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Spanish or Portuguese gitana or gypsy. Costume of La Catarina in Daniel Auber's comic opera "The Crown Diamonds", 1841. (Perhaps depicting English soprano Sophia Anna Thillon, (1819-1903)
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Spanish or Portuguese gitana or gypsy. Costume of La Catarina in Daniel Auber's comic opera "The Crown Diamonds", 1841. (Perhaps depicting English soprano Sophia Anna Thillon, (1819-1903)
FLO4656350 Spanish or Portuguese gitana or gypsy. Costume of La Catarina in Daniel Auber's comic opera "The Crown Diamonds", 1841. (Perhaps depicting English soprano Sophia Anna Thillon, (1819-1903). Handcoloured lithograph from Thomas Hailes Lacy's "" Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.; (add.info.: Spanish or Portuguese gitana or gypsy. Costume of La Catarina in Daniel Auber's comic opera "The Crown Diamonds", 1841. (Perhaps depicting English soprano Sophia Anna Thillon, (1819-1903). Handcoloured lithograph from Thomas Hailes Lacy's "" Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.); © Florilegius
Media ID 38140988
© © Florilegius / Bridgeman Images
Bohemien Deguisement Disguising Espagne Espagnol Espagnole Femme Gypsy Portugais Portugaise Portuguese Tzigane
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This stunning handcoloured lithograph captures the essence of a Spanish or Portuguese gitana, or gypsy, in the costume of La Catarina from Daniel Auber's comic opera "The Crown Diamonds" from 1841. The intricate details of the costume, with its vibrant colors and flowing fabrics, transport us to a bygone era of theatrical elegance.
It is believed that this depiction may be based on English soprano Sophia Anna Thillon, who graced the stage with her talent and beauty during the 19th century. Her portrayal of La Catarina must have been mesmerizing, as she embodied the spirit and passion of this enigmatic character.
The artist Thomas Hailes Lacy has captured every nuance of the gitana's attire, from her elaborate headpiece to her billowing skirts. The attention to detail in this lithograph is truly remarkable, showcasing Lacy's skill as both an illustrator and a historian.
As we gaze upon this image, we are transported back in time to a world where music and drama reigned supreme. The allure of the gypsy culture is palpable in every brushstroke, inviting us to immerse ourselves in the magic of the theater.
This print serves as a reminder of the enduring power of art to captivate our imaginations and evoke emotions that transcend time and place. It is a testament to the beauty and creativity that can be found in even the simplest moments on stage.
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