London. The image showcases the grand exterior facade of Copenhagen House, standing proudly amidst its lush surroundings. The artist's meticulous attention to detail allows us to appreciate every aspect of this historic residence. From the beautifully landscaped grounds adorned with a serene pond to the intricate design elements that adorn its façade, every feature exudes elegance and charm. Copenhagen House was undoubtedly a symbol of opulence during its time - an exquisite testament to Victorian architecture at its finest. Its presence in Copenhagen Fields added further allure and prestige to this already esteemed neighborhood. As we gaze upon this remarkable artwork, we are transported back in time, imagining what life must have been like for those fortunate enough to call Copenhagen House their home. It serves as a reminder of our rich architectural heritage and invites us to appreciate the beauty that lies within our urban landscapes. This stunning print from Fine Art Finder is not just an object for display; it is a window into history itself - capturing both the physical structure and intangible stories woven within its walls.

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