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Theatre, Ballet, Opera & Cinema Collection (page 7)

1,375 items

Theatre, Ballet, Opera & Cinema Collection: Jean Marais (b / w photo)

Jean Marais (b / w photo)
CHT276325 Jean Marais (b/w photo) by French Photographer, (20th century); Archives Jean Cocteau, Milly-la-Foret, France; (add.info)

Theatre, Ballet, Opera & Cinema Collection: Greta Garbo in the role of Anna Karenina (b / w photo)

Greta Garbo in the role of Anna Karenina (b / w photo)
CHT276316 Greta Garbo in the role of Anna Karenina (b/w photo) by American Photographer; Private Collection; (add.info.: Greta Garbo (1905-90)

Theatre, Ballet, Opera & Cinema Collection: Set design for operas at the San Salvatore theatre in Venice

Set design for operas at the San Salvatore theatre in Venice
CHT341982 Set design for operas at the San Salvatore theatre in Venice, 1675 (pen & ink wash on paper) by Italian School, (17th century); Bibliotheque de l Opera Garnier, Paris

Theatre, Ballet, Opera & Cinema Collection: Postcard of Robert Helpmann (1909-86) in The Wanderer 1941 (b / w photo)

Postcard of Robert Helpmann (1909-86) in The Wanderer 1941 (b / w photo)
DGC308105 Postcard of Robert Helpmann (1909-86) in The Wanderer 1941 (b/w photo) by Australian Photographer (20th century); 13.9x8.9 cm; Private Collection; (add.info)

Theatre, Ballet, Opera & Cinema Collection: Set design for the Theatre at Versailles (colour litho)

Set design for the Theatre at Versailles (colour litho)
CHT307850 Set design for the Theatre at Versailles (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Theatre, Ballet, Opera & Cinema Collection: Set design for an Opera, from a collection entitled Les Menus Plaisirs du Roi

Set design for an Opera, from a collection entitled Les Menus Plaisirs du Roi
ARH307848 Set design for an Opera, from a collection entitled Les Menus Plaisirs du Roi (pen and ink & w/c on paper) by French School, (17th century); Centre Historique des Archives Nationales

Theatre, Ballet, Opera & Cinema Collection: Sarah Bernhardt in the title role of Saint Teresa of Avila in the play

Sarah Bernhardt in the title role of Saint Teresa of Avila in the play
CHT307424 Sarah Bernhardt in the title role of Saint Teresa of Avila in the play La Vierge d Avila by Mendes, produced in 1906 (oil on canvas) by Clairin

Theatre, Ballet, Opera & Cinema Collection: Studies in Make-Up, illustration from The King, June 1st 1901 (mixed media)

Studies in Make-Up, illustration from The King, June 1st 1901 (mixed media)
KAT324413 Studies in Make-Up, illustration from The King, June 1st 1901 (mixed media) by English School, (20th century); Private Collection; (add.info.: Herbert Beerbohm Tree (1852-1917)

Theatre, Ballet, Opera & Cinema Collection: How an actor sees his audience and the prompter, c. 1890 (litho)

How an actor sees his audience and the prompter, c. 1890 (litho)
KDC324185 How an actor sees his audience and the prompter, c.1890 (litho) by Kamak, A. (19th century); Private Collection; (add.info.: view from the stage; ); German, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Walhalla, 1906 (colour litho)

Walhalla, 1906 (colour litho)
STC323695 Walhalla, 1906 (colour litho) by Hendrich, Hermann (1854-1931) (after); Private Collection; (add.info.: Wotan and Frickas abode, Valhalla; ); The Stapleton Collection; German

Theatre, Ballet, Opera & Cinema Collection: Dark Cavern, 1906 (colour litho)

Dark Cavern, 1906 (colour litho)
STC323694 Dark Cavern, 1906 (colour litho) by Hendrich, Hermann (1854-1931) (after); Private Collection; (add.info.: Alberich turns in to a serpent to prove the powers of the ring to Wotan and Loge;)

Theatre, Ballet, Opera & Cinema Collection: The Rhine Gold, 1906 (colour litho)

The Rhine Gold, 1906 (colour litho)
STC323692 The Rhine Gold, 1906 (colour litho) by Hendrich, Hermann (1854-1931) (after); Private Collection; The Stapleton Collection; German, out of copyright

