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Polyptych from Vallombrosa Abbey, detail of the right hand side showing Saint John the Baptist

Polyptych from Vallombrosa Abbey, detail of the right hand side showing Saint John the Baptist


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Polyptych from Vallombrosa Abbey, detail of the right hand side showing Saint John the Baptist

XIR439279 Polyptych from Vallombrosa Abbey, detail of the right hand side showing Saint John the Baptist and another Saint, 1528 (oil on panel) (detail of 50405) by Sarto, Andrea del (1486-1530); Galleria degli Uffizi, Florence, Italy; (add.info.: Polyptyque de l eglise de Vallombrosa (volet droit); St Jean Baptiste et St?; ); Italian, out of copyright

Media ID 12881486

© www.bridgemanimages.com

Altarpiece Ecclesiastical Dress Hair Shirt Mitre Putti Staff Cherubs


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EDITORS COMMENTS
This print showcases a detailed section of the Polyptych from Vallombrosa Abbey, specifically focusing on the right-hand side featuring Saint John the Baptist and another saint. Created in 1528 by Italian artist Andrea del Sarto, this oil on panel masterpiece resides in the prestigious Galleria degli Uffizi in Florence, Italy. In this exquisite detail, we see Saint John the Baptist depicted with utmost reverence. Clad in ecclesiastical dress and donning a hair shirt, he holds a staff while wearing an intricately designed mitre atop his head. The saint's serene expression exudes wisdom and spirituality as he gazes into the distance. Beside him stands another unidentified saint, their identity shrouded in mystery yet equally adorned with religious symbols and attire. Surrounding these figures are charming putti and cherubs that add an ethereal touch to the composition. The polyptych itself is a testament to del Sarto's mastery of Renaissance artistry. Its intricate details and meticulous brushwork exemplify his skillful technique and devotion to biblical themes. This print not only captures the beauty of this altarpiece but also serves as a reminder of its historical significance within Christian iconography. It invites viewers to delve into its rich symbolism while appreciating del Sarto's contribution to art history.

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