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Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving)
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Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving)
7185554 Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving) by Faithorne, William (1616-91) (after); Private Collection; (add.info.: Philip Herbert, 4th Earl of Pembroke (1584-1650), English courtier and favourite of King James I. Illustration from Woodburns Gallery of Rare Portraits (George Jones, London, 1816).); © Look and Learn
Media ID 24712498
© Look and Learn / Bridgeman Images
Courtesan Courtier Courtiers Frock Saree Sarees Circa 1600 Costume Design Early Xvii Century Portait Portriat Summer Clothes
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EDITORS COMMENTS
This engraving showcases Philip Herbert, the 4th Earl of Pembroke, an influential English courtier and a favorite of King James I. The portrait, created by William Faithorne in the 17th century, captures the essence of this historical figure with great detail and precision. Philip Herbert's attire reflects the fashion trends of his time, offering us a glimpse into the sartorial choices of English nobility during the early 1600s. His elaborate costume design exudes elegance and sophistication, highlighting his status as a prominent member of society. As we delve into history through this remarkable artwork, we are transported to a bygone era where courtiers played significant roles in shaping political landscapes. Philip Herbert's close relationship with King James I is evident from his confident posture and regal demeanor depicted in this engraving. The intricate lines etched by Faithorne bring life to every aspect of this portrait – from Philip Herbert's facial features to the delicate folds in his clothing. This exquisite piece serves as both a testament to artistic skill and an invaluable window into England's rich cultural heritage. Displayed here as part of Woodburns Gallery of Rare Portraits collection published in London in 1816, this print offers viewers an opportunity to appreciate not only Philip Herbert but also the artistry that went into capturing him for posterity.
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