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The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744

The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744


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The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744

XJF867801 The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744 (engraving) by English School, (18th century); Private Collection; (add.info.: BM J, 1.116); English, out of copyright

Media ID 12940555

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Anglican Church Of England Clerical Curate Dean Greed Living Monks Parish Prelate Protestant Rector Vicar Ecclesiastical Holy Orders Incumbent Parishes Religious Orders


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> Arts > Artists > C > Edward Cooper

> Arts > Artists > P > Nathaniel Parr

> Arts > Pop art > Satire > Satirical artwork

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> Fine Art Finder > Artists > Nathaniel Parr

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The Pluralist

EDITORS COMMENTS
is a captivating print created by Nathaniel Parr and published by Edward Cooper around 1744. This intriguing engraving, attributed to the English School of the 18th century, showcases a scene filled with religious figures such as priests, monks, and clergy members. The image offers a satirical commentary on various aspects of religion during that time. In this thought-provoking artwork, we witness an array of characters representing different religious orders within the established church. The artist skillfully portrays their distinctive attire and clerical bands while highlighting their roles within the ecclesiastical hierarchy. The central theme explored in "The Pluralist" revolves around greed and sinecure prevalent among some members of the clergy. It humorously depicts how certain individuals held multiple positions or benefices simultaneously, often leading to neglecting their pastoral duties for personal gain. Through clever caricature and satire, Parr's print sheds light on issues surrounding parishes, incumbents, prelates, deans, rectors, vicars – all elements associated with Church of England at that time. The cartoon-like style adds an element of playfulness to this social critique. This particular print captures not only the artistic brilliance but also provides valuable historical insights into religious practices during the 18th century in England. As it belongs to a private collection and falls out of copyright restrictions today; it serves as a significant visual record for those interested in exploring the complexities surrounding religion and its influence on society from centuries past

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