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Cecil John Rhodes (1852-1902) English-born South African statesman

Cecil John Rhodes (1852-1902) English-born South African statesman


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Cecil John Rhodes (1852-1902) English-born South African statesman

538267 Cecil John Rhodes (1852-1902) English-born South African statesman, asking the German emperor for permission to run a telegraph line through German East Africa. Cape To Cairo, cartoon by John Tenniel from Punch, London, 22 March 1899. Engraving by Tenniel, John (1820-1914); Universal History Archive/UIG; English, out of copyright

Media ID 22933428

© Universal History Archive/UIG / Bridgeman Images

1899 Cairo Cape Cecil East English Born Imperialist John Line March Permission Punch Rhodes Rhodesia South Telegraph Tenniel


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EDITORS COMMENTS
This print captures the historical moment when Cecil John Rhodes, the English-born South African statesman, sought permission from the German emperor to establish a telegraph line through German East Africa. The image is an engraving by John Tenniel, originally published in Punch magazine on March 22nd, 1899. Rhodes, known for his imperialist ambitions and his role in establishing Rhodesia (now Zimbabwe), is depicted in this cartoon-like illustration as he presents his request to the German emperor. The scene portrays both the political complexities of colonial Africa and the ambition of Rhodes' grand vision: connecting Cape Town to Cairo with a telegraph line. The artist's skillful rendering brings out every detail of this historic encounter between two powerful figures. From Rhodes' determined expression to the stern countenance of the German emperor, their interaction seems palpable even after more than a century has passed. This print serves as a visual reminder of an era marked by European powers vying for control over African territories. It offers us insight into one man's quest for expansion and influence while shedding light on broader themes such as imperialism and technological progress. Bridgeman Images has preserved this remarkable piece from history, allowing us to appreciate its artistic value while contemplating its historical significance.

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