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Literature Collection (page 4)

2,657 items

Background imageLiterature Collection: Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre

Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos
CHT239749 Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving)

Background imageLiterature Collection: Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang

Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper)
STC323722 Ulysses Shoots the First Arrow at the Wooers, from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper) by Ford

Background imageLiterature Collection: Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton

Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho)
489646 Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageLiterature Collection: Ruggiero Rescuing Angelica, 1841 (oil on canvas)

Ruggiero Rescuing Angelica, 1841 (oil on canvas)
XIR182582 Ruggiero Rescuing Angelica, 1841 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France

Background imageLiterature Collection: The dragon... fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom

The dragon... fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom
IL197491 The dragon...fell to earth dead, from St. George and the Dragon, The Seven Champions of Christendom, by Rose Yeatman Woolf, published by Raphael Tuck, 1920s (colour litho) by Davie

Background imageLiterature Collection: Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled

Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B. W
IL193489 Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection

Background imageLiterature Collection: He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by

He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens
PER248009 He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho) by French School

Background imageLiterature Collection: Robinson Crusoe and Man Friday, c. 1880 (colour litho)

Robinson Crusoe and Man Friday, c. 1880 (colour litho)
CHT167327 Robinson Crusoe and Man Friday, c.1880 (colour litho) by Offterdinger, Carl (1829-89); Private Collection; (add.info.: meeting for the first time; ); © Archives Charmet

Background imageLiterature Collection: Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos

Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239751 Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo) by Lafrensen

Background imageLiterature Collection: The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving)

The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving)
KW115016 The Red Cross Knight, from the first edition of Faerie Queen by Edmund Spenser, 1590 (engraving) by English School, (16th century); Private Collection

Background imageLiterature Collection: Francesca and Paolo, 1854 (oil on canvas)

Francesca and Paolo, 1854 (oil on canvas)
XKH204871 Francesca and Paolo, 1854 (oil on canvas) by Scheffer, Ary (1795-1858); 58.2x80.5 cm; Hamburger Kunsthalle, Hamburg

Background imageLiterature Collection: Andromache mourning Hector, 1783

Andromache mourning Hector, 1783
PWI82870 Andromache mourning Hector, 1783 by David, Jacques Louis (1748-1825); 58x43 cm; Pushkin Museum, Moscow, Russia; © Peter Willi

Background imageLiterature Collection: The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print)

The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print)
STC273099 The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print) by Beardsley, Aubrey (1872-98); Private Collection; The Stapleton Collection

Background imageLiterature Collection: Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos

Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239750 Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo)

Background imageLiterature Collection: The Grosse Margot and the Three Hanged Men, 1489 (engraving)

The Grosse Margot and the Three Hanged Men, 1489 (engraving)
XIR213023 The Grosse Margot and the Three Hanged Men, 1489 (engraving) by French School, (15th century); Bibliotheque Nationale, Paris

Background imageLiterature Collection: Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto

Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533)
CHT239758 Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533) published 1888, Paris (engraving) by Dore

Background imageLiterature Collection: Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi

Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi
XIR172451 Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi!, illustration from chapter 9 of Candide by Francois Voltaire (1694-1778) engraved by Philippe Triere (1756-1815)

Background imageLiterature Collection: The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)

The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)
XIL212533 The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas) by Blanc, Joseph Paul (1846-1904); 334x225 cm; Musee des Beaux-Arts, Lille, France

Background imageLiterature Collection: The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print)

The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print)
STC102395 The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print) by Beardsley, Aubrey (1872-98); Private Collection; The Stapleton Collection

Background imageLiterature Collection: The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443)

The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443)
XIR182426 The Shipwreck of Don Juan, 1840 (oil on canvas) (see also 14443) by Delacroix, Ferdinand Victor Eugene (1798-1863); 135x196 cm; Louvre, Paris

Background imageLiterature Collection: The Giaour, 1826 (oil on canvas)

