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Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street, published in 1812
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Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street, published in 1812
XJF441252 Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street, published in 1812 (engraving) by Smith, John Thomas (1766-1833); Private Collection; (add.info.: Domestic architecture; " External specimen of the grotesque bracketed front and projecting stories of the reign of Edward VI" ; " These houses were taken down by the city in May 1799 to widen Chancery Lane, they were entirely of oak and plaster" ; Drawn in August 1789; the corner house was the scene of a presentation by cherubs of verses to Queen Elizabeth I while on a visit to the City to see Sir Thomas Gresham (1519-79) in January, 1571; ); English, out of copyright
Media ID 12881990
© www.bridgemanart.com
Cobbled Edward Vi Fleet Street Thomas Gresham Tudor Architecture Wooden Structure
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EDITORS COMMENTS
This engraving, titled "Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street" offers a glimpse into London's architectural history. Published in 1812 by John Thomas Smith, it showcases the unique charm of Tudor architecture that once graced this bustling corner. The image transports us back to August 1789 when these houses stood proudly before being taken down in May 1799 to widen Chancery Lane. Constructed entirely of oak and plaster, they epitomize the grotesque bracketed front and projecting stories popular during the reign of Edward VI. One cannot help but be intrigued by the historical significance surrounding these buildings. The corner house itself witnessed a remarkable event in January 1571 when cherubs presented verses to Queen Elizabeth I during her visit to Sir Thomas Gresham. This anecdote adds an enchanting layer to an already fascinating piece. The print captures not only architectural details but also provides insight into Georgian street life with figures scattered along the cobbled streets. It serves as a testament to London's ever-evolving topography and its rich tapestry of historical moments. Preserved within this private collection, this engraving invites viewers to appreciate both the artistic skill employed by John Thomas Smith and the intricate beauty found within London's past architectural treasures.
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