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Queen Anne and the Knights of Garter, c. 1720s (oil on canvas)
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Queen Anne and the Knights of Garter, c. 1720s (oil on canvas)
XCF274358 Queen Anne and the Knights of Garter, c.1720s (oil on canvas) by Angelis or Angillis, Pierre (1685-1734); National Portrait Gallery, London, UK; (add.info.: Queen Anne (1665-1714); Henry Somerset (1684-1714); Henry Grey (1664-1740); Robert Harley (1661-1724); Charles Mordaunt (1658-1735); ); Flemish, out of copyright
Media ID 12790308
© www.bridgemanimages.com
Beefeaters Cape Courtiers Guards Insignia Regal Stewart Stuart Wigs Monarch Yeoman Warders
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EDITORS COMMENTS
This oil painting, titled "Queen Anne and the Knights of Garter" transports us back to the grandeur and opulence of the 1720s. Created by Pierre Angelis or Angillis, a Flemish artist from the era, this masterpiece now resides in the National Portrait Gallery in London. The scene depicted is one of regal splendor and ceremony. Queen Anne herself takes center stage, her majestic presence radiating power and authority. She is surrounded by an esteemed group of knights adorned in their resplendent Garter insignia, symbolizing their loyalty and chivalry. The composition captures not only the monarch's court but also notable politicians such as Henry Somerset, Henry Grey, Robert Harley, and Charles Mordaunt. Their elaborate wigs add an air of formality to this gathering of influential figures. Intriguingly, we catch a glimpse of yeoman warders or beefeaters standing guard with unwavering dedication. They are part of a crowd that fills the room with anticipation for what lies ahead during this momentous occasion. Every brushstroke brings forth a sense of history frozen in time—a snapshot into an era where monarchy reigned supreme. The rich colors and intricate details transport us to a world long gone yet forever immortalized on canvas. As we gaze upon this remarkable artwork from www. bridgemanimages. com, we are reminded once again why fine art has such enduring power—to capture moments like these that transcend time itself.
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