Theatre, Ballet, Opera & Cinema Collection: The giants bore Freia away, from The Stories of Wagners Operas by J

The giants bore Freia away, from The Stories of Wagners Operas by J
STC323678 The giants bore Freia away, from The Stories of Wagners Operas by J. Walker McSpadden (1874-1960), 1905 (colour litho) by Leeke

Theatre, Ballet, Opera & Cinema Collection: The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho)

The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho)
CHT322527 The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris

Theatre, Ballet, Opera & Cinema Collection: Stage design for the operetta Girofle-Giroflia by Alexandre Charles Lecocq

Stage design for the operetta Girofle-Giroflia by Alexandre Charles Lecocq
BAL329159 Stage design for the operetta Girofle-Giroflia by Alexandre Charles Lecocq, 1922 (gouache on paper) by Yakulov, Georgi Bogdanovich (1884-1928); Tretyakov Gallery, Moscow

Theatre, Ballet, Opera & Cinema Collection: Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61

Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61
PAR87629 Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61) (right) c.1745 by Hayman, Francis (1708-76); 99x84 cm; Private Collection; ePartridge Fine Arts, London

Theatre, Ballet, Opera & Cinema Collection: The Dressing Room

The Dressing Room
HGM81064 The Dressing Room by Smet, Gustave de (1877-1943); 146x114 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Belgian, out of copyright

Theatre, Ballet, Opera & Cinema Collection: The Pas de Quatre : Carlotta Grisi (1819-99) Marie Taglioni (1804-84

The Pas de Quatre : Carlotta Grisi (1819-99) Marie Taglioni (1804-84
CWA84258 The Pas de Quatre : Carlotta Grisi (1819-99) Marie Taglioni (1804-84) Lucile Grahn (1819-1907) and Fanny Cerrito (1817-1909) (litho) by Chalon

Theatre, Ballet, Opera & Cinema Collection: Harlequin, Pierrot and Scapin, Actors from the Commedia dell Arte (oil on canvas)

Harlequin, Pierrot and Scapin, Actors from the Commedia dell Arte (oil on canvas)
REV121261 Harlequin, Pierrot and Scapin, Actors from the Commedia dell Arte (oil on canvas) by Watteau, Jean Antoine (1684-1721); Waddesdon Manor, Buckinghamshire, UK (National Trust); French

Theatre, Ballet, Opera & Cinema Collection: Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria

Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria
NUL116585 Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria, at the Ducal Theatre of Milan on 28 May 1747 (colour engraving) by Italian School

Theatre, Ballet, Opera & Cinema Collection: Mrs Jordan in the Character of the Country Girl, engraved by Francesco Bartolozzi

Mrs Jordan in the Character of the Country Girl, engraved by Francesco Bartolozzi
CWA98179 Mrs Jordan in the Character of the Country Girl, engraved by Francesco Bartolozzi (1727-1815) (engraving) by Romney, George (1734-1802) (after); City of Westminster Archive Centre, London

Theatre, Ballet, Opera & Cinema Collection: Luigi Lablache (1794-1858) as Faliero in Marino Faliero

Luigi Lablache (1794-1858) as Faliero in Marino Faliero
CWA98157 Luigi Lablache (1794-1858) as Faliero in Marino Faliero, from Recollections of the Italian Opera, engraved by Richard James Lane (1800-72) 1836 (colour litho) by Chalon

Theatre, Ballet, Opera & Cinema Collection: Interior of the New Theatre Royal, Haymarket, as it Appeared on the Night of its Opening

Interior of the New Theatre Royal, Haymarket, as it Appeared on the Night of its Opening
CWA98152 Interior of the New Theatre Royal, Haymarket, as it Appeared on the Night of its Opening, 4th July 1821, engraved by James Stow (c.1770-p.1823), 1823 (engraving) by Schebbellie

Theatre, Ballet, Opera & Cinema Collection: Giulia Grisi (1811-69) as Anna in Anna Bolena

Giulia Grisi (1811-69) as Anna in Anna Bolena
CWA97286 Giulia Grisi (1811-69) as Anna in Anna Bolena, from Recollections of the Italian Opera, engraved by Richard James Lane (1800-72) 1836 (colour litho) by Chalon

Theatre, Ballet, Opera & Cinema Collection: The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January

The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January
CWA97284 The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January and 3rd March 1824, or The Three Crownings, printed by Charles Hullmandel (1789-1850)

