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Pre-raphaelites & Neo-classical Collection (#15)

863 Items

Background imagePre-raphaelites & Neo-classical Collection: Cupid and Psyche - Palace Green Murals - Psyche set by Venus the Task

Cupid and Psyche - Palace Green Murals - Psyche set by Venus the Task
BIR185874 Cupid and Psyche - Palace Green Murals - Psyche set by Venus the Task, 1881 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Feast of Peleus (oil on panel)

The Feast of Peleus (oil on panel)
BIR185835 The Feast of Peleus (oil on panel) by Burne-Jones, Edward Coley (1833-98); 36.9x10.9 cm; Birmingham Museums and Art Gallery; (add.info.: wedding feast of Thetis and Peleus; ); English

Background imagePre-raphaelites & Neo-classical Collection: Design for If, 1866 (pen & black ink over pencil on paper)

Design for If, 1866 (pen & black ink over pencil on paper)
BIR189290 Design for If, 1866 (pen & black ink over pencil on paper) by Sandys, Anthony Frederick Augustus (1829-1904); 18.4x13.7 cm; Birmingham Museums and Art Gallery; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Autumn, c. 1860-62 (oil on panel)

Autumn, c. 1860-62 (oil on panel)
BIR189238 Autumn, c.1860-62 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); 24.7x35.5 cm; Birmingham Museums and Art Gallery; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Daughters of the Mist (oil on canvas)

Daughters of the Mist (oil on canvas)
WDM204745 Daughters of the Mist (oil on canvas) by Morgan, Evelyn De (1855-1919); 98x45 cm; De Morgan Collection, courtesy of the De Morgan Foundation; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: In the Garden of Proserpina, 1893 (oil on canvas)

In the Garden of Proserpina, 1893 (oil on canvas)
Ma201335 In the Garden of Proserpina, 1893 (oil on canvas) by Payne, Henry A. (Harry) (1868-1940); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study for a Stained Glass Window (chalk on paper)

Study for a Stained Glass Window (chalk on paper)
Ma199040 Study for a Stained Glass Window (chalk on paper) by Burne-Jones, Edward Coley (1833-98); 61x33 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Head of a Girl (red chalk on paper)

Head of a Girl (red chalk on paper)
Ma198556 Head of a Girl (red chalk on paper) by Waterhouse, John William (1849-1917); 35.5x30.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Dantes Dream at the Time of the Death of Beatrice - Study of Dante holding the Hand

Dantes Dream at the Time of the Death of Beatrice - Study of Dante holding the Hand
BIR189832 Dantes Dream at the Time of the Death of Beatrice - Study of Dante holding the Hand of Love (pencil on paper) by Rossetti

Background imagePre-raphaelites & Neo-classical Collection: Home from work, 1861 (oil on canvas)

Home from work, 1861 (oil on canvas)
FC68081 Home from work, 1861 (oil on canvas) by Hughes, Arthur (1832-1915); 102.9x78.7 cm; The FORBES Magazine Collection, New York; eForbes Magazine Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Two Figures in a Cave

Two Figures in a Cave
WDM68115 Two Figures in a Cave by Stanhope, John Roddam Spencer (1829-1908); 64.1x41.3 cm; De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Pavonia, 1859 (oil on canvas)

Pavonia, 1859 (oil on canvas)
MAL64816 Pavonia, 1859 (oil on canvas) by Leighton, Frederic (1830-96); 53.3x41.9 cm; Private Collection; eMallett Gallery, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Pansies, c. 1875 (oil on canvas)

Pansies, c. 1875 (oil on canvas)
HTL64814 Pansies, c.1875 (oil on canvas) by Moore, Albert Joseph (1841-93); 26x19.1 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study of Aggie Manetti (pencil on paper)

Study of Aggie Manetti (pencil on paper)
2563392 Study of Aggie Manetti (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 31.7x24.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Washing Place (pencil, w / c & bodycolour on paper)

The Washing Place (pencil, w / c & bodycolour on paper)
1763752 The Washing Place (pencil, w/c & bodycolour on paper) by Stanhope, John Roddam Spencer (1829-1908); 40.6x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Design for stained glass in Lyndhurst Church: An Angel Organist

