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The Kettle Hooting the Porridge-Pot, published by P. J. Leatherhead in 1782
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The Kettle Hooting the Porridge-Pot, published by P. J. Leatherhead in 1782
NCO191214 The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching) by Gillray, James (1757-1815); 22.5x31 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: the pot calling the kettle black ; Charles James Fox (1749-1806) with the head of a fox and the body of a cauldron; William Petty Shelburne (1737-1805) with the body of a teapot; standing on the neck of a dead goose; ); English, out of copyright
Media ID 23200140
© Bridgeman Images
Anthropomorphic Farcical Fleeing Handle Hanoverian Hypocrisy Member Of Parliament Mockery Mocking Political Satire Pompous Ridiculing Ridiculous Running Away Spout Strangled Superior Teasing Complacent
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The Kettle Hooting the Porridge-Pot - A Satirical Masterpiece of Georgian Political Hypocrisy
EDITORS COMMENTS
. This hand-coloured etching, "The Kettle Hooting the Porridge-Pot" published by P. J. Leatherhead in 1782, is a remarkable example of James Gillray's biting political satire. In this farcical cartoon, Gillray masterfully ridicules two prominent statesmen of the time. On one side stands Charles James Fox, portrayed with the head of a fox and the body of a cauldron, symbolizing cunning and deceit. Meanwhile, William Petty Shelburne takes on the form of a teapot, representing his complacency and pompous demeanor. Both figures are depicted standing triumphantly on the neck of a dead goose - perhaps an allegory for their exploitation of power. Gillray's anthropomorphic portrayal brilliantly captures the essence of these politicians' hypocrisy as they engage in what can only be described as sword-wielding mockery. The image suggests that while these men may accuse others of wrongdoing (the pot calling the kettle black), they themselves are not exempt from criticism. With its intricate details and clever symbolism, this satirical print serves as both entertainment and social commentary. It highlights how even those who hold positions in high regard can be exposed for their flaws when subjected to scrutiny. Now part of New College Oxford's collection, this engraving continues to captivate viewers centuries later with its timeless depiction of political absurdity and human folly.
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