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Broad Bottoms, 1745 (etching)
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Broad Bottoms, 1745 (etching)
XJF863021 Broad Bottoms, 1745 (etching) by English School, (18th century); Private Collection; (add.info.: Frontispiece to " An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation.."
Sir John Hynde Cotton, 3rd baronet (Tory politician and Jacobite, c.1686-1752) in the centre (with a backside of legendary size) accepted a position in the 1744-5 broad-bottomed coalition Tory/Whig government, caricatured for failing to keep promises and defecating on assses carrying various tax burdens.
); English, out of copyright
Media ID 12939810
© www.bridgemanimages.com
Black Art Candles Coalition Jacobite Land Lottery Malt Opposition Salt Soap Taxation Taxes Tories Tory Whig Whigs
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EDITORS COMMENTS
The print titled "Broad Bottoms, 1745" captures a fascinating moment in English political history. This etching, created by an anonymous English artist from the 18th century, serves as the frontispiece to a book called "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation". At its center stands Sir John Hynde Cotton, a prominent Tory politician and Jacobite known for his legendary backside. In this satirical caricature, he is depicted accepting a position within the broad-bottomed coalition Tory/Whig government formed in 1744-5. The image humorously portrays him failing to fulfill promises while defecating on donkeys burdened with various tax obligations. This artwork sheds light on British politics during that era and highlights key themes such as satire, opposition between Tories and Whigs, taxation issues including salt, land, soap taxes among others. It also touches upon topics like lotteries and annuities prevalent at that time. Through this print's clever use of cartoonish elements and biting social commentary disguised as humor, it offers viewers an insightful glimpse into Georgian politics. As we examine this piece today through Fine Art Finder's collection from Bridgeman Images' archives (not associated with any commercial use), we can appreciate its historical significance while marveling at how political satire has transcended time.
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