Theatre, Ballet, Opera & Cinema Collection: Mr Charles Kemble (1775-1854) as Charles Surface in The School for Scandal, pub

Mr Charles Kemble (1775-1854) as Charles Surface in The School for Scandal, pub
CWA97260 Mr Charles Kemble (1775-1854) as Charles Surface in The School for Scandal, pub. by Thomas McLean, 1821 (coloured etching) by Dighton

Theatre, Ballet, Opera & Cinema Collection: Scene from the 1848 production of Antigone at the St. James Theatre with Mlle

Scene from the 1848 production of Antigone at the St. James Theatre with Mlle
aH101912 Scene from the 1848 production of Antigone at the St. James Theatre with Mlle. Baptiste as Ismeme and Mme. Pechter as Antigone, 1848 (w/c on paper) by Chalon

Theatre, Ballet, Opera & Cinema Collection: The Actor William Henry West Betty (1791-1874) (oil on canvas)

The Actor William Henry West Betty (1791-1874) (oil on canvas)
DRB128829 The Actor William Henry West Betty (1791-1874) (oil on canvas) by Geddes, Andrew (1783-1844); Chateau de Blois, Loir-Et-Cher, France; Scottish, out of copyright

Theatre, Ballet, Opera & Cinema Collection: The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha

The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha
CWA124844 The Surprising Equilibres on the Slack Rope by the Grand Turk, Mahomed Caratha, printed by Robert Sayer (fl.1750-80) (engraving) by English School

Theatre, Ballet, Opera & Cinema Collection: Fair with a Theatrical Presentation, c. 1600 (oil on panel) (detail)

Fair with a Theatrical Presentation, c. 1600 (oil on panel) (detail)
PWI127301 Fair with a Theatrical Presentation, c.1600 (oil on panel) (detail) by Brueghel, Pieter the Younger (c.1564-1638); 111x164.5 cm; State Hermitage Museum, St

Theatre, Ballet, Opera & Cinema Collection: Costume design for Triton, in a 17th century ballet, from the Menus Plaisirs Collection

Costume design for Triton, in a 17th century ballet, from the Menus Plaisirs Collection
STC135417 Costume design for Triton, in a 17th century ballet, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils (colour engraving) by French School

Theatre, Ballet, Opera & Cinema Collection: Opera Costume, from the Menus Plaisirs Collection, facsimile by A

Opera Costume, from the Menus Plaisirs Collection, facsimile by A
STC135414 Opera Costume, from the Menus Plaisirs Collection, facsimile by A. Guillaumot Fils (colour litho) by French School

Theatre, Ballet, Opera & Cinema Collection: The Charlatans (oil on canvas)

The Charlatans (oil on canvas)
SGS106171 The Charlatans (oil on canvas) by Angillis, Pieter (1685-1734); 72.2x91.7 cm; Private Collection; eBerger Collection Educational Trust; Flemish, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Set design for La Forza del Destino, c. 1862 (w / c on paper)

Set design for La Forza del Destino, c. 1862 (w / c on paper)
MHE100885 Set design for La Forza del Destino, c.1862 (w/c on paper) by Ferrario, Carlo (1833-1907); Private Collection; Marina Henderson Gallery; Italian, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Costume for Mademoiselle Dorus in the Role of Donna Elvira in Don Giovanni

Costume for Mademoiselle Dorus in the Role of Donna Elvira in Don Giovanni
MHE100881 Costume for Mademoiselle Dorus in the Role of Donna Elvira in Don Giovanni, engraved by Maleuvre, printed by Hautecoeur-Martinet (coloured engraving) by French School

Theatre, Ballet, Opera & Cinema Collection: Portrait of the Producer Vsevolod Emilievich Meyerhold (1874-1940) 1916 (oil on canvas)

Portrait of the Producer Vsevolod Emilievich Meyerhold (1874-1940) 1916 (oil on canvas)
SRM93025 Portrait of the Producer Vsevolod Emilievich Meyerhold (1874-1940) 1916 (oil on canvas) by Grigoriev, Boris Dmitrievich (1886-1939); 247x168 cm; State Russian Museum, St

Theatre, Ballet, Opera & Cinema Collection: Mademoiselle Desmares in the role of a Pilgrim, plate 88 from Theatrical Gallery

