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Shame and Regret, a Tragi-Comic Play, caricature on the capitulation of
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Shame and Regret, a Tragi-Comic Play, caricature on the capitulation of
XIR177541 Shame and Regret, a Tragi-Comic Play, caricature on the capitulation of Ulm on the 20th October 1805 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; (add.info.: honte et repentir, piece tragi-comique; George III (1738-1820) hitting William Pitt the Younger (1759-1806) with his sceptre; Gustav IV Adolf (1778-1837) of Sweden pulling him back; from left, General Mack (1752-1828), Emperor of Germany kicking coins and the Emperor of Russia; surrender of Austrian army to Napoleon Bonaparte (1769-1821); ); French, out of copyright
Media ID 12743968
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French Victory King Of England Prime Minister
Shame and Regret - A Tragi-Comic Play Captured in a Coloured Engraving
EDITORS COMMENTS
. This photo print, titled "Shame and Regret" takes us back to the historic events of October 20th, 1805. Depicting a tragi-comic play on the capitulation of Ulm, this French School artwork from the 19th century offers a satirical glimpse into an important moment in European history. In this scene, we witness King George III of England wielding his sceptre as he strikes William Pitt the Younger, his Prime Minister. However, Gustav IV Adolf of Sweden intervenes by pulling back the enraged monarch. On the left side of the composition, General Mack stands alongside Emperor Francis II of Germany and Alexander I of Russia while they helplessly watch their coins being kicked away by Napoleon Bonaparte. The surrender of Austria's army to Napoleon serves as both inspiration and mockery within this piece. The artist skillfully captures not only political power dynamics but also highlights France's victory over its adversaries with clever satire. Preserved at Bibliotheque Nationale in Paris, France, this coloured engraving showcases exceptional artistry from an era long gone. Its historical significance lies not only in documenting key figures but also providing insight into societal attitudes towards power struggles during that time. Through this remarkable artwork captured by Fine Art Finder (www. bridgemanimages. com), viewers are transported to an intriguing period where shame and regret intertwine
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