Design for stained glass in Lyndhurst Church: An Angel Organist
1217853 Design for stained glass in Lyndhurst Church: An Angel Organist, 1886 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 55x58 cm; Ashmolean Museum

Background imagePre-raphaelites & Neo-classical Collection: The Death of the Old Year (pen and black ink)

The Death of the Old Year (pen and black ink)
1217747 The Death of the Old Year (pen and black ink) by Millais, John Everett (1829-96); 9.7x8.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper

The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper
1218066 The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: The Story of Cupid and Psyche: The Black Water, c. 1864 - c

The Story of Cupid and Psyche: The Black Water, c. 1864 - c
1218019 The Story of Cupid and Psyche: The Black Water, c. 1864 - c. 1868 (graphite, with an ink border, on tracing paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum

Background imagePre-raphaelites & Neo-classical Collection: Music, 1877 (oil on canvas)

Music, 1877 (oil on canvas)
1217950 Music, 1877 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 68x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper)

Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper)
1217714 Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper) by Millet, Jean-Francois (1814-75); 17.4x23.5 cm; Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper)

Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper)
1217571 Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper) by Rossetti, Dante Gabriel Charles (1828-82); 44.2x31.6 cm; Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: The Crusaders Return, 1840 (Pen and brown ink on off-white paper)

The Crusaders Return, 1840 (Pen and brown ink on off-white paper)
1217544 The Crusaders Return, 1840 (Pen and brown ink on off-white paper) by Millais, John Everett (1829-96); 24.6x34.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imagePre-raphaelites & Neo-classical Collection: Portrait of Ford Madox Brown (watercolour over graphite with pen

Portrait of Ford Madox Brown (watercolour over graphite with pen
1217505 Portrait of Ford Madox Brown (watercolour over graphite with pen and blue ink on off-white paper) by Millais, John Everett (1829-96); 11.4x11.4 cm; Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: Iphis and Anaxarete (watercolour with pen and ink)

Iphis and Anaxarete (watercolour with pen and ink)
1217502 Iphis and Anaxarete (watercolour with pen and ink) by Millais, John Everett (1829-96); 8.1x13.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Cartoon for a Stained Glass Window of Eve, 1862 (black chalk with pen and brush and wash)

Cartoon for a Stained Glass Window of Eve, 1862 (black chalk with pen and brush and wash)
1217500 Cartoon for a Stained Glass Window of Eve, 1862 (black chalk with pen and brush and wash) by Brown, Ford Madox (1821-93); 156x64 cm; Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint

Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint
1217458 Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint and watercolour) by Burne-Jones, Edward Coley (1833-98); 34.9x22.8 cm; Ashmolean Museum

Background imagePre-raphaelites & Neo-classical Collection: Album of forty-eight drawings (WA1939. 9. 1 - 48)

Album of forty-eight drawings (WA1939. 9. 1 - 48)
1217456 Album of forty-eight drawings (WA1939.9.1 - 48) by Burne-Jones, Edward Coley (1833-98); 20.1x13.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: St Cecilia (pen and brown ink on discoloured white paper)

St Cecilia (pen and brown ink on discoloured white paper)
1217453 St Cecilia (pen and brown ink on discoloured white paper) by Rossetti, Dante Gabriel Charles (1828-82); 12.6x9.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imagePre-raphaelites & Neo-classical Collection: Le crypte de l Aquilon, Mont St Michel, c. 1876 (black, white

Le crypte de l Aquilon, Mont St Michel, c. 1876 (black, white
1217411 Le crypte de l Aquilon, Mont St Michel, c. 1876 (black, white, and brown chalk with some ink over graphite) by Hunt, Alfred William (1830-96); 24.5x33.5 cm; Ashmolean Museum

Background imagePre-raphaelites & Neo-classical Collection: Head of a woman (pencil on paper)

Head of a woman (pencil on paper)
1630585 Head of a woman (pencil on paper) by Strudwick, John Melhuish (1849-1937); Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Oedipus at Colonus, 1788 (oil on canvas)

