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Francis I drives out the Vices and enters the Temple of Jupiter, c. 1522-40 (fresco)
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Francis I drives out the Vices and enters the Temple of Jupiter, c. 1522-40 (fresco)
XIR430590 Francis I drives out the Vices and enters the Temple of Jupiter, c.1522-40 (fresco) by Rosso Fiorentino, Giovanni Battista (1494-1540); Chateau de Fontainebleau, Seine-et-Marne, France; (add.info.: Francois 1st dominating the Vices enters the Temple of Jupiter; ); Italian, out of copyright
Media ID 18256097
© Chateau de Fontainebleau, Seine-et-Marne, France / Bridgeman Images
Anguish Blindfold Blindfolded Classical Dress Despair Gesturing Ignorance Lust Mannerist Personification Personifications Pride Roman Emperor Vice Allegorical Monarch
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EDITORS COMMENTS
In this fresco titled "Francis I drives out the Vices and enters the Temple of Jupiter" we are transported to a scene of great significance and symbolism. Painted by Rosso Fiorentino in the early 16th century, this masterpiece is housed in the majestic Chateau de Fontainebleau in France. The image portrays King Francis I as he triumphantly banishes the vices from his kingdom, personified by blindfolded figures representing anguish, pride, despair, lust, ignorance, and more. With classical elegance and grandeur befitting a monarch, Francis I strides confidently towards the Temple of Jupiter - an allegorical representation of wisdom and enlightenment. Dressed in regal attire that exudes power and authority, Francis I gestures with determination as he takes charge of his realm. This mannerist artwork beautifully captures both his royal stature and his commitment to purging society of its moral shortcomings. Through this allegory rich with symbolism, Rosso Fiorentino reminds us that even those in positions of power must confront their own vices to lead wisely. The juxtaposition between lightness and darkness within the composition serves as a visual reminder that true enlightenment can only be achieved through self-reflection and growth. This remarkable print invites viewers into a world where art meets philosophy; it challenges us to consider our own personal journeys towards virtue while marveling at Rosso Fiorentino's masterful technique.
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