Mademoiselle Desmares in the role of a Pilgrim, plate 88 from Theatrical Gallery
STC91092 Mademoiselle Desmares in the role of a Pilgrim, plate 88 from Theatrical Gallery, engraved by Jean Prud hon (b.1778) pub

Theatre, Ballet, Opera & Cinema Collection: Peasant Theatre in the Tyrol, 1859 (oil on canvas)

Peasant Theatre in the Tyrol, 1859 (oil on canvas)
XKH146431 Peasant Theatre in the Tyrol, 1859 (oil on canvas) by Menzel, Adolph Friedrich Erdmann von (1815-1905); 37.5x55 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Jean Perier (1869-1954) in the role of Pelleas in Pelleas et Melisande

Jean Perier (1869-1954) in the role of Pelleas in Pelleas et Melisande
CHT163654 Jean Perier (1869-1954) in the role of Pelleas in Pelleas et Melisande by Claude Debussy (1862-1918) 1902 (colour photolitho) by Nadar, Paul (1856-1939); Bibliotheque des Arts Decoratifs

Theatre, Ballet, Opera & Cinema Collection: Celestine Galli-Marie (1840-1905) in the role of Carmen

Celestine Galli-Marie (1840-1905) in the role of Carmen
CHT163220 Celestine Galli-Marie (1840-1905) in the role of Carmen by Georges Bizet (1838-75), 1884 (colour engraving) by Doucet

Theatre, Ballet, Opera & Cinema Collection: Frederick Lemaitre (1800-76) as Edgard in La Fiancee de Lammermoor

Frederick Lemaitre (1800-76) as Edgard in La Fiancee de Lammermoor
CHT163172 Frederick Lemaitre (1800-76) as Edgard in La Fiancee de Lammermoor by Walter Scott (1771-1832) at the Theatre de la Porte Saint-Martin (colour engraving) by Lacauchie

Theatre, Ballet, Opera & Cinema Collection: Mounet-Sully (1841-1916) as Oedipus in Oedipus Rex

Mounet-Sully (1841-1916) as Oedipus in Oedipus Rex
XIR233906 Mounet-Sully (1841-1916) as Oedipus in Oedipus Rex by Sophocles (496-406 BC) (b/w photo) by Camus (19th-20th century); Bibliotheque de L Arsenal, Paris, France; French, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Papageno the bird-catcher, from The Magic Flute

Papageno the bird-catcher, from The Magic Flute
CHT242497 Papageno the bird-catcher, from The Magic Flute by Wolfgang Amadeus Mozart (1756-91), (coloured engraving) by Italian School, (18th century); Bibliotheque de l Opera Garnier, Paris

Theatre, Ballet, Opera & Cinema Collection: Zerline from the opera Don Giovanni by Wolfgang Amadeus Mozart

Zerline from the opera Don Giovanni by Wolfgang Amadeus Mozart
CHT241232 Zerline from the opera Don Giovanni by Wolfgang Amadeus Mozart (1756-91), c.1900 (colour litho) by German School, (20th century); Bibliotheque des Arts Decoratifs, Paris

Theatre, Ballet, Opera & Cinema Collection: Isadora Duncan (1877-1927) c. 1903-04 (b / w photo)

Isadora Duncan (1877-1927) c. 1903-04 (b / w photo)
CHT239523 Isadora Duncan (1877-1927) c.1903-04 (b/w photo) by Elvira Studio (19th-20th century); Bibliotheque de l Opera Garnier, Paris

Theatre, Ballet, Opera & Cinema Collection: I am going to kill him... scene from act II of The Marriage of Figaro

I am going to kill him... scene from act II of The Marriage of Figaro
CHT238773 I am going to kill him... scene from act II of The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (1732-99) 1785 (pen & ink on paper) by Saint-Quentin

Papageno the Bird-Catcher, from The Magic Flute
PER248000 Papageno the Bird-Catcher, from The Magic Flute by Wolfgang Amadeus Mozart (1756-91) (coloured engraving) by Offterdinger, Carl (1829-89); Private Collection; German, out of copyright

Theatre, Ballet, Opera & Cinema Collection: Stage design for Act II of La Juive, first performed at the Paris Opera on 23rd

Stage design for Act II of La Juive, first performed at the Paris Opera on 23rd
CHT247140 Stage design for Act II of La Juive, first performed at the Paris Opera on 23rd February 1835, (w/c on paper) by French School, (19th century); Bibliotheque de l Opera Garnier, Paris

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