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Satirical Print, published by George Bickham the Younger, 1741 (etching)
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Satirical Print, published by George Bickham the Younger, 1741 (etching)
XJF867802 Satirical Print, published by George Bickham the Younger, 1741 (etching) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3663); English, out of copyright
Media ID 12940563
© www.bridgemanart.com
Corrupt Corruption Covent Garden Election Electors General Election House Of Commons Justice Opposition Parliament Politican Polling Satricial Tory Westminster Whig Charles Edwin Polls
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EDITORS COMMENTS
This satirical print, published by George Bickham the Younger in 1741, offers a fascinating glimpse into the political landscape of 18th-century England. With its intricate etching and clever symbolism, this artwork captures the essence of an era marked by corruption and power struggles. The image depicts a bustling scene at Covent Garden during a general election. The husting is filled with electors eagerly casting their votes while politicians vie for their support. However, beneath the surface lies a web of deceit and manipulation. Notable figures from that time are caricatured within this print, including Admiral Sir Charles Wager and Admiral Edward Vernon. Their presence highlights the influence of military leaders in politics during this period. The artist's keen eye for detail is evident in every corner of the composition. From Lord Sundon presiding over justice to William Clayton engaging in political discourse, each character adds depth to this satirical commentary on Westminster's House of Commons. Through biting satire and witty visual cues, Bickham exposes the rampant corruption that plagued British politics at that time. This print serves as both historical documentation and social critique - reminding us that even centuries ago, power struggles and questionable ethics were not unfamiliar concepts in electoral processes. As we gaze upon this remarkable piece from our private collection today, it invites us to reflect on how far we have come since then - or perhaps how much remains unchanged.
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