The Giaour, 1826 (oil on canvas)
831232 The Giaour, 1826 (oil on canvas) by Colin, Alexandre Marie (1798-1875); 99.5x81 cm; Private Collection; (add.info.: After The Giaour by Lord Byron); Photo © Christies Images

Background imageLiterature Collection: To the Virgins to make much of Time, illustration from The Book of Old English Songs and Ballads

To the Virgins to make much of Time, illustration from The Book of Old English Songs and Ballads
IL314813 To the Virgins to make much of Time, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: The Indolents, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1928 (pochoir print)

The Indolents, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1928 (pochoir print)
STC226943 The Indolents, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1928 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageLiterature Collection: Miss Fotheringay and Captain Costigan, illustration from Characters of Romance

Miss Fotheringay and Captain Costigan, illustration from Characters of Romance, first published 1900 (colour litho)
ELB109869 Miss Fotheringay and Captain Costigan, illustration from Characters of Romance, first published 1900 (colour litho) by Nicholson

Background imageLiterature Collection: Miss Havisham, illustration from Characters of Romance, first published 1900 (colour litho)

Miss Havisham, illustration from Characters of Romance, first published 1900 (colour litho)
ELB109868 Miss Havisham, illustration from Characters of Romance, first published 1900 (colour litho) by Nicholson, William (1872-1949); Private Collection; © Desmond Banks; English

Background imageLiterature Collection: Baron Munchausen, illustration from Characters of Romance, first published 1900 (colour litho)

Baron Munchausen, illustration from Characters of Romance, first published 1900 (colour litho)
ELB109874 Baron Munchausen, illustration from Characters of Romance, first published 1900 (colour litho) by Nicholson, William (1872-1949); Private Collection; © Desmond Banks; English

Background imageLiterature Collection: Then Orpheus took his harp and began his magic song, illustration for How they built the ship

Then Orpheus took his harp and began his magic song, illustration for How they built the ship "Argo"in
IL193712 Then Orpheus took his harp and began his magic song, illustration for How they built the ship " Argo" in Iolcos, from The Heroes of Greek Fairy Tales

Background imageLiterature Collection: He drew her and the baby safe upon a ledge of rock, illustration for How Perseus

He drew her and the baby safe upon a ledge of rock, illustration for How Perseus and his Mother came to Seriphos
IL193706 He drew her and the baby safe upon a ledge of rock, illustration for How Perseus and his Mother came to Seriphos, from The Heroes of Greek Fairy Tales

Background imageLiterature Collection: The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy

The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho)
IL193482 The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho) by Michael, Arthur C

Background imageLiterature Collection: Strength from Everyman, published by Chapman & Hall, 1925 (colour litho)

Strength from Everyman, published by Chapman & Hall, 1925 (colour litho)
NAT128222 Strength from Everyman, published by Chapman & Hall, 1925 (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: allegorical drama of the late Middle Ages; ); English

Background imageLiterature Collection: Illustration for Madame Bovary by Gustave Flaubert (1821-80) published by Gibert Jeune

Illustration for Madame Bovary by Gustave Flaubert (1821-80) published by Gibert Jeune, 1953 (colour engraving)
PER200533 Illustration for Madame Bovary by Gustave Flaubert (1821-80) published by Gibert Jeune, 1953 (colour engraving) by Brunelleschi, Umberto (1879-1949) (after); Private Collection

Background imageLiterature Collection: Illustration from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos, c. 1920 (pochoir print)

Illustration from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos, c. 1920 (pochoir print)
489294 Illustration from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos, c.1920 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageLiterature Collection: Our Lady Sings Magnificat, illustration from The Book of Old English Songs and Ballads

Our Lady Sings Magnificat, illustration from The Book of Old English Songs and Ballads
IL314808 Our Lady Sings Magnificat, illustration from The Book of Old English Songs and Ballads, published by Stodder and Houghton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: A Blind Child, illustration from The Book of Old English Songs and Ballads

A Blind Child, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314802 A Blind Child, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c

Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c. 1910 (colour litho)
IL314800 Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: The Way of Life, illustration from The Book of Old English Songs and Ballads

The Way of Life, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314819 The Way of Life, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: The Wish, illustration from The Book of Old English Songs and Ballads

The Wish, illustration from The Book of Old English Songs and Ballads, published by Stodder and Houghton, c
IL314816 The Wish, illustration from The Book of Old English Songs and Ballads, published by Stodder and Houghton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: A Morning Song, illustration from The Book of Old English Songs and Ballads

A Morning Song, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314814 A Morning Song, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageLiterature Collection: Illustration from Candide by Voltaire, published by Gibert Jeune, 1952 (colour engraving)

Illustration from Candide by Voltaire, published by Gibert Jeune, 1952 (colour engraving)
PER360311 Illustration from Candide by Voltaire, published by Gibert Jeune, 1952 (colour engraving) by Brunelleschi, Umberto (1879-1949) (after); Private Collection; (add.info.: Voltaire)

Background imageLiterature Collection: Lucy bids farewell to Sydney Carton, fontispiece from A Tale of Two Cities by Charles Dickens

Lucy bids farewell to Sydney Carton, fontispiece from A Tale of Two Cities by Charles Dickens (colour litho)
KW392569 Lucy bids farewell to Sydney Carton, fontispiece from A Tale of Two Cities by Charles Dickens (colour litho) by Cowper, Max (1860-1911); Private Collection

Background imageLiterature Collection: Hugh and Barnaby, frontispiece from Barnaby Rudge: A Tale of the Riots of Eighty by Charles

Hugh and Barnaby, frontispiece from Barnaby Rudge: A Tale of the Riots of Eighty by Charles Dickens (colour litho)
KW392565 Hugh and Barnaby, frontispiece from Barnaby Rudge: A Tale of the Riots of Eighty by Charles Dickens (colour litho) by Cowper, Max (1860-1911); Private Collection

Background imageLiterature Collection: Mr Pickwick awakened by Captain Boldwig, frontispiece from The Pickwick Papers by Charles Dickens

Mr Pickwick awakened by Captain Boldwig, frontispiece from The Pickwick Papers by Charles Dickens (colour litho)
KW392572 Mr Pickwick awakened by Captain Boldwig, frontispiece from The Pickwick Papers by Charles Dickens (colour litho) by Rainey, William (1852-1936); Private Collection

Background imageLiterature Collection: The water nymphs came up to look at him and loved him, illustration for How the Argonauts sailed

The water nymphs came up to look at him and loved him, illustration for How the Argonauts sailed to Colchis
IL193711 The water nymphs came up to look at him and loved him, illustration for How the Argonauts sailed to Colchis, from The Heroes of Greek Fairy Tales

Background imageLiterature Collection: Robinson Crusoe in his Hut, illustration from Robinson Crusoe by Daniel Defoe (1660-1731)

Robinson Crusoe in his Hut, illustration from Robinson Crusoe by Daniel Defoe (1660-1731) (colour litho)
IL193463 Robinson Crusoe in his Hut, illustration from Robinson Crusoe by Daniel Defoe (1660-1731) (colour litho) by Davie, Howard (fl.1914-44); Private Collection

Background imageLiterature Collection: Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood

Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood
IL197704 Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood, told by Rose Yeatman Woolf, published by Raphael Tuck, 1910-20 (colour litho) by Davie

Background imageLiterature Collection: Yniols rusted arms were on his princely person... illustration from Idylls of the King by Alfred

Yniols rusted arms were on his princely person... illustration from Idylls of the King by Alfred Tennyson (1809-92)
IL274120 Yniols rusted arms were on his princely person... illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton

Background imageLiterature Collection: Sorrow is hard to bear, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)

Sorrow is hard to bear, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)
IL370471 Sorrow is hard to bear, illustration from Rabbi Ben Ezra by Robert Browning (colour litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info)

Background imageLiterature Collection: Youth ended i shall try, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)

Youth ended i shall try, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)
IL370468 Youth ended i shall try, illustration from Rabbi Ben Ezra by Robert Browning (colour litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info)



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