Oedipus at Colonus, 1788 (oil on canvas)
1070624 Oedipus at Colonus, 1788 (oil on canvas) by Giroust, Jean-Antoine-Theodore (1753-1817); 164x194 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, Mrs. John B

Background imagePre-raphaelites & Neo-classical Collection: With the Wind (coloured chalks on paper)

With the Wind (coloured chalks on paper)
1122120 With the Wind (coloured chalks on paper) by Hughes, Edward Robert (1851-1914); 27.3x22.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study associated with 'The Dream of Lancelot'

Study associated with "The Dream of Lancelot"
1072178 Study associated with " The Dream of Lancelot", 19th century (chalk on brown paper) by Burne-Jones, Edward Coley (1833-98); 37.1476x23.8125x cm; Dallas Museum of Art, Texas

Background imagePre-raphaelites & Neo-classical Collection: Loves Shadow, c. 1867 (oil on panel)

Loves Shadow, c. 1867 (oil on panel)
1066106 Loves Shadow, c.1867 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Enchantress (oil on canvas laid down on board)

The Enchantress (oil on canvas laid down on board)
930146 The Enchantress (oil on canvas laid down on board) by Hughes, Arthur (1832-1915); 40x25.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Sleeping Beauty, 1921 (oil on canvas)

The Sleeping Beauty, 1921 (oil on canvas)
884766 The Sleeping Beauty, 1921 (oil on canvas) by Collier, John (1850-1934); 111.7x142.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study for the Venus in The Godhead Fires (pencil on paper)

Study for the Venus in The Godhead Fires (pencil on paper)
869285 Study for the Venus in The Godhead Fires (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21.6x14.6 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Knights and the Briar Rose, 1869 (detail of 198347)

The Knights and the Briar Rose, 1869 (detail of 198347)
869932 The Knights and the Briar Rose, 1869 (detail of 198347) by Burne-Jones, Edward Coley (1833-98); Private Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Tomb of Felix and Elisa Baciocchi, San Petronio Basilica, Bologna, c

Tomb of Felix and Elisa Baciocchi, San Petronio Basilica, Bologna, c
872820 Tomb of Felix and Elisa Baciocchi, San Petronio Basilica, Bologna, c.1900-20 (pencil & w/c on paper) by French School, (20th century); BibliothAque Paul-Marmottan

Background imagePre-raphaelites & Neo-classical Collection: Young Man Accompanying a Young Woman on Horseback (pen & brown ink with wash over black

Young Man Accompanying a Young Woman on Horseback (pen & brown ink with wash over black
880414 Young Man Accompanying a Young Woman on Horseback (pen & brown ink with wash over black chalk on paper) by German School, (19th century); 27.6x40.2 cm; Minneapolis Institute of Arts, MN

Background imagePre-raphaelites & Neo-classical Collection: Luna, c. 1872-75 (oil on canvas)

Luna, c. 1872-75 (oil on canvas)
3281439 Luna, c.1872-75 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 101x71 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Gardeners Daughter (oil on canvas)

The Gardeners Daughter (oil on canvas)
659826 The Gardeners Daughter (oil on canvas) by Lee, John Ingle (fl.1868-91); 23.2x18.1 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Portrait of Annie Miller (pencil on paper)

Portrait of Annie Miller (pencil on paper)
622566 Portrait of Annie Miller (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 41.5x32 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid

Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid
621807 Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.1x13.6 cm; Private Collection; Photo eChristies Images; English

Background imagePre-raphaelites & Neo-classical Collection: Dido and Cupid, page 26 from Virgils Aeneid (w / c on vellum)

Dido and Cupid, page 26 from Virgils Aeneid (w / c on vellum)
621806 Dido and Cupid, page 26 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 10x6.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Cassandra bound, page 44 from Virgils Aeneid (w / c on vellum)

Cassandra bound, page 44 from Virgils Aeneid (w / c on vellum)
621802 Cassandra bound, page 44 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Dante Gabriel Rossetti bringing cushions to Jane Morris (pencil on paper)

Dante Gabriel Rossetti bringing cushions to Jane Morris (pencil on paper)
622444 Dante Gabriel Rossetti bringing cushions to Jane Morris (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 17.8x11.5 cm; Private Collection; (add.info)



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