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The Senatorial Round-House, from Harpers Weekly, 1886 (engraving)
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The Senatorial Round-House, from Harpers Weekly, 1886 (engraving)
PNP246918 The Senatorial Round-House, from Harpers Weekly, 1886 (engraving) by Nast, Thomas (1840-1902); Private Collection; (add.info.: honourable spokesman for American railroads blowing off steam ; ); Peter Newark American Pictures; American, out of copyright
Media ID 22662438
© Peter Newark American Pictures / Bridgeman Images
7 Deadly Sins Anger Angry Authorities Capitol Hill Corruption Cow Catcher Debate Dollar Sign Furor Heads Humourous Locomotive Orator Outrage Paunch Rage Railroad Seven Deadly Sins Speaking Union Feeling Round House Special Interest
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The Senatorial Round-House - A Satirical Take on American Railroads and Corruption
EDITORS COMMENTS
. This photo print, taken from Harpers Weekly in 1886, showcases an engraving by the talented Thomas Nast. Titled "The Senatorial Round-House" it offers a humorous yet scathing commentary on the state of American railroads and political corruption during that era. In this intriguing artwork, we witness an outrageously comical scene unfold. An honorable spokesman for American railroads is depicted blowing off steam - quite literally! The locomotive-like figure with a dollar sign cow catcher represents the special interest groups and authorities who manipulate the system to their advantage. As smoke billows from its chimney head, this satirical caricature stands atop Capitol Hill, symbolizing how corruption has infiltrated even the highest levels of government. Surrounding him are other heads representing various seven deadly sins like anger, rage, furor, and paunchy figures embodying greed and gluttony. Nast's sharp wit shines through as he captures both the absurdity and frustration felt by ordinary Americans at that time. Through clever symbolism and exaggerated characters, he exposes the dark underbelly of railway politics while simultaneously entertaining his audience. This remarkable engraving serves as a reminder that satire can be a powerful tool for social critique. It invites viewers to reflect on issues such as corporate influence in politics and challenges us to question those in positions of power who prioritize personal gain over public welfare.
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