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King Edward VI (1537-53) and the Pope, c. 1570 (oil on panel)
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King Edward VI (1537-53) and the Pope, c. 1570 (oil on panel)
XCF99911 King Edward VI (1537-53) and the Pope, c.1570 (oil on panel) by English School, (16th century); 62.2x90.8 cm; National Portrait Gallery, London, UK; (add.info.: An Allegory of the Reformation; Henry VIII (1491-1547) on his deathbed; scene on right hand side is The Destruction of Holy Images; Thomas Cranmer (1489-1556) Archbishop of Canterbury; Protector Somerset (Edward Seymour); John Russell, 1st Earl of Bedford; John Dudley, Duke of Northumberland; ); English, out of copyright
Media ID 12950944
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Anti Pope Death Bed Four Poster Bed Protestant 1548
EDITORS COMMENTS
This oil painting, titled "King Edward VI (1537-53) and the Pope" offers a thought-provoking glimpse into a pivotal moment in history. Created by an unknown English artist during the 16th century, this piece measures 62.2x90.8 cm and is currently housed at the National Portrait Gallery in London. The painting serves as an allegory of the Reformation, with King Edward VI depicted alongside the Pope. The scene on the right-hand side portrays Henry VIII on his deathbed, while also showcasing The Destruction of Holy Images. Notable figures such as Thomas Cranmer, Archbishop of Canterbury; Protector Somerset (Edward Seymour); John Russell, 1st Earl of Bedford; and John Dudley, Duke of Northumberland are also present. The composition exudes tension and symbolism: a puritanical court setting with a four-poster bed dominates the foreground while male figures surround it in council-like fashion. This portrayal highlights both religious conflict and political power struggles that defined this era. Notably anti-papal sentiments are evident throughout this artwork - from depicting the Pope being crushed to emphasizing an anti-pope sentiment overall. It serves as a visual representation of Protestant ideals prevailing over Catholicism during this transformative period. As we gaze upon this historical masterpiece, we are transported back to a time when religion shaped politics and society's fabric was woven through intricate webs of power dynamics. Through its rich details and complex narrative structure, this painting invites us to reflect upon our
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