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The Horsewoman, Portrait of Giovanina and Amacilia Paccini, wards of Countess Samoilova

The Horsewoman, Portrait of Giovanina and Amacilia Paccini, wards of Countess Samoilova


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The Horsewoman, Portrait of Giovanina and Amacilia Paccini, wards of Countess Samoilova

BAL56611 The Horsewoman, Portrait of Giovanina and Amacilia Paccini, wards of Countess Samoilova, 1832 (oil on canvas) by Bryullov, Karl Pavlovich (1799-1852); 291.5x206 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Media ID 12919296

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Bloomers Calm Mother And Child Pantaloons Rearing Sidesaddle


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EDITORS COMMENTS
This print showcases the mesmerizing painting titled "The Horsewoman, Portrait of Giovanina and Amacilia Paccini, wards of Countess Samoilova" by Karl Pavlovich Bryullov. The artwork, created in 1832, is a stunning oil on canvas masterpiece measuring 291.5x206 cm and can be found at the Tretyakov Gallery in Moscow, Russia. In this portrait, we are introduced to two young girls named Giovanina and Amacilia Paccini who were adopted daughters of Countess Samoilova. The artist beautifully captures their innocence and grace as they sit elegantly side-saddle atop their majestic horses. Dressed in fashionable pantaloons or bloomers that were popular during that era for women equestrians, these young horsewomen exude confidence and poise. The calmness portrayed by both the girls and their noble steeds creates a serene atmosphere within the painting. A faithful dog stands loyally beside them as if guarding their every move. Bryullov's attention to detail is remarkable; he skillfully depicts every strand of hair on the girls' heads with precision while capturing the softness of their delicate features. This artwork not only celebrates female empowerment but also highlights the strong bond between mother figures like Countess Samoilova and her adopted children. This exceptional piece transports us back to a time when elegance reigned supreme in society while reminding us of timeless themes such as love, family bonds

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