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A Landscape in Ceylon, with Barking Deer and Fawn and a pair of Paradise Fly-Catchers, c
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A Landscape in Ceylon, with Barking Deer and Fawn and a pair of Paradise Fly-Catchers, c
XYC277130 A Landscape in Ceylon, with Barking Deer and Fawn and a pair of Paradise Fly-Catchers, c.1808-11 (w/c on paper) by Daniell, Samuel (1775-1811); 32.9x45.1 cm; Yale Center for British Art, Gift of Paul Mellon, USA; English, out of copyright
Media ID 12785975
© www.bridgemanart.com
Exotic Idyllic Jungle Palm Tree Palms Sri Lanka Muntjac Tropical Forest Zoological
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This stunning print captures the enchanting beauty of a landscape in Ceylon, transporting us to a world filled with exotic wonders. Painted by Samuel Daniell between 1808 and 1811, this watercolor on paper showcases the artist's exceptional talent for capturing nature's intricate details. In the foreground, we are greeted by a pair of Paradise Fly-Catchers, their vibrant plumage contrasting against the lush greenery of the tropical forest. These graceful birds seem to dance amidst the branches, adding an ethereal touch to this idyllic scene. Amidst this paradise lies a barking deer and its fawn, peacefully grazing beneath towering palm trees. The muntjac baby exudes innocence and vulnerability as it explores its surroundings under the watchful eye of its mother. This tender moment reminds us of nature's delicate balance and eternal cycle of life. The composition is masterfully executed, showcasing Daniell's ability to capture both grandeur and intimacy within one frame. The rich colors and meticulous brushwork transport us into this distant land, allowing us to momentarily escape our own reality. Displayed at Yale Center for British Art as part of Paul Mellon's generous gift, this artwork serves as a testament to humanity's fascination with exploration and appreciation for natural beauty. It invites viewers to immerse themselves in Sri Lanka's captivating landscapes while reminding us of our responsibility towards preserving these precious ecosystems for future generations.
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