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Going Home at Curfew Time

Going Home at Curfew Time


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Going Home at Curfew Time

BAL5708 Going Home at Curfew Time by Palmer, Samuel (1805-81); Victoria & Albert Museum, London, UK; English, out of copyright

Media ID 12919360

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Half Moon Moonlight


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> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Bovidae > Cattle

> Arts > Artists > P > Samuel Palmer

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Europe > United Kingdom > England > London > Museums > V&A (Victoria & Albert)

> Fine Art Finder > Artists > Samuel Palmer

> Fine Art Finder > Landscapes: 18th/19th C


Going Home at Curfew Time

EDITORS COMMENTS
captures the enchanting scene of a moonlit evening as depicted by Samuel Palmer, an English artist from the 19th century. This print, housed in the prestigious Victoria & Albert Museum in London, UK, transports viewers to a serene countryside setting. Bathed in the soft glow of a half moon, this idyllic landscape showcases Palmer's mastery in capturing nature's beauty. The focal point of the image is a group of cattle making their way home under curfew time. The moonlight casts long shadows on the ground and illuminates their path as they traverse through rolling hills and meandering streams. The tranquility of this moment is palpable; it evokes a sense of calmness and peace that can only be found when nightfall descends upon rural landscapes. Palmer's attention to detail shines through every brushstroke, creating an ethereal atmosphere that enchants all who gaze upon it. The play between light and shadow adds depth to the composition while highlighting the natural contours of each element within the scene. This timeless artwork serves as a reminder that even amidst darkness and uncertainty, there is always hope for safe passage back home. "Going Home at Curfew Time" invites us to pause and appreciate life's simple pleasures – like witnessing nature's wonders under a luminous sky – reminding us that sometimes solace can be found in our journey towards familiar